Long out of print, it is now available exactly as it appeared fifty years ago as one of the four hundred copies published by the McGill Poetry Series in Canada, with its original cover and illustrations by Canadian artist Freda Guttman.

    Canadian Literature greeted its first appearance in these terms: "It is the French-Canadian writer Roch Carrier who comes closest to the significance, power and artistry of Faulkner at his best . . . . He might well be able to do for French Canada what Faulkner did for the American South."

    Because let’s face it! We hoomans are obviously stupid and trust me unicorns are never wrong. Did you know? The horn of the unicorn symbolizes ultimate truth and it has the power to pierce the chest of anyone who tries to lie. Damn!‘Uuuuuuuunicornnnnnnnnnnnnn,’ I yawned, waking up, after being thrown back to our crap-shit called Earth.‘So fellow hoomans, let’s begin.’About the book:This book is a sarcastic and humorous take on various themes like love, life, humanity, healing, and heartbreak - expressed through 51 beautiful chapters of relatable quotes, musings and poems. It basically deals with what we humans go through on a day-to-day basis. Moreover, every chapter is accompanied by a unique and perfectly orchestrated author's rant or opinion focused on one single person; You.

    We were made to sing and recite poetry in groups. The rhyming words somehow would bring a sense of enjoyment, and they won’t leave our mind even with the passing days. Poetry holds magic. A magic to change the moment and bring out the joyous hidden self. We all in some point or another had come across a poetry that either taught us the unlearned or brought back a memory or just a smile.Piece of poetry is an effort to share some thoughts through prose. Each poetry was written with a story in mind, willing to be talked about. The thoughts that didn’t need sophisticated words, but they were craving for rhythm.The idea was to point out some of the feelings and emotions that were desperate to be shared. Some untold words, a certain perspective that was always doubted by self and others. Piece of poetry is an honest attempt to format these feelings into a song, hoping that it would stick with everyone who decided to read it.

    A large and important collection by one of Eastern Europe's major contemporary poets.

    Ranging through many languages, he chose for translation writers whose work marked a significant turning point in the development of world literature, or key poems which exemplify what is most vital in a given period or genre. This new enlarged edition, devoted chiefly to poetry, includes some forty pages of previously uncollected material. Anglo-Saxon: The Seafarer. Chinese: (Cathay) Rihaku (Li Po). Bunno, Mei Sheng, T'ao Yuan Ming. Egyptian: Conversations in Courtship. French: du Bellay, de Boufflers, D'Orléans, Lalorgue, Lubicz-Milosz, Rimbaud, Tailhade. Prose: de Gourmont. Hindi: Kabir. Italian: Cavalcanti, St. Francis, Guinicelli, Leopardi, Montanari, Orlandi. Japanese Noh Plays: 15 plays with Fenollosa's commentary. Latin: Catullus, Horace, Navagero, Rutilius. Provençal: Bertrand de Born, Cercalmon, Daniel, Folquet de Romans, Li Viniers, Ventadorn.

    Haiku are practiced by poets, lovers, and schoolchildren, by “political haiku” twitterers, by anyone who has the desire to pin preception and experience into a few quick phrases. This essay offers readers unparalleled insight into the living heart of haiku—how haiku work and what they hold, and how to read through and into their images to find a full expression of human life and perceptions, sometimes profound, sometimes playful.

    When Christie Blatchford wandered into a Toronto courtroom in 1978 for the start of the first criminal trial she would cover as a newspaper reporter, little did she know she was also at the start of a self-imposed life sentence. In this book, Christie Blatchford revisits trials from throughout her career and asks the hard questions--about judges playing with the truth--through editing of criminal records, whitewashing of criminal records, pre-trial rulings that kick out evidence the jury can't hear. She discusses bad or troubled judges--how and why they get picked, and what can be done about them. And shows how judges are handmaidens to the state, as in the Bernardo trial when a small-town lawyer and an intellectual writer were pursued with more vigor than Karla Homolka. For anyone interested in the political and judicial fabric of this country, Life Sentence is a remarkable, argumentative, insightful and hugely important book.

    These were the days when the young Oilers, led by a teenaged Wayne Gretzky, were poised on the edge of greatness, and about to blaze their way into the record books and the consciousness of a nation. While the story of the early Oilers embodies the book, The Game of Our Lives is much more than a retelling of one season in the life of an NHL team.Unlike any book ever written in the annals of hockey, Gzowski beautifully weaves together the anatomy of a modern NHL team with the magnificent history of the game to create one of the best books about hockey in Canada. Here are the great teams and the great players through the ages—Morenz, Richard, Howe, Orr, Hull—the men whose rare and indefinable genius on the ice exemplified the speed, grit and innovation of the game.The Game of Our Lives is the best book on the Canadian passion for hockey; a wondrously perceptive account of the hold the game has on Canadians. —Jack Granatstein, The National Post

    These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In "For All My Walking, " master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems.This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

    Her poems are intimate and real. They speak of lovers, friends, family, and self, with a powerful emotional honesty that makes you smile in self-recognition. My Song for Him Who Never Sang to Me is Merrit's first book.

    It can often seem like there's no way things will ever get better. I wrote this book to remind you that it will, and to give you some comfort and hope along the way. May you find the healing and love your heart deserves. -Illiana Cenjur

    The poetry he chose supplied qualities that were lacking from the literary culture of this country. For the first time Robert Bly’s brilliant translations, from several languages, have been brought together in one book. Here, in The Winged Energy of Delight, the poems of twenty-two poets, some renowned, others lesser known, are brought together.At a time when editors and readers knew only Eliot and Pound, Robert Bly introduced the earthy wildness of Pablo Neruda and Cesar Vallejo and the sober grief of Trakl, as well as the elegance of Jiménez and Tranströmer. He also published high-spirited versions of Kabir and Rumi, and Mirabai, which had considerable influence on the wide culture of the 1970s and 1980s. Bly’s clear translations of Rilke attracted many new readers to the poet, and his versions of Machado have become models of silence and depth. He continues to bring fresh and amazing poets into English, most recently Rolf Jacobsen, Miguel Hernandez, Francis Ponge, and the ninteenth-century Indian poet Ghalib. As Kenneth Rexroth has said, Robert Bly “is one of the leaders of a poetic revival which has returned American literature to the world community.”

    He was also a distinguished author, educator, social reformer, and philosopher. Today, Tagore along with Mahatma Gandhi is prized as the foremost intellectual and spiritual advocates of India's liberation from imperial rule. This inspiring collection of Tagore's poetry represents his "simple prayers of common life." Each of the seventy-seven prayers is an eloquent affirmation of the divine in the face of both joy and sorrow. Like the Psalms of David, they transcend time and speak directly to the human heart. The spirit of this collection may be best symbolized by a single sentence by Sarvepalli Radhakrishnan, the renowned philosopher and statesman who served as president of India: "Rabindranath Tagore was one of the few representatives of the universal person to whom the future of the world belongs."

    After the overwhelming interest generated by the original limited letterpress edition of Execution Poems, Gaspereau Press released this trade edition which went on to win Canada's highest literary honour in 2001. The jurors of the Governor General's Literary Award called this book "raging, gristly, public — and unflinchingly beautiful," and remarked on Clarke's "explosive, original language."In 1949, George and Rufus Hamilton were hanged for the murder of a taxi driver in Fredericton, New Brunswick. Fifty years later, Clarke has written, in his abundant style, a series of poems that embody both damnation and redemption, offering convoluted triumphs alongside tragedy and blurring the line between perpetrator and victim. What Clarke presents in Execution Poems is uncomfortable. He reminds us of racism and poverty; of their brutal, tragic results. He reminds us of society's vengefulness. He blurs the line between the perpetrator and the victim — a line we'd prefer remain simple and clear. At the heart of it, Clarke is frustrating the notion that society deals any better with these issues today than it did in the 1940s.