While she has made a happy life for herself since moving to Broome, she's never told her friends there why she divorced her husband, nor why she made the heartbreaking decision to return home to Australia, leaving her son behind in France. Jean-Luc's yearly visits to the Kimberley are her happiest periods, matched only by her sadness each time their annual reunions end.Jacqui's tranquil existence is about to be disrupted. A charming filmmaker's flattering attention reminds her that it might be time to put the past behind her. A childhood acquaintance who appears in Broome irritates her just as much as he did when they were young. And the community she has come to love threatens to tear itself apart when a proposed mining development forces people to take sides. Jacqui is faced with difficult choices on all fronts. She wants to do the right thing, but how can she know what the right thing is?

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    But a devastating loss puts her dreams at risk. With no options left, Liz is forced to turn to her estranged sister Kayla for help.Kayla has built a new life in the city as a wedding planner, far removed from the stableyard sweat and dust of her rural upbringing. She never thought she'd go back. But when Liz calls out of the blue, Kayla forms a plan that could save their childhood home.Kayla's return forces Liz to confront her past ... and her future, in the shape of Mitch, her first and only love, who still watches over her from the other side of the creek.But Liz still hides a terrible secret. When Kayla learns the truth, will the Lawson sisters find common ground or will their conflict splinter the family once again?'With the scent of eucalyptus on the air, estranged sisters and a homestead echoing past regrets and missed chances, The Lawson Sisters has everything you want in an Aussie romance.' - Fiona Lowe, bestselling Australian author

    Take one city girl - and drop her into the back of beyond...Housesitting in rural Burdekin's Gap, high up in the East Gippsland Mountains, is not an obvious career move for a PR executive like Jaime Hanrahan. But, hey, retrenchment is a kicker. Plus she's determined not to spend Christmas in Melbourne with her friends, who still have company cars and six-figure salaries, or with her mother, Blanche, who has remarried too soon after her father's death.However, it turns out that Burdekin's Gap is a little more remote than Jaime had anticipated, the house is in the middle of a cattle station, and the handsome manager, Stirling McEvoy, doesn't appreciate a new farmhand in Jimmy Choos and Sass & Bide cut-offs. Soon Jaime is fending off stampeding cows, town ladies wielding clipboards, sheep that think they are goats, nude sportsmen and one very neurotic cat. So why does she feel like she's falling in love . . . with the life, with the breathtaking landscape, and with one infuriating cowboy?

    THE MAN FROM SNOWY RIVER is a box office hit and Paul Hogan is on the TV. In a seaside suburb, housewife Theresa takes up swimming. She wants to get fit; she also wants a few precious minutes to herself. So at sunrise each day she strikes out past the waves.From the same beach, the widowed Marie swims. With her husband gone, bathing is the one constant in her new life.After finding herself in a desperate situation, 25-year-old Leanne only has herself to rely on. She became a nurse to help others, even as she resists help herself.Elaine has recently moved from England. Far from home and without her adult sons, her closest friend is a gin bottle.In the waters of Shelly Bay, these four women find each other. They will survive bluebottle stings and heartbreak; they will laugh so hard they swallow water, and they will plunge their tears into the ocean's salt. They will find solace and companionship, and learn that love takes many forms. Most of all, they will cherish their friendship, each and every day. 'Reading this book was like snuggling beneath a warm beach towel after a bracing dip in the ocean.' - JOANNA NELLPraise for Sophie Green's THE INAUGURAL MEETING OF THE FAIRVALE LADIES BOOK CLUB'Tender, intimate, heartwarming, fulfilling and Australian as a lamb roast and full-bodied shiraz' The Australian Women's Weekly'An absolute gem of a novel, with the most evocative sense of place . . . A treat for any book club' BETTER READING

    Reserved high school teacher Keely Mitchell is more than ready for her holiday on the west coast of Australia, so when a medical emergency turns over all her plans and an intervention by a kind stranger finds her recovering in a Margaret River vineyard, she is at first downcast. Keely had wanted to put recent traumatic events out of her mind, and recuperating alone in a stranger's house won't help that. But slowly the lovely food, spectacular wine and beautiful landscape of the area begin to work their spell. As Keely makes friends with the locals and adapts to the rhythms of the vintner's year, she starts to feel part of the scenery too, particularly when her artwork and jewellery-making somehow find a home at Levallier Dell Wines.But clouds are on the horizon in the shape of a warring father and son, interfering family friends and a rival in love. Keely didn't mean to fall for anyone, but she can't help her feelings for clever, passionate wine-maker Flynn Levallier. Sadly, it seems he only has eyes for the beautiful Kat, daughter of a rival wine-maker. Can what Keely feels be real? Or is it just something in the wine?

    And I was eighteen when I left.One tanked career, one badly timed glamour shoot and one dead boyfriend later, thirty-year-old Lottie Bentz is finally going home.Back in the orchard town of Bonnievale, Lottie embarks on a radical declutter of her life, Marie Kondo-style. She casts out everything that got her into trouble: her phone, socials, make-up and a tendency to tell little white lies – to herself and others. But home has its own issues, not least Lottie’s staunchly feminist mother, who is furious with her.When Lottie lands herself a place to stay in exchange for helping kindly Mrs Brooker try out the Kondo method, it seems like the perfect farm escape. That’s until Angus, Lottie’s former Peach King and heir to the Brooker orchards, makes it clear she’s not welcome – especially when Lottie’s declutter begins to stir up long buried memories and half-truths.As Lottie finds her way back to herself, can she use her talents to coax Bonnievale and the Brookers out of the past? After all, everyone deserves to feel love, hope and the occasional spark of joy.A deeply moving story about forgiving, finding joy and falling in love with life again.

    With two young children, a business in a town struggling under an unexpected crime wave, and her husband more interested in his cricket team than their marriage, life is a juggling act. Then, when new neighbours arrive and they are exactly the sort of people the town doesn't want or need, things get worse.Life has taught Helen Demetriou two things: being homeless is terrifying and survival means keeping your cards close to your chest. Having clawed back some stability through her involvement in the community garden, she dares to relax. But as she uncovers some shady goings-on in the council, that stability turns to quicksand.For teenage mother Jade Innes, life can be lonely among the judgement of the town and the frequent absences of her boyfriend. A chance encounter draws her into the endangered community garden where she makes friends for the first time. Glimpsing a different way of life is enticing but its demands are terrifying. Does she even deserve to try?Can such disparate women unite to save the garden and ultimately stop the town from tearing itself apart?A timely novel exploring prejudice and privilege, from bestselling Australian author Fiona Lowe.PRAISE FOR FIONA LOWE: 'The undisputed queen...' Canberra Weekly'Fiona's insight into the fickle nature of life ... and how best intentions can so easily come undone makes it simple to identify with her characters and lends an authentic resonance to this roller-coaster story.' - Australian Country'Fiona Lowe weaves an extraordinary story of loss, love, and forgiveness.' - GLAM Adelaide'If you loved Big Little Lies, you'll want to devour Fiona Lowe's Just an Ordinary Family next.' - Mamamia

    She's a reluctant member of a musical family with a legendary father, an impossible mother, a sister who can't keep still and a brother who walks to his own beat.Albert Flowers is a people person, life rushing at him from all corners, carrying him to weddings and parties and late nights in rooftop bars.Florence and Albert work together, they plant dreams in the forest together. They think they know each other.But, somewhere between who they are, and who people think they are, lies The Best Kind of Beautiful.

     When Pippa Carmichael inherits a house on a deserted tropical island, it couldn’t have come at a better time for her. Life’s been tough lately; she’s lost her job, given her boyfriend the flick, and now it’s time for her to make a new start. With her two best friends, Pippa heads off to Pentecost Island to investigate her inheritance and is surprised to find there is another resident on the island.  Reclusive author, Rafe Rendell, is not impressed when a boatload of women turn up on his island, interrupting his peaceful  existence. He is less impressed when he meets Pippa, the sassy new owner of Ma Carmichael’s sprawling house. ​​​​​​​Can these two live in harmony on the same small island, or is Pippa's dream destined to fail?

    The only survivor is Isabella Winterbourne, who clutches a priceless gift meant for the Australian Parliament. This gift could be her ticket to a new life, free from the bonds of her husband and his overbearing family. But whom can she trust in Lighthouse Bay?Fast-forward to 2011: after losing her lover, Libby Slater leaves her life in Paris to return to her hometown of Lighthouse Bay, hoping to gain some perspective and grieve her recent loss. Libby also attempts to reconcile with her sister, Juliet, to whom she hasn’t spoken in twenty years. Libby did something so unforgivable, Juliet is unsure if she can ever trust her sister again.In these two adventurous love stories, both Isabella and Libby must learn that letting go of the past is the only way to move into the future. The answers they seek lie in Lighthouse Bay.

    Heart-wrenching, heart-warming and ultimately uplifting--a story about the power of a little kindnessA story of friendship, love and what it means to truly live when, sometimes, it may seem easier not to.Caitlin is convinced she's going to die.Two years ago she was a normal twenty-something with a blossoming career and a plan to go travelling with her best friend, until a car accident left her with a deep, unshakable understanding that she's only alive by mistake.Caitlin deals with these thoughts by throwing herself into work, self-medicating with alcohol, and attending a support group for people with death-related anxiety, informally known as the Morbids.But when her best friend announces she's getting married in Bali, and she meets a handsome doctor named Tom, Caitlin must overcome her fear of death and learn to start living again.Beautiful, funny, and universally relatable this story of hidden loneliness and the power of compassion and companionship reminds us that life is an adventure truly worth living.

    Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is certainly that. She recognises Dot immediately - from their time campaigning for women's rights, and further back still, to the heyday of the Sydney Push when Margot married Laurence. Dot is in despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the sight of five year-olds with false eyelashes and padded bras. She's still a fierce campaigner, but these days she isn't sure where to direct her rage. Margot's despair is quieter; a haunting resentment that her youthful ambitions have always been shelved to attend to the needs of others. And as the two women turn to the past for solutions for the future, Margot's family is in crisis. Laurence sets off on a journey in a bid to repress his grief, daughter Lexie loses the job that has been her life for twenty years, and her younger sister Emma hides her pain with shopping binges that plunge her into debt. Liz Byrski assembles a fallible cast of characters who are asking the questions we ask ourselves. What does it mean to grow older? Are we brave enough to free ourselves from the pressure to stay young? And is there ever a stage in life when we can just be ourselves?

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    A mother's secret, a father's betrayal, a town on the edge…When social worker Aimee arrives in the mining town of Kalgoorlie, she is ready for a fresh start. Her colleagues Lori and Paddy seem friendly, and she is also drawn to one of her cases: the Steele family, whose future looks particularly bleak. But Aimee has a dark secret and as the past reaches out towards her once more, she realises that somehow her secret is connected to this unfamiliar but harshly beautiful town and its inhabitants. As she strengthens her ties with the local community – especially with the vibrant Lori, stoical Kerry and wise Agnes – she finds herself questioning earlier decisions. Can Aimee reveal her secret, even if it is not hers alone to share? A compelling novel of the transcendental love of children and the truth's unwillingness to stay hidden.