Unfortunately, that was before two dudes wielding high-tech gadgets made off with both his kegs and his brother. Now Clyde has to hunt down his sibling with only his most trusted lackey along to help. Will he manage to recover both his beer and Dougie? Will they survive the night as they unveil the mysterious secret of the kidnappers? Will the Earth be destroyed thanks to their bumbling incompetence? Probably that last one, but you’ll have to read it to find out.

    He begins working as a washer of robes at a hotel for itinerant judges. There he meets and falls in love with Prudence, a forensic photographer whose pictures reveal the secrets of the dead.When Prudence disappears, Frank sets out in search of her, a quest that leads him into the shadowy world of a revolutionary salon, then to prison, and finally to discover the city's strange secrets and the secrets of his own heart.A haunting novel that recalls the early work of Paul Auster and Steven Millhauser, The Artist of the Missing is a stunning debut, both a richly imagined evocation of another world and a piercing examination of the mystery of love, and beautifully illustrated by the acclaimed artist Stephen Alcorn.A visionary novel about love, loss, imagination, and despair.

    It was an audio-cassette filled with the voice of her father telling outrageous stories about his hunting expeditions with his famous older brother, Ernest Hemingway. In this mesmerizing book, Hilary transcribes these stories, revealing the bond between two larger-than-life brothers -- and tells of her own quest to make peace with the painful parts of the Hemingway legacy.

    Then, just when he's convinced his life has passed him by, Sonny, by a stroke of fate, is given a second chance at living. Can he get it right?  Will he be able to evade the grinding loneliness that stalks him? Will he find a way to overcome the unbearable regret that haunts him? Will he ever risk loving again, to find someone with no good-byes in her heart? And, most of all, will he become the man he always could have been?

    Wake his kid brother Andy up, get tormented on the school bus by the cool kids, try to avoid them while in school. Except it's Field Trip Day to the Science Museum, and now he's stuck with the meanest kids in seventh grade all day! But then the bus breaks down, so he doesn't even get to do anything cool at the science museum. It's okay, because an industrial accident brings science to Todd and his friends in the form of a zombie apocalypse. When the bus driver abandons them in the middle of a zombie outbreak, Todd, his brother Andy, his best friend Tarik, and their tomboy friend Mikayla take shelter in the first place they can find - an adult novelty store. What can you find in an adult toy store to fight zombies? Well…let's just say that the field trip was pretty educational, even if the kids never made it to the museum! Shingles is the comedy horror series from the gang that brings you the Authors & Dragons podcast. Like the podcast, these books are rated Not Safe For Anything.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    It's a book of great breadth."--Gregory Djanikian, Philadelphia Inquirer

    Which disasters are often indulgently plotted by his aristocratic partners His Amazing Grace Basil Nectarine and the languid Binky. But more frequently caused by Schultz's desperate need to seduce as many beautiful women as is humanly possible and then more.Meanwhile fighting furiously in the battle for bachelordom and in an unquenchable quest for the soothing balm of box-office riches embellished by a beautiful woman who will sock him in the spiritual solar-plexus...

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    Zany, thought-provoking, and always original, this anthology brings together all the one-acts from the Off-Broadway hit Mere Mortals and from the all-new Lives of the Saints, as well as several new and uncollected plays, including Bolero, Arabian Nights (which premiered at the celebrated Humana Festival in Louisville), The Green Hill, and Captive Audience.

    It is at once a textbook for independent travel in Africa, an illustrated atlas, a collection of life stories, an intimate confession, a list of little secrets and shame. Alternating between three narrators, it is a story of division, isolation and contact. Bantustans were reservations for Black Africans set up by the apartheid regime; in this book, bantustans refer to the bubbles in which we all live our lives. The three protagonists, as well as the people they encounter along the way, are constantly struggling to escape these multi-layered bubbles – of ego, family, social circle, class, race, religion, ethnicity, language, nationality etc – and establish contact with the rest of the world. Such attempts are often painful and sometimes downright disastrous, leading to a series of conflicts, disappointments and crises, but ultimately confirming the possibilities and importance of human connections.With a collection of maps, infographics and data visualizations for non-linear reading, BANTUSTAN is an example of ergodic and interactive literature. Readers can choose how to move through the book: in the traditional linear fashion, or using the maps as visual interfaces for skipping from one story to another. The maps represent a tapestry of pictograms, ideograms, scripts, labyrinths, emblems, motifs, secret messages and hidden clues for the reader to discover and decipher.BANTUSTAN contains a total of 32 full-page illustrations (19 of which are maps), as well as 25 smaller illustrations/glyphs.

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    As far as Kay is concerned, the best season begins when the last lodger packs up their sunscreen and novelty t-shirts and goes home. Shoulder season was when Kerby Lodge was just for the Kerbys—her family huddled around the massive stone fireplace playing games and listening to the Great Lakes wind wail like a tragic shipwreck. She loves Kerby Lodge, but she also loved the idea of leaving it after she graduated from college. Then tragedy struck, and instead of leaving the lodge, it was left to her. Leaving Kay to keep the family tradition alive, which she numbly does year after year. Now storms are looming over Lake Michigan. An epic snowstorm pounds the coastline, and a blizzard of bills and taxes threaten to bury the family lodge her parents worked so hard to build. But the storms she doesn’t see coming are the volatile unpredictable Mayne brothers. The first is a cloud of dark curls and surly attitude named Daniel Mayne, her reclusive final guest of the season. An abrupt alpha-male licking his wounded pride after a devastating career loss, Daniel just wants to be left alone. Kay is happy to oblige him until a freak accident and record-breaking blizzard leave them holed up together with no possibility of escape. Trapped behind walls of snow, Kay finds herself confiding long-distance with Luke, Daniel’s younger brother, a nomadic school teacher wandering rootless from job to job. Forced to face their broken dreams together, Kay and Daniel forge an uneasy alliance and set out on a journey of reclamation that will change both their lives. Kay finds herself entangled, not only with Daniel, but also Luke. One brother makes her laugh, and the other just makes her crazy. In this smart, warm, uplifting tale of renovation, redemption and romance, a rustic old lodge on Lake Michigan isn’t the only thing that gets a second chance.

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.