So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile.”—Edward Albee“An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged.”—GuardianWinner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story.Will Eno has been called “a Samuel Beckett for the Jon Stewart generation” (New York Times)—he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, The Flu Season, Tragedy: a tragedy, and Intermission.

    In the cut-throat world of weekly trash mags, Nina thrives on the adrenalin of out-bidding her rivals for scandalous photo sets, scoring exclusive rights to Australia's A-list weddings and having the most influential celebrity managers on speed-dial. But in her personal life, things aren't quite as glossy. Just as she's back on the single scene, all her friends start getting up the duff faster than you can say, 'Welcome to Nappy Valley'. While Nina spends her days managing her magazine's multi-million-dollar budget and stalking Kim Kardashian's every move, they're managing their minuscule maternity leave allowance and stalking their local daycare waiting list. Suddenly she feels like she's being rejected from a club she doesn't even want to join. With a reality TV show in the works and a Facebook feed overflowing with endless baby updates, Nina heads to New York on an impromptu girls' trip to get away from it all - but little does she know that things are about to get a whole lot more complicated...

    

    Using the events of his life as starting points, Gerald Stern deals with time and loss, with the dichotomy of light and darkness, and—always—with the possibility of joy. This stunning collection moves from autobiography to the visionary in surges of memory and language that draw the reader from one poem to the next.

    His fierce jealous mother hates and fears her as does his brother, an Islamist hardliner. A feminist, an idealist, and very much in love, Sarah aims to live with integrity. Can she—dare she— in the kingdom where women are kept veiled and secluded? This love story of cultural collision is also a spiritual quest for Sarah, who is both fascinated and repelled by Islam. Former Middle East journalist Jean Grant takes us behind the locked doors of Saudi Arabian society. She presents a picture of the controversial kingdom on the cusp of change and of the men and women, both expatriates and nationals, who either embrace or courageously confront their destiny.

    This lenticular journal cover sets in motion images of slithering, shuffling zombies from the bestselling graphic novel The Zombie Survival Guide: Recorded Attacks. Filled with lined pages, this all-purpose journal is perfect for jotting down notes, making to-do lists, plotting your own survival strategy, and is just the creepy thing for zombie fans everywhere.

     Her two daughters, from a previous relationship, are now both adult. Jo, ambitious and independent, is pursuing a career as a barrister. Jo’s younger sister is very different. Shelley, just 20, sweet natured, trusting and innocent, still lives at home and works at a local animal clinic. They are a normal, happy family - and then Shelley meets Sam on the street and everything changes. Martha struggles to accept Shelley’s choice of boyfriend as, with increasing anger, she witnesses the erosion of all Shelley’s values under Sam’s influence. When Martha’s efforts to persuade Shelley to give Sam up fail, she decides on a more direct approach. The consequences of her actions are devastating for everyone and change the course of Martha’s life forever. “After I’d gone up to bed that night, leaving Gabe amidst the carnage I had created in the living room, I formulated my plan. But it was pure chance that I met Sam on Putney Bridge some three weeks later and I went ahead with it.”

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    has dared to take on a difficult, grief-stricken period of English history, and done so with sensitivity and understanding; EARTH AND HEAVEN is the clever, compelling result' The Times

    Structured as the text of seven statements parents might say to their children either in response to the events or attempting to explain them, they express regret, anger, intelligence, blind hatred, fear, and compassion.

    This is convincing proof that Manual Puig was one of our most talented writers - no matter what the medium. Puig is the author of seven novels, translated into fourteen languages.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.