I had obviously hoped to see you again, to explain in person, but fate had other plans. 1933 At eighteen years old, Molly Ryan dreams of becoming a journalist, but instead she spends her days working any job she can to help her family through the Depression crippling her city. The one bright spot in her life is watching baseball with her best friend, Hannah Dreyfus, and sneaking glances at Hannah’s handsome older brother, Max. But as the summer unfolds, more and more of Hitler’s hateful ideas cross the sea and “Swastika Clubs” and “No Jews Allowed” signs spring up around Toronto, a city already simmering with mass unemployment, protests, and unrest. When tensions between the Irish and Jewish communities erupt in a riot one smouldering day in August, Molly and Max are caught in the middle, with devastating consequences for both their families. 1939 Six years later, the Depression has eased and Molly is a reporter at her local paper. But a new war is on the horizon, putting everyone she cares about most in peril. As letters trickle in from overseas, Molly is forced to confront what happened all those years ago, but is it too late to make things right? From the desperate streets of Toronto to the embattled shores of Hong Kong, Letters Across the Sea is a poignant novel about the enduring power of love to cross dangerous divides even in the darkest of times—from the #1 bestselling author of The Forgotten Home Child.

    One glimpse of the tiny painted house that folk art legend Maud Lewis shared with her husband, Everett, in Marshalltown, Nova Scotia, during the mid-twentieth century and the startling contrast between her joyful artwork and her life's deprivations is evident. One glimpse at her photo and you realize, for all her smile's shyness, she must've been one tough cookie. But, beneath her iconic resilience, who was Maud, really? How did she manage, holed up in that one-room house with no running water, married to a miserly man known for his drinking? Was she happy, or was she miserable? Did painting save or make her Everett's meal ticket? And then there are the darker secrets that haunt her story: the loss of her parents, her child, her first love. Against all odds, Maud Lewis rose above these constraints—and this is where you'll find the Maud of Brighten the Corner Where You Are: speaking her mind from beyond the grave, freed of the stigmas of gender, poverty, and disability that marked her life and shaped her art. Unfettered and feisty as can be, she tells her story her way, illuminating the darkest corners of her life. In possession of a voice all her own, Maud demonstrates the agency that hovers within us all.

    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    One night, after putting their four children to bed, her husband, Patrick, marvelled that their lives seemed perfectly happy.Just a few hours later, everything changed.One moment Lisa was sleeping beside Patrick, and the next, she was kneeling on the floor beside his unconscious body frantically administering CPR. Patrick had had a massive heart attack and was in a coma, and the doctors were blunt: there was no hope. But for the next two years, Lisa stood by his side and awaited a miracle, while continuing to balance life as a high-powered executive and mother of four.Part leadership guide, part memoir of loss, and part personal empowerment primer on how to achieve your goals no matter what the universe throws at you, Resilience is an inspirational story about how to rise to the top in a man’s world, triumph over adversity, lead a fulfilling life, and live each day with purpose and gratitude.

    The name meant untold riches and promise to Jutka, a young Hungarian girl who was captivated by stories of a vast, majestic country where people were able to breathe free of hatred and prejudice. Freedom was in short supply, but hatred was everywhere in Hungary as hundreds of thousands of Jews were deported to concentration camps during the last year of WWII. Jutka, her friends, and her family are sent to Auschwitz.In that hellish place, there was another Kanada. It was the ironic name given to the storehouse at Auschwitz where the possessions, clothing and jewelry stripped from the victims were deposited, and where Jutka was put to work. The war may have ended, but it did not end the suffering of many of the inmates of concentration camps. Many had no homes to go to, and if they did, they were not welcome. Hundreds went back to Poland and were murdered. Famished, diseased, and homeless, they lived in the hopelessness of camps, wondering if they could ever find a home in the world. Some went to Israel, but for Jutka there was only one dream left her: the dream of a country full of hope, where she would no longer have to live in fear.Eva Wiseman's powerful novel describes the war and its long, difficult aftermath with compassion and tenderness.From the Trade Paperback edition.

    Three women become friends when working in their local picture house. When life is so tough for everyone, a trip to the pictures is the perfect way to escape, to dream of romance and hope for the good things peace will bring.It is 1943 on England's war-weary south coast where the conflict seems never-ending. After the heartache of the previous year, Connie Baxter now appears to have everything a girl could want. There is Ace, a man who loves her. She enjoys an enviable lifestyle despite the deprivations of war. She has friends and a job she adores as an usherette at the Criterion cinema. But appearances can be deceptive and Connie is struggling in more ways than one.Then, to compound Connie's problem, her nemesis, Cousin Marlene, returns home. Secrets come to light, revealing jealousies that could shatter Connie's world once more, and Connie realizes that Ace isn't the man she thought he was.In the darkest days of war, the glamour of movies and their stars can lift the bleakest of moods, while friends make the good times better and the bad times bearable.

    But it is not Victor he is really attracted to - it is his wife Adele. Soon the two lovers are on the edge of a great scandale and a wounded Victor must exact his price for betrayal, a price that will change the lives of many, including his own children. As Saint-Beuve - a man like no other man - struggles to hold on to what is left of his great love, he finds that only words can rekindle the flame.Set during the tumultuous reign of Napoleon III, this mesmerising novel draws a rich portrait of old Paris, where duels were fought and cholera-ridden bodies float in the Seine. Towering over all is the genius of Victor Hugo, already the voice of France, eventually banished to the island of Guernsey for his opposition to the regime. In contrast come the quieter voices of two women destroyed by Hugo's ferocious literary ambition as well as the unique, acerbic and heart-breaking voice of the critic and essayist, Saint-Beuve, first Hugo's friend and then his unlikely competitor in love.An atmospheric story of delicacy and emotion, of the experience of professional jealousy and personal passion, The Reinvention of Love is an outstanding piece of fiction writing, in part about writing itself.

    This powerful, true account of the action he saw, fighting desperately to push the Nazis out of Italy, evokes the terrible reality of war with an honesty and clarity fiction can only imitate. In scene after unforgettable scene, he describes the agony and antic humor of the soldier's existence: the tedium of camp life, the savagery of the front, and the camaraderie shared by those who have been bloodied in battle.

    Intersecting Artur’s tale is that of Suzy Kohn, a Toronto teenager whose seemingly tranquil life is shattered when her uncle’s sudden death tears her family apart, leading her into a troubled relationship with a charismatic musician. Their stories eventually come together in Israel following the Six-Day War, where love and understanding become the threads that bind the two narratives together.

    The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. In the fishing villages of Newfoundland we come across an itinerant Wish Furey. He’s a drifter and a projectionist, traveling from island to island bringing films to isolated communities. A Catholic in a staunchly Protestant community, working with an alcoholic, gambling partner, Wish is immediately labeled an outsider. On Little Fogo Island, he spots a desirable young woman in the audience and embarks on an unwavering mission to possess her. Mercedes Parsons – Sadie – is equally infatuated and yields to Wish's advances as much as her chaste upbringing will allow.Crummey masterfully captures the ferocity of the young romance, the coiled up sexual tension exploding in instances of pure pleasure and ending often in frustration. The pair can steal only scattered moments alone as Sadie’s mother puts up a formidable defense against Wish, whom she believes will bring only trouble. However intent he seems on winning Sadie, Wish's character remains mysteriously closed. He is painfully silent around her family, which only strengthens their mistrust. Crummey seems to purposefully disclose only the barest of Wish's intimate thoughts and motivations. While the romance intensifies, Crummey casts his lovers in a wider shadow. He brings to life the Newfoundland coastline, its unforgiving waters, the religious fervor and prejudice of its inhabitants, their ceaseless work, and the collective anxiety about the burgeoning war.Unable to defeat Sadie’s mother, and unable to quell his conscience after Sadie's breathless pleading, "Don't make a whore of me," Wish flees to St. John’s and enlists in the British army. Sadie embarks on a frantic pursuit only to find him gone. Defying her family she stays in the capital, building a new life, the reality of Wish's disappearance – the acute, constant ache of it – gradually settling in. Wish lands somewhere in southeast Asia and then, finally, in a Japanese POW camp. He suffers agonizing torture under a particularly cruel guard known initially as the Interpreter. We have met the Interpreter already. Crummey has woven this man's narrative through the novel, slowly revealing the origins of his unique hatred toward the Canadian prisoners. Born in British Columbia, Nishino has experienced a harsh brand of discrimination. It is through Nishino that Crummey provides a chilling example of how prejudice can breed exceptionally brutal cycles of violence.Crummey unveils the depths of his characters’ personalities with slow deliberation. The layers of their pain, suffering, and love are peeled back with each recounted memory as the novel makes its transition into contemporary times. With each memory that is unleashed the reader comes closer to understanding the choices the protagonists made, the consequences they endured, and their subsequent feelings of frustration and guilt. Fifty years after Sadie’s flight from St. John’s, she returns to Newfoundland to scatter the ashes of her dead husband and collides with Wish whom she believed dead. Sadie reflects, “It was like being handed a photograph from a stranger’s collection, one more unexpected glimpse of that face when she thought her memories of it were complete.” Memories can be taken out, tampered with, much like the film of the projectionist. It is here that Crummey cracks open Wish's character. There is a flood of revelations; his sexual exploits as a teenager, the bet made that he could conquer Sadie, Nishino's murder, and his own troubling reaction to it. It's a narrative coup. The reader is left, as Sadie is, stunned and grappling with these revelations and how our perceptions of his character have been altered. Wish is angry, sullen, and paralyzed with guilt. Yet he is still capable of love and being loved and Sadie is the only one left to remind him.It is a testament to Crummey’s gifts as a novelist that he can flow quite easily through time, across landscapes, and between vastly different characters. He vividly captures the mental and physical anguish Wish experienced in the prison camps, and with calm lucidity explores the motives of a Japanese soldier whose actions seem inhumanly cold and calculating. Crummey toys with the readers’ sympathies, suggesting there are few distinctions between the enemy and us. He incorporates heartbreaking tragedy – the dropping of the atom bomb, lynchings in America, murderous revenge – to underscore the darker side of humanity. Crummey shows that we are capable of violence, but in the end he proves we are also capable of redemption, forgiveness, and can be led, unashamed, back to the ones we love.From the Hardcover edition.

    When she discovers that her only friend is to leave the country forever, that her confidence has been betrayed by the unfeeling youngest daughter of the family, and that her very deprivation is the object of the mockery and scorn of everyone she has sought to honour, she determines to cast them off and make her own way in the world. On her twenty-first birthday, free to choose her own destiny, she dreams of peace and tolerance, and perhaps a partner who might be noble enough to love her in all her simplicity. But when an unexpected foray into London society disrupts all her plans, she is faced with an uncharacteristic storm of feelings. Will she grow strong and happy in her independence, or will her character be lost amidst her newfound ambition? Unable to trust the whims of her own heart, Mary is forced to confront the question that has forever plagued her: Who is she and where does she come from?

    Toronto StarA wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates , winner of the Leacock Medal for Humour and shortlisted for the Scotiabank Giller Prize.Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May--novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl.As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins. But they immediately risk everything to try rescue relatives they hope are still alive. With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. In order to achieve this, though, he must relocate those most crucial pieces of his anatomy lost to him in a glacier in the Swiss Alps in the previous war. It's an absurd yet life-affirming mission, made even more urgent when he's separated from his mother, and isn't sure whether she's alive or dead. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake Indians and real ones. Motl at last figures out that he has more connection to the Indigenous characters in western novels than the cowboys.An imaginative and deeply felt exploration of genocide, persecution, colonialism and masculinity--saturated in Gary Barwin's sharp wit and perfect pun-play--Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy is a one-of-a-kind novel of sheer genius.

    I've never seen the water, so I've gone there. I will try to remember to come back.Etta's greatest unfulfilled wish, living in the rolling farmland of Saskatchewan, is to see the sea. And so, at the age of eighty-two she gets up very early one morning, takes a rifle, some chocolate, and her best boots, and begins walking the 2,000 miles to water. Meanwhile her husband Otto waits patiently at home, left only with his memories. Their neighbour Russell remembers too, but differently - and he still loves Etta as much as he did more than fifty years ago, before she married Otto.

    Ideal for readers of James Holland, Anthony Beevor and Cornelius Ryan. Ten thousand Allied troops landed in the Netherlands in September 1944. This was the largest airborne invasion ever undertaken and it ended in utter disaster. Eight thousand men were killed, wounded, or captured during the Battle of Arnhem. Yet, what of those who escaped? And how did they manage it when surrounded by German troops? Leo Heaps’ remarkable book The Grey Goose of Arnhem charts the activities of two hundred and fifty men who, with the aid of Dutch Resistance, made it back across the Rhine to Allied lines. As a member of the First Airborne, Heaps draws from his own experiences as a soldier who fought, evaded capture, and then returned to work with the Dutch Resistance, for which he was awarded the Military Cross, as well as using material from private diaries, letters, and interviews with about forty paratroopers and Dutch Resistance leaders to record a thorough account of the most amazing mass escape of World War Two. These men never gave up in the face of insurmountable odds. Indeed, as Heaps explains, rather than stay within the safety of allied lines, some of these men returned to the frontlines to assist the Resistance and ensure that as many of their comrades returned as possible. The Grey Goose of Arnhem is a brilliant account of heroism that weaves together the accounts of numerous unforgettable characters to provide insight into what the Battle of Arnhem and its aftermath was like from those who saw it first-hand.