Johnny has ten precious days to draw the "numbers," the men who will confirm his desirability, and with the hungry focus of a man on borrowed time, he stalks the dark balconies of all-night theaters, the hot sands of gay beaches, and shady glens of city parks, attempting to attract shadowy sex-hunters in an obsessive battle against the passing of his youth.

    Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary eighteenth century thief. No one knows Jack’s true story—his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled Confessions of the Fox. Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at twelve, P struggles for years with her desire to live as “Jack.” When P falls dizzyingly in love with Bess, a sex worker looking for freedom of her own, P begins to imagine a different life. Bess brings P into the London underworld where scamps and rogues clash with London’s newly established police force, queer subcultures thrive, and ominous threats of an oncoming plague abound. At last, P becomes Jack Sheppard, one of the most notorious—and most wanted—thieves in history. Back in the present, Dr. Voth works feverishly day and night to authenticate the manuscript. But he’s not the only one who wants Jack’s story—and some people will do whatever it takes to get it. As both Jack and Voth are drawn into corruption and conspiracy, it becomes clear that their fates are intertwined—and only a miracle will save them both. An imaginative retelling of Brecht’s Threepenny Opera, Confessions of the Fox blends high-spirited adventure, subversive history, and provocative wit to animate forgotten histories and the extraordinary characters hidden within.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    I left this book bruised yet somehow better for it.” – Tayari Jones.“Brutal, haunting, redemptive and...beautiful.” – Jojo Moyes. This extraordinary debut set in South Africa reveals legacies of abuse and redemption exploring the extraordinary strength of the human spirit - from the Boer War in 1901 to brutal camps for teenage boys now. There is always darkness but there is always light in it if we just look.South Africa, 1901 - the height of the second Boer War. Sarah van der Watt and her six-year-old son Fred are forced from their home on Mulberry Farm by British troops. As the polite invaders welcome them to Bloemfontein Concentration Camp they promise Sarah and Fred that they will be safe there.2010. Sixteen-year-old Willem is an outsider. Hoping he will become the man she wants him to be, his Ma and her boyfriend send Willem away to the New Dawn Safari Training Camp where they are proud to 'make men out of boys'. They promise Willem he will be safe there.You Will Be Safe Here is a powerful and urgent novel of two connected South African stories with universal relevance. Inspired by real events, it uncovers a hidden colonial history, reveals a dark contemporary secret, and explores the legacy of violence and our drive to survive and to love. An Observer, Guardian, Financial Times, Irish Times, Irish Independent and Big Issue Pick of the Year

    Burdened with a broken heart, she asks herself the age-old question . . . is love really worth it?Out of Love is a bittersweet romance told in reverse. Beginning at the end of a relationship, each chapter takes us further back in time, weaving together an already unravelled tapestry, from tragic break-up to magical first kiss. In this dazzling debut Hazel Hayes performs a post-mortem on love, tenderly but unapologetically exploring every angle, from the heights of joy to the depths of grief, and all the madness and mundanity in between. This is a modern story with the heart of a classic: truthful, tragic and ultimately full of hope.

    The only son of a wealthy London baronet, he’s struggling to escape his father’s suffocating world. But Laurie is losing his fight. At nineteen years of age, bright and imaginative, he’s no match for the brutal Sir William. Laurie wants to be an actor – bad enough as far as Sir William is concerned, but, worse than that, he’s gay.One bitter winter night, he meets a young homeless man huddled in blankets outside the opera house. The two form a bond straight away, and Laurie takes him home, wanting only to offer him food and a warm bed. But Sasha is a passionate Romani immigrant, and his beauty and sweet nature soon overwhelm Laurie’s chaste intentions, leaving him hopelessly in love.Laurie and Sasha reach out desperately to one another from their different worlds, and against all odds begin an affair, hidden in the attics of Laurie’s sumptuous home and on the bleak moorland of a Romani encampment. For Laurie, it’s a delicious sexual awakening, and Sasha returns his affections, opening up to him a whole new world of freedom.But Sasha has secrets, and a murky, violent past. When he vanishes, he leaves Laurie bereft and alone in a city he hardly recognises any more. Now Laurie has to stand on his own two feet and find the strength to rescue his lover – and himself. Note: This is not a historical series. They are titled aristocrats in contemporary society.Word Count: 77,877

    Before, he had always brought men with him on his visits, lovers with whom his mother had been “civil, even flirtatious,” while his father retreated into his sacred woodshop. Now his mother has died and, at age thirty-six, Raphael has come back to see his dying father, who knows and disapproves of Raphael’s boyfriends but who is unaware that this, his youngest child, may be ill as well. Raphael’s halting, often painful attempt to reconcile with his father forms the centerpiece of Fenton Johnson’s astonishing novel. At times funny, at times heartbreakingly poignant, Scissors, Paper, Rock explores with wisdom and humor the many kinds of family, the infinite varieties of love. Through the intricately interwoven stories of the Hardin parents and children, Scissors, Paper, Rock contrasts the families we inherit — our blood ties — with the families we choose, our partners in love and our friends.

    Law school, girlfriends, and career choices were all part of Raymond Tyler's life, but there were other, more terrifying issues for him to confront. Being black was tough enough, but Raymond was becoming more and more conscious of sexual feelings that he knew weren't "right." He was completely committed to Sela, his longtime girlfriend, but his attraction to Kelvin, whom he had met during his last year in law school, had become more than just a friendship. No matter how much he tried to suppress them, his feelings were deeply sexual.Fleeing to New York to escape both Sela and Kelvin, Raymond finds himself more confused than ever before. New relationships -- both male and female -- give him enormous pleasure but keep him from finding the inner peace and lasting love he so desperately desires. The horrible illness and death of a friend force Raymond, at last, to face the truth.

    1 BrooklynIn 1996, the unnamed narrator of Teddy Wayne’s Apartment is attending the MFA writing program at Columbia on his father’s dime and living in an illegal sublet of a rent-stabilized apartment. Feeling guilty about his good fortune, he offers his spare bedroom--rent-free--to Billy, a talented, charismatic classmate from the Midwest eking out a hand-to-mouth existence in Manhattan.The narrator’s rapport with Billy develops into the friendship he’s never had due to a lifetime of holding people at arm’s length, hovering at the periphery, feeling “fundamentally defective.” But their living arrangement, not to mention their radically different upbringings, breeds tensions neither man could predict. Interrogating the origins of our contemporary political divide and its ties to masculinity and class, Apartment is a gutting portrait of one of New York’s many lost, disconnected souls by a writer with an uncommon aptitude for embodying them.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    The disembodied yet interconnected characters include Sara, a 19-year-old chambermaid who has recently died at the hotel; her bereaved sister, Clare, who visits the scene of Sara's death; Penny, an advertising copywriter who is staying in the room opposite; Lise, the Global's depressed receptionist; and the homeless Else who begs on the street outside. Smith's ambitious prose explores all facets of language and its uses. Sara takes us through the moment of her exit from the world and beyond; in her desperate, fading grip on words and senses she gropes to impart the meaning of her death in what she terms "the lift for dishes"--then comes a flash of clarity: "That's the name for it, the name for it; that's it; dumb waiter dumb waiter dumb waiter." Blended with hers are other voices: Penny's bland journalese and Else's obsession with metaphysical poetry. Hotel World is not an easy read: disturbing and witty by turns, with its stream-of-consciousness narrators reminiscent of Virgina Woolf's The Waves, its deceptively rambling language is underpinned by a formal construction. Exploring the "big themes" of love, death and millennial capitalism, it takes as its starting point Muriel Spark's Momento Mori ("Remember you must die") and counteracts this axiom with a resolute "Remember you must live". Ali Smith's novel is a daring, compelling, and frankly spooky read. --Catherine Taylor

    After accidentally becoming the star of University of Alabama's football team, Forrest goes on to become a Vietnam War hero, a world-class Ping-Pong player, a villainous wrestler, and a business tycoon -- as he wonders with childlike wisdom at the insanity all around him. In between misadventures, he manages to compare battle scars with Lyndon Johnson, discover the truth about Richard Nixon, and survive the ups and downs of remaining true to his only love, Jenny, on an extraordinary journey through three decades of the American cultural landscape. Forrest Gump has one heck of a story to tell -- and you've got to read it to believe it...

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.

    A group of young people squatting in an apartment in Sunset Park, Brooklyn. The Hospital for Broken Things, which specializes in repairing the artifacts of a vanished world.William Wyler's 1946 classic The Best Years of Our Lives. A celebrated actress preparing to return to Broadway. An independent publisher desperately trying to save his business and his marriage. These are just some of the elements Auster magically weaves together in this immensely moving novel about contemporary America and its ghosts. Sunset Park is a surprising departure that confirms Paul Auster as one of our greatest living writers.

    Impeccably attired in either gender, hired assassin Glen becomes Glenda when it's time to work. But big trouble starts when Glenda decides to give up the murder racket, take up with a sugar daddy, and finance a sex change operation.