The story of Sylvia Beach's love for Shakespeare and Company supplies the lifeblood of this book.

    Now, at last, Norman turns his formidable talent to the Beatle for whom being a Beatle was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, Norman presents the comprehensive and most revealing portrait of John Lennon ever published.This masterly biography takes a fresh and penetrating look at every aspect of Lennon's much-chronicled life, including the songs that have turned him, posthumously, into a near-secular saint. In three years of research, Norman has turned up an extraordinary amount of new information about even the best-known episodes of Lennon folklore—his upbringing by his strict Aunt Mimi; his allegedly wasted school and student days; the evolution of his peerless creative partnership with Paul McCartney; his Beatle-busting love affair with a Japanese performance artist; his forays into painting and literature; his experiments with Transcendental Meditation, primal scream therapy, and drugs. The book's numerous key informants and interviewees include Sir Paul McCartney, Sir George Martin, Sean Lennon—whose moving reminiscence reveals his father as never seen before—and Yoko Ono, who speaks with sometimes shocking candor about the inner workings of her marriage to John.“[A] haunting, mammoth, terrific piece of work.” -New York Times Honest and unflinching, as John himself would wish, Norman gives us the whole man in all his endless contradictions—tough and cynical, hilariously funny but also naive, vulnerable and insecure—and reveals how the mother who gave him away as a toddler haunted his mind and his music for the rest of his days.

    died.THREE-TIME NASCAR CHAMPION DARRELL WALTRIP knew that big changes were in the wind on the morning of February 18, 2001. For the first time in his long and storied career, Darrell would be watching the race from the broadcast booth high above the track, explaining its complexities to a television audience of millions. His younger brother Michael Waltrip would be among the starting drivers. Michael, who had competed in 462 NASCAR races without a win, would be piloting one of two cars owned by legendary driver Dale Earnhardt. Earnhardt would be racing too, as would Dale Earnhardt Jr., the 2000 runner-up for Rookie of the Year.     Sundays Will Never Be the Same opens with a heart-stopping account of that dramatic race. By the time the sun set on that day, Michael Waltrip would have captured his first checkered flag in NASCAR’s biggest race, Dale Earnhardt Jr. would have placed second, and Dale Earnhardt, the sport’s brightest star, would have passed into eternity.     The sudden death of Dale Earnhardt on the final lap of the 2001 Daytona 500 was a traumatic loss for the entire NASCAR family, and few were affected more deeply than Darrell Waltrip. During the course of their tumultuous thirty-year association, Dale and Darrell had been friends, then “frenemies,” and finally friends again. Darrell regales the reader with his earliest memories of the fiercely competitive kid from Kannapolis, and he describes the highs and lows of their relationship through the twin arcs of their overlapping careers.     Along the way, Waltrip provides a fascinating history of racing in Daytona and offers glimpses of some of the sport’s most colorful characters, including Bill France, Junior Johnson, Cale Yarborough, Bobby Allison, and Richard Petty. He weaves the story of his own unlikely journey from the small-town ovals and rural roads of Kentucky (where his talents were largely devoted to running from the cops) to the grandest tracks and richest purses in motor racing. With his customary candor, Darrell gives us an insider’s view of some of NASCAR’s greatest battles and most memorable moments. This is an epic that only a storyteller with Waltrip’s access and experience could write.     Sundays Will Never Be the Same reaches its crescendo with a heart-wrenching insider account of that pivotal weekend in Daytona, including a poignant pre-race interview in which Dale rhapsodized about his family and his plans for the future. After the wreck, Waltrip takes us along on his frantic ride to the trauma center and into the waiting room, where Dale’s family and friends struggle to accept the unthinkable. Darrell recounts the weeks that followed: the shock and disbelief, the outpouring of grief from around the world, and the top-to-bottom safety changes NASCAR eventually made in what would become the most enduring tribute to Dale Earnhardt and his legacy.***     With touching nostalgia and his trademark wit, NASCAR Hall-of-Famer Darrell Waltrip recalls scenes from his remarkable life, vividly recounting memorable moments with some of the giants of the sport—such as this first encounter with the young man who would become his “frenemy,” NASCAR’s legendary superstar, Dale Earnhardt:     One evening a bleary-eyed mustachioed young man wearing a dirty T-shirt and Hush Puppies wandered into the shop carrying a half-empty fifth of Jack Daniel’s. He regarded me silently for several minutes, taking an occasional pull from the bottle. Finally Robert introduced us.    “This here’s Dale,” Robert said, in his Virginia twang. “He’s married to my daughter Brenda. You may have heard of his dad, Ralph. Dale’s a driver and a mechanic.”     I walked over to Dale and stuck out my hand. “Darrell Waltrip,” I said. “Nice to meet you.” Dale drained the bottle and tossed it into a nearby barrel, where it landed with a clatter, then he wiped his mouth with the back of his arm.     “This your car?” he said.

    Each essay charts some experience or remembrance of the past through the sieve of Tony Judt s prodigious mind. His youthful love of a particular London bus route evolves into a reflection on public civility and interwar urban planning. Memories of the 1968 student riots of Paris meander through the divergent sex politics of Europe, before concluding that his generation was a revolutionary generation, but missed the revolution. A series of road trips across America lead not just to an appreciation of American history, but to an eventual acquisition of citizenship. Foods and trains and long-lost smells all compete for Judt s attention; but for us, he has forged his reflections into an elegant arc of analysis. All as simply and beautifully arranged as a Swiss chalet—a reassuring refuge deep in the mountains of memory.

    Various Mitchell biographies and a compilation of her letters tell part of the story, but until now no single source has told the full saga. This entertaining account of the rise of a bestseller tells how Mitchell's book was developed, marketed, distributed, and otherwise groomed for success in a bygone era.

    For Zev Chafets, it was in a car in Detroit, driving down Woodward Avenue. Limbaugh's braggadocio, the outrageous satire, the slaughtering of liberal sacred cows performed with the verve of a rock-n-roll DJ-it seemed fresh, funny and completely subversive. "They're never going to let this guy stay on the air," he thought. Almost two decades later Chafets met Rush for the first time, at Limbaugh's rarely visited "Southern Command." They spent hours together talking on the record about politics, sports, music, show business, religion and modern American history. Rush opened his home and his world, introducing Chafets to his family, closest friends, even his psychologist. The result was an acclaimed cover-story profile of Limbaugh in The New York Times Magazine. But there was much more to say, especially after Limbaugh became Public Enemy Number One of the Obama Administration. At first Limbaugh resisted the idea of a full-length portrait, but he eventually invited Chafets back to Florida and exchanged more than a hundred emails full of his personal history, thoughts, fears and ambitions. What has emerged is an uniquely personal look at the man who is not only the most popular voice on the radio, but the leader of the conservative movement and one of the most influential figures in the Republican Party. While Limbaugh's public persona is instantly recognizable, his background and private life are often misunderstood. Even devoted Dittoheads will find there's a lot they don't know about the self-described "harmless little fuzzball" who has, over the years, taken on the giants of the mainstream media and the Democratic Party-from Bill and Hillary Clinton to Barack Obama-with "half his brain tied behind his back, just to make it fair." Chafets paints a compelling portrait of Limbaugh as a master entertainer, a public intellectual, a political force, and a fascinating man.

    The other big event of that year was the outbreak of the Second World War, but for the moment, that did not affect me.' In the first instalment of Clive James's memoirs, we meet the young Clive, dressed in short trousers, and wrestling with the demands of school, various relatives and the occasional snake, in the suburbs of post-war Sydney.

    He was one of Britain's most important poets, his work infused with myth; a love of nature, conservation, and ecology; of fishing and beasts in brooding landscapes.With an equal gift for poetry and prose, and with a soul as capacious as any poet in history, he was also a prolific children's writer and has been hailed as the greatest English letter-writer since John Keats. His magnetic personality and insatiable appetite for friendship, love, and life also attracted more scandal than any poet since Lord Byron. His lifelong quest to come to terms with the suicide of his first wife, Sylvia Plath, is the saddest and most infamous moment in the public history of modern poetry.Hughes left behind a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems, and memorandum books that make up an almost complete record of Hughes's inner life, which he preserved for posterity. Renowned scholar Jonathan Bate has spent five years in the Hughes archives, unearthing a wealth of new material. His book offers, for the first time, the full story of Hughes's life as it was lived, remembered, and reshaped in his art. It is a book that honors, though not uncritically, Hughes's poetry and the art of life-writing, approached by his biographer with an honesty answerable to Hughes's own.

    Eighty million books later, Nancy Drew has survived the Depression, World War II, and the sixties (when she was taken up with a vengeance by women’s libbers) to enter the pantheon of American girlhood. As beloved by girls today as she was by their grandmothers, Nancy Drew has both inspired and reflected the changes in her readers’ lives. Here, in a narrative with all the vivid energy and page-turning pace of Nancy’s adventures, Melanie Rehak solves an enduring literary mystery: Who created Nancy Drew? And how did she go from pulp heroine to icon?  The brainchild of children’s book mogul Edward Stratemeyer, Nancy was brought to life by two women: Mildred Wirt Benson, a pioneering journalist from Iowa, and Harriet Stratemeyer Adams, a well-bred wife and mother who took over as CEO after her father died. In this century-spanning story, Rehak traces their roles—and Nancy’s—in forging the modern American woman.

    When Betty Isaacs walked out on her twelve kids, the youngest were packed off to foster-homes--divided up, Carl Isaacs recalls, ""like sticks of firewood."" He was ten then and from the time when, a few years ... More later, his mother told him he couldn't come back and live with her (""Don't let's rock the boat""), he didn't care about anything. Foster-homes, reform schools, escapes--it all led at 19 to a Maryland prison where, lo and behold, there was his half-brother Wayne Coleman, 26, a shiftless and somewhat dim character with a violent streak. Wayne's prison sidekick was a surprise: a black convict named George Dungee, Wayne's homosexual lover (to Carl, the ""nigger fuck-boy""), doing time for non-support(!). The trio escaped, picked up 15-year-old Billy isaacs (himself a reform school runaway, but trying to go straight), and headed south. Aimless travel eventually brought them to a rural road near Donalsonville, Ga., where they tried to burglarize a house trailer belonging to Jerry and Mary Alday. Various Alday family members showed up unexpectedly, but Wayne had a solution--""Let's blow 'em away."" It was a challenge and, insane as it seems, Carl couldn't back down:he was the leader, and his status with his brothers was all he had. Five male Aldays murdered; Mary Alday gang-raped and murdered. Once it started, Carl made certain the woman was his ticket to the electric chair--he wanted it, anything but being raped again himself by the black studs in the general prison population. Carl, Wayne, and George all drew death sentences but, ten years later, still languish on Death Row amid legal appeals, while at least one Alday relative regrets not having accepted an offer of a lynching. Howard (American Saturday, Zebra) tries hard to elevate this senseless tragedy into something more than a simple horror story--where-did-they-go-wrong flashbacks to Carl's and Billy's childhoods, interspersed with scenes of the hard-working, God-fearing Aldays--but everything other than the gore here seems manufactured. - Kirkus

    An affectionate portrait of the prolific twentieth-century comic writer (1881-1975) discusses his creation of such characters as Jeeves, Psmith, and the Empress of Blandings; describes his contributions to Broadway and the London stage; details his internment in Germany during WW II; and moves on to his life in Southampton, NY.