Penelope with her mother and brother struggles to maintain their vast and crumbling ancestral home while postwar London spins toward the next decade's cultural revolution. Penelope wants nothing more than to fall in love and when her new best friend Charlotte a free spirit in the young society set drags Penelope into London with all of its grand parties she sets in motion great change for them all. Charlotte's mysterious and attractive brother Harry uses Penelope to make his American ex-girlfriend jealous with unforeseen consequences and a dashing wealthy American movie producer arrives with what might be the key to Penelope's and her family's future happiness. Vibrant witty and filled with vivid historical detail The Lost Art of Keeping Secrets is an utterly unique debut novel about a time and place just slipping into history.

    She has brought up three children - and learned to accept them as they are. Yet she is far too energetic and independent to settle sweetly into pensioned-off old-age. And when she discovers that her most treasured possession, her father's painting, The Shell Seekers, is now worth a small fortune, it is Penelope who must make the decisions that will determine whether her family can continue to survive as a family, or be split apart.

    Daphne du Maurier has instinct, with the result that every woman instinctively wants to read her." -New York Times Book ReviewMaria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' past affairs. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.

    On the surface it could be just one of hundreds in which some students will succeed and some will fall along the way. the hopes and dreams of so many people are tied up in the twice weekly lessons. they are ready to set off on the promised trip to Italy at the end of the year, everyone's destiny has changed utterly.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    For different reasons, the Brinkleys’ two previous daughters-in-law hadn’t been able to resist Rachel’s maternal control and Anthony’s gentle charm and had settled into their husbands’ family without rocking the boat. But Charlotte—very young, very beautiful, and spoiled—has no intention of falling into step with the Brinkleys and wants to establish her own household. Soon Rachel’s sons begin to think of their own houses as home and of their mother’s house as simply the place where their parents live—a necessary and inevitable shift of loyalties that threatens Rachel’s sense of herself, breaks Anthony’s heart, and causes unexpected consequences in all the marriages. Then a crisis brings these changes to the surface, and everyone has to learn what family love means all over again.

    Florence is a talented musician who dreams of a career on the concert stage and of the perfect life she will create with Edward, an earnest young history student at University College of London, who unexpectedly wooed and won her heart. Newly married that morning, both virgins, Edward and Florence arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their worries about the wedding night to come. Edward, eager for rapture, frets over Florence’s response to his advances and nurses a private fear of failure, while Florence’s anxieties run deeper: she is overcome by sheer disgust at the idea of physical contact, but dreads disappointing her husband when they finally lie down together in the honeymoon suite. Ian McEwan has caught with understanding and compassion the innocence of Edward and Florence at a time when marriage was presumed to be the outward sign of maturity and independence. On Chesil Beach is another masterwork from McEwan—a story of lives transformed by a gesture not made or a word not spoken.

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    But a tragic accident when she was seventeen shattered her identity and made her understand the fragility of life and the tenuousness of luck. So more than a decade later, when she met boisterous, charismatic Charlie Blackwell, she hardly gave him a second look: She was serious and thoughtful, and he would rather crack a joke than offer a real insight; he was the wealthy son of a bastion family of the Republican party, and she was a school librarian and registered Democrat. Comfortable in her quiet and unassuming life, she felt inured to his charms. And then, much to her surprise, Alice fell for Charlie. As Alice learns to make her way amid the clannish energy and smug confidence of the Blackwell family, navigating the strange rituals of their country club and summer estate, she remains uneasy with her newfound good fortune. And when Charlie eventually becomes President, Alice is thrust into a position she did not seek–one of power and influence, privilege and responsibility. As Charlie’s tumultuous and controversial second term in the White House wears on, Alice must face contradictions years in the making: How can she both love and fundamentally disagree with her husband? How complicit has she been in the trajectory of her own life? What should she do when her private beliefs run against her public persona? In Alice Blackwell, New York Times bestselling author Curtis Sittenfeld has created her most dynamic and complex heroine yet. American Wife is a gorgeously written novel that weaves class, wealth, race, and the exigencies of fate into a brilliant tapestry–a novel in which the unexpected becomes inevitable, and the pleasures and pain of intimacy and love are laid bare.BONUS: This edition includes an excerpt from Curtis Sittenfeld's Sisterland. Praise for American Wife “Curtis Sittenfeld is an amazing writer, and American Wife is a brave and moving novel about the intersection of private and public life in America. Ambitious and humble at the same time, Sittenfeld refuses to trivialize or simplify people, whether real or imagined.” –Richard Russo “What a remarkable (and brave) thing: a compassionate, illuminating, and beautifully rendered portrait of a fictional Republican first lady with a life and husband very much like our actual Republican first lady’s. Curtis Sittenfeld has written a novel as impressive as it is improbable.” –Kurt Andersen