Funny and bleak in equal measure, Boys offers a startling glimpse into a lost generation, following four new graduates who celebrate their impending adulthood with one hell of a party.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    He has also written fim scripts and for television.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    Trigga found out in book 1 that the enemy who got away was right under his nose. The one man that he had been hunting to seek vengeance for his father’s death and mother’s brutal rape and murder was the man he called his boss, Street King, Damien Orlando. He only has one thing in mind, payback. With his boy Big Jake along with Gina, and Ray-Ray forming their own family, Dame and every goon in his circle are targets. Chaos is coming and Dame’s most trusted are about to bring him pain and death. E.N.G.A. Every Nigga Gotta Agenda

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Just the thought of being in love is enough to immerse a person in happiness. The genuineness and feelings involved in a loving relationship has the tendency to take over your whole body, but there’s one thing. Is it forever? Like most people Layah never planned to fall in love, but when she did, she couldn’t stop it. Falling head first into this passionate relationship with Nassir Jordan, is anything but promising. Being from two totally different worlds brings about more complications than either of them are prepared for. Nassir is everything Layah could have ever dreamed of plus more. Being with him is the highlight of her young life, and she plans to do everything in her power to make it last. Unlike Layah, Nassir is no stranger to uncertainty and hardships. Those two things are a part of his everyday life. That is until he gives in to the feelings he’s grown for this upper-class beauty from the suburbs. Having grown up in the hood, Nassir believes in anything but happy endings. He’s learned the hard way that you must work for the things you want. This is a lesson well learned when the raw emotions he feels for Layah begins to emerge. Trying the best friend thing worked for a while until his budding fascination got the best of him. Finally welcoming contentment into his life Nassir refuses to let it go. Together, they’re determined to make their undying love last forever.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    He’s struggling to find her while also fighting charges that are trying to put him back in jail. Olivia is struggling to trust Kadar when all she wants to do is love him. She's given him her heart and a daughter, but still she feels it might never be enough. She finds comfort in Angel, Kadar’s new business partner, but dealing with him only leads to a whole new set of problems. Drew and Kadar find themselves disconnected and confused as to where they should be. Love has never been in question when it came to the people they loved, but it seems like it’s getting harder and harder to make it work. Highs and lows Drew, Aamil, Kadar and Olivia have experienced it all. Take one final ride with the crew and see if they can make it through the greatest storm yet? From paternity tests to separation this book will take you through many emotions. See who can weather the storm and who can’t in part two of Side Effects of Loving You.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    He’s a man of the African bush, and coping with ‘girlie feelings’ was always Helene’s department, not his. When an orphaned baby elephant is found, Rodger sees an opportunity that might help him reconnect with his children. But interfering with the orphan goes against his usual conservation methods. It will require a new approach to save both the baby and his family.

    He and his crew run the streets of Cleveland, he has an abundance of money, plus all the women love him. But can things get any better for him or can one life changing event turn his entire world into a living nightmare?Juicy is one bad chick. She has the body of a goddess and has enough street smarts to run an entire Drug Empire on her own. She also loves playing Black’s loyal ride-or-die. But when she has had enough what outs does she take to let go before her past shows up and shows out?Tiffany is young and the streets arouses her. She love everything about them, plus she loves being the chosen and known girlfriend of Black. But she quickly learns how hard the street life can be and has to make fast decision, either jump aboard or die. Which will she make?

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.