Longing for passion and independence, Olivia is drawn into the spell of the Nawab, a minor Indian prince deeply involved in gang raids and criminal plots. She is intrigued by the Nawab's charm and aggressive courtship, and soon begins to spend most of her days in his company. But then she becomes pregnant, and unsure of the child's paternity, she is faced with a wrenching dilemma. Her reaction to the crisis humiliates her husband and outrages the British community, breeding a scandal that lives in collective memory long after her death.

    With remarkable fortitude and courage, she meets changing times and fights poverty and disaster.This beautiful and eloquent story tells of a simple peasant woman in a primitive village in India whose whole life is a gallant and persistent battle to care for those she loves—an unforgettable novel that "will wring your heart out" (The Associated Press).Named Notable Book of 1955 by the American Library Association.

    Now, with breathtaking imagination and brilliant storytelling, Ashok K. Banker has recreated this epic tale for modern readers everywhereIn this first book of the Ramayana, it is predicted Ayodhya, legendary capital of warriors and seers, will soon be a wasteland of ashes and blood. Only Rama, Prince of Ayodhya, can hope to prevent the onslaught of darkness. Is Rama’s courage enough in the final battle to halt the demons’ invasion and save Ayodhya?

    An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design. A splendid saga from the pages of the Mahabharata, Karna's Wife: The Outcast s Queen brings its characters alive in all their majesty.

    Years later, she is miserable, having been gradually shut out by the coldness of her husband’s family and his indifference to her and her daughter’s needs.Finally she flees to England to escape the loveless union—but at what price to herself and those she loves? The moving story of one woman’s painful journey of self-discovery, Ancient Promises is about a marriage, a divorce, and motherhood. It is about why we love and lose, sometimes seeming to have little control over our destinies.About the AuthorJaishree Misra is the best-selling author of Ancient Promises, Accidents Like Love and Marriage and Afterwards. She lives in the United Kingdom.

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    In an uncharacteristic move, she sets off on an unexpected journey, away from her mother, Rukmini, and her home in Bengaluru, to distant, misty Assam. She comes looking for her beloved Asian elephant, Elephas maximus, but also seeks someone else-her grandfather, Torun Ram Goswami, someone she has never met before. She arrives at the Yellow House on the banks of the Brahmaputra, where Torun lives, not knowing that her life is about to change. Twenty-five years ago, Rukmini had been cast out of the family home by her mother, the formidable and charismatic Usha, while Torun watched silently. Loya now seeks answers, both from him and from the place that her mother once called home. In her quest, she finds an understanding not only of herself and her life but also of the precarious bonds that tie people together.A delicate, poignant portrait of family and all that it contains, Undertow becomes, in the hands of this gifted writer, an exploration of much more: home and the outside world, the insider and the outsider, and the ever-evolving nature of love itself.

    The Naxalbari Movement is gathering strength in Bengal. Young men and women have left their homes, picked up arms to free land from the clutches of feudal landlords and the state, and return them to oppressed landless farmers. They are being arrested en masse and thrown into high-security jails. In one such jail, five Naxals are meticulously planning a jailbreak. They must free themselves if the revolution is to continue. But petty thief Bhagoban, much too happy to serve frequent terms for free food and shelter, has been planted by Jailor Bireshwar Mukherjee among them as a mole. Only, Bhagoban seems to be warming up to them. There’s Gunpowder in the Air is a searing investigation into what deprivation and isolation can do to human idealism. And Manoranjan Byapari is perhaps the most refreshing voice to emerge from Bengal in recent times.

    But the rain can’t stop me. No one can…I’ll go out and play tonight. I will kill only four. No more, no less. Just four.' In the midst of one of the worst monsoons in Mumbai, a man is found brutally murdered, his body posed like a kite on the tallest cell tower in the city. As one corpse after another turns up in the unlikeliest of places, each gruesomely killed and carefully arranged in a grotesque manner, the Mumbai Police realize they have more on their hands than they can deal with. Enter Chandrakant Rathod, a maverick investigator the police turn to in times of need, who plays by his own rules and lives for the thrill of the chase. Pitting his sharp instincts against the machinations of the sadistic, ruthless killer, the detective succeeds in nabbing the psychopath and putting him behind bars. Then, three months later, the killings begin again. A deadly game is afoot – a game that will challenge Rathod to the utmost, for it is a game that he cannot hope to win...

    Even the dreams here are small. Adrift among them, the narrator, Arun, a struggling writer of detective novels in Urdu, waits for inspiration to write a blockbuster. Meanwhile, he seeks reassurance in love, and finds it in unusual places: with the young prostitute Kamla, wise beyond her years; and the orphan Suraj, homeless and an epileptic, yet surprisingly optimistic about the future. this is a memorable story about small lives, with all the hallmarks of classic Ruskin Bond prose: nostalgia, charm, underplayed humour and quiet wisdom.

    The tragedy spurs him to write a novel set in the household of Lala Motichand. It follows the lives of the wealthy lala and his three sons: Self-confident Dinanath, the true heir to Motichand’s mercantile temperament, lonely Diwanchand, uninterested in business and steeped in poetry; and illegitimate Makhan Lal, a Marx-loving schoolteacher kept to the periphery of his father’s life. In an illuminating act of self-reflection, Vishwanath, the son of a cook for a rich sethji, also tells the story of the lala’s personal servant, Mange Ram and his son, Parsadi. Fatherhood, brotherhood and childhood, love, loyalty and poetry all come to the fore as sons and servants await the lala’s death. By writing about mortality and family, Vishwanath confronts the wreckage of his own life while seeking to make sense of the new India that came into being after independence. Spellbinding and penetrating, Half the Night Is Gone raises questions of religion, literature and society that speak to our fractured times.

    Playing the traditional daughter- in-law role, she’s expected to clean, cook, and—because she doesn’t immediately get pregnant—find a job as well! But the job, at a glossy Hollywood gossip magazine, isn’t at all what Priya’s in-laws had in mind for a traditional Indian wife. She soon finds herself with a secret life that she must hide from her disapproving new family. All the while, she is growing into a marriage with a man whose loyalty is decidedly torn between his parents and his bride. This is hardly surprising, given that he met his wife only a week before their wedding. The question is, can this fragile new love survive the pull between tradition and ambition?

    This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in 2017, and which will resonate for years to come. Jivan Singh, the bastard scion of the Devraj family, returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded, the Devraj Company. On the same day, Sita, Devraj’s youngest daughter, absconds – refusing to submit to the marriage her father wants for her. Meanwhile, Radha and Gargi, Sita’s older sisters, must deal with the fallout… And so begins a brutal, deathly struggle for power, ranging over the luxury hotels and spas of New Delhi and Amritsar, the Palaces and slums of Napurthala, to Srinagar, Kashmir. Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern-day King Lear that bursts with energy and fierce, beautifully measured rage. Set against the backdrop of the anti-corruption protests in 2011–2012, it provides startling insights into modern India, the clash of youth and age, the hectic pace of life in one of the world’s fastest growing economies – and the ever-present spectre of death. More than that, this is a novel about the human heart. And its breaking point.

    In the first week of its sale it reached the Amazon's Number one position of Historical fiction best seller lists. War is coming... An ancient kingdom will meet a devastating new enemy. Peninsular India, fourteenth century. The Pandyan empire is at its peak, its enemies subdued and its people at peace. Having left behind his step-brother Sundar in the race to the throne, Crown Prince Veera Pandyan is set to rule from Madurai, reputed to be the richest city in the subcontinent. But invisible fractures within the kingdom threaten to destroy it, and a new enemy approaches, swifter than anyone can imagine.In Delhi, Sultan Alauddin Khilji’s trusted general, the eunuch Malik Kafur, has trained his eyes on the distant south, fabled for its riches. A slave captured by the Khiljis, Kafur is renowned for his ambition and cunning. None, not even the mighty Mongols, have defeated him – no empire can withstand the trail of destruction he leaves in his wake. And all he wants is to see Madurai on its knees, its wealth pillaged, its temples destroyed.As an ancient city combusts in flames of treachery, bloodlust and revenge, brother will battle brother, ambition will triumph over love, slaves will rise to rule, cities will be razed to dust, and the victor will be immortalized in history...Official FB pagehttps://www.facebook.com/r.venketeshOnline storesAmazon.in http://www.amazon.in/gp/product/93500...Flipkarthttp://www.flipkart.com/gods-kings-sl...

    The professional meeting explodes into an intense, passionate relationship. Prague in winter is a beautiful and moody setting to the feverish love affair. The complicated and inevitably short-lived romance is poignant and deeply moving in its telling by the master of the modern Hindi novel, Nirmal Verma.This book is translation of original novel in Hindi, called Ve Din.