Each piece has been carefully selected and simplified to help students develop their skills. The special arrangements also offer novices the pleasure and satisfaction of playing music that's usually beyond their grasp — and free MP3 downloads of each tune make mastering the music even easier.Some of the master composers are represented by several pieces each: nine works by Bach include Jesu, Joy of Man's Desiring; Mozart's Rondo alla Turca appears along with eight other selections from his oeuvre; seven by Chopin include Funeral March; the "Emperor" Concerto, Ode to Joy, and "Für Elise" are among the eight Beethoven features; and eight by Tchaikovsky include Dance of the Sugar Plum Fairy from The Nutcracker. Other well-known pieces include Hungarian Rhapsody No. 2 by Liszt, Brahms' "Lullaby," Morning Mood by Grieg, Haydn's "Surprise" Symphony, plus compositions by Schubert, Verdi, Debussy, Handel, Mendelssohn, and others.

    It has suffered the dubious distinction of being wiped off the political map in 1795, to be resurrected after the First World War, to suffer seeming annihilation during the Second World War, reduction to satellite status of the Soviet Union after 1945, only to emerge during the 1980s. It is presently a contender for membership in the European Union. The only general introduction to the politics of Polish history in English, The Concise History of Poland covers medieval times to the present. The authors describe how Polish society developed under foreign rule in the 19th century and how it was altered by and responded to 45 years of communism, and developments since its collapse. Primarily a political outline of Poland's turbulent and complex past, it traces the process of its rise and fall from the middle ages, from a dynastic realm to a remarkable constitutional experiment in multinational, consensual politics, embracing much of Lithuania, Ukraine, and Belarus. Jerzy Lukowski is Senior Lecturer in Modern History, School of Historical Studies, at the University of Birmingham, UK. He is also the author of, The Partitions of Poland (Addison Wesley, 1998), and Liberty's Folly (Routledge, 1991), and many journal articles. Herbert Zawadzki is Teacher of History at Abingodn School, in Abingdon, UK. He spent the first ten years of his life in various Polish resettlement camps across the length and breadth of Britain, eventually settling near Stratford-on-Avon. He has since traveled extensively in Poland, Belarus, and Lithuania. He has written for several journals and contributed to the Cambridge Encyclopedia of Russia and the former Soviet Union (1994).

    Whether covering Poland's first free parliamentary elections -- in which Solidarity found itself in the position of trying to limit the scope of its victory -- or sitting in at the meetings of an unlikely coalition of bohemian intellectuals and Catholic clerics orchestrating the liberation of Czechoslovakia, Garton Ash writes with enormous sympathy and power.In this book -- now with a new Afterword by the author -- Garton Ash creates a stunningly evocative portrait of the revolutions that swept Communism from Eastern Europe in 1989, and whose after-effects will resonate for years to come.

    Translated from the Polish by award-winning translators John and Bogdana Carpenter, these sixty-eight verse and prose poems span forty years of Herbert's incredible life and work. The pieces are organized chronologically from 1950 to 1990, with an emphasis on the writer's early and late poems.Here Zbigniew Herbert's poetry turns from the public--what we have come to expect from this poet--to the more personal. The title poem, "Elegy for the Departure of Pen Ink and Lamp , is a three-part farewell ode to the inanimate objects and memories of childhood. Herbert reflects on the relationship between the living and the dead in "What Our Dead Do," the state of his homeland in "Country," and the power of language in "We fall asleep on words . . . " Herbert's short prose poems read like aphorisms, deceptively whimsical but always wise: "Bears are divided into brown and white, also paws, head, and trunk. They have nice snouts, and small eyes.... Children who love Winnie-the-Pooh would give them anything, but a hunter walks in the forest and aims with his rifle between that pair of small eyes."Elegy for the Departure and Other Poems confirms Zbigniew Herbert's place as one of the world's greatest and most influential poets.

    In one of modern history’s most miraculous occurrences, communism imploded–and not with a bang, but with a whimper. Now two of the foremost scholars of East European and Soviet affairs, Stephen Kotkin and Jan T. Gross, drawing upon two decades of reflection, revisit this crash. In a crisp, concise, unsentimental narrative, they employ three case studies–East Germany, Romania, and Poland–to illuminate what led Communist regimes to surrender, or to be swept away in political bank runs. This is less a story of dissidents, so-called civil society, than of the bankruptcy of a ruling class–communism’s establishment, or “uncivil society.” The Communists borrowed from the West like drunken sailors to buy mass consumer goods, then were unable to pay back the hard-currency debts and so borrowed even more. In Eastern Europe, communism came to resemble a Ponzi scheme, one whose implosion carries enduring lessons. From East Germany’s pseudotechnocracy to Romania’s megalomaniacal dystopia, from Communist Poland’s cult of Mary to the Kremlin’s surprise restraint, Kotkin and Gross pull back the curtain on the fraud and decadence that cashiered the would-be alternative to the market and democracy, an outcome that opened up to a deeper global integration that has proved destabilizing.

    Using a blend of ethnography and economic geography, Elizabeth C. Dunn shows how management technologies like niche marketing, accounting, audit, and standardization make up flexible capitalism's unique form of labor discipline. This new form of management constitutes some workers as self-auditing, self-regulating actors who are disembedded from a social context while defining others as too entwined in social relations and unable to self-manage.Privatizing Poland examines the effects privatization has on workers' self-concepts; how changes in personhood relate to economic and political transitions; and how globalization and foreign capital investment affect Eastern Europe's integration into the world economy. Dunn investigates these topics through a study of workers and changing management techniques at the Alima-Gerber factory in Rzesz�w, Poland, formerly a state-owned enterprise, which was privatized by the Gerber Products Company of Fremont, Michigan.Alima-Gerber instituted rigid quality control, job evaluation, and training methods, and developed sophisticated distribution techniques. The core principle underlying these goals and strategies, the author finds, is the belief that in order to produce goods for a capitalist market, workers for a capitalist enterprise must also be produced. Working side-by-side with Alima-Gerber employees, Dunn saw firsthand how the new techniques attempted to change not only the organization of production, but also the workers' identities. Her seamless, engaging narrative shows how the employees resisted, redefined, and negotiated work processes for themselves.

    Franklin Evans had watched every war movie John Wayne ever made, sometimes several times over. When the “Duke” led his men, war was exciting and heroes were made as they ruggedly fought and predictably won each battle. But when Evans’ high school friend and real-life hero Glenn was killed in Vietnam, war became real and personal for Evans, and he felt a tremendous obligation to the buddy who gave his life in that faraway jungle. At the tender age of nineteen, Evans voluntarily enlisted in the U.S. Army and left for basic training in early December of 1966. Before long, he was deeply entrenched in a treacherous war, far removed from his innocent and carefree youth. He had to learn not only to survive but also to muster the bravery to lead others in combat as he was thrust from adolescence into adulthood. It has taken Evans more than thirty-five years to begin to heal the physical and emotional wounds that kept him from sharing his intensely personal story. From his depiction of the picturesque aerial view of Cam Rahn Bay to that of the barbed wire, metal planking, and squat huts housing weapons of death and destruction, Evans’s Stand To …provides a vividly detailed glimpse into what it was like to become a man on the battlefields of Vietnam.

    . . the effect is shattering and transcendent.”—Modern Times Bookstore newsletterIn lyric, diamond-cut prose, Selah Saterstrom revisits the mythic, dead-end Southern town of Beau Repose. This time, the story follows a strung-out American teenager influenced by heavy metal, inspired by Ginger Rogers, hell-bent on self-destruction, and more intelligent than anyone around her realizes. She is forced into rehab and private school, and her life, at least on the surface, changes course, eventually leading to theology studies in Scotland. But as the feverish St. Vitus’s dance of her adolescence morphs into slow-motion inertia abroad, an illness brings her home again—to face the legacy of pain she left behind and to find a way to become the lead in a dance of her own creation.An heir to William Faulkner and Toni Morrison, Saterstrom soars above the traditional boundaries of the American novel with “exquisite, cut-to-the-quick language” (Raleigh News & Observer) that makes her novels “impossible to put down.” Spare, raw, and transcendent, Saterstrom’s unflinching examination of modern-day Dixie and contemporary adolescence lights up the dark corners of the American experience.Selah Saterstrom is the author of The Pink Institution, a debut novel praised across the country for “letting gusts of fresh, tart air blow into the old halls of Southern Gothic” (The Believer). A Mississippi native, she is currently on the faculty of the University of Denver's Creative Writing Program. Visit her website at www.selahsaterstrom.com.

    Weiss into the barn loft. His box is one meter wide, three meters high, and four meters long. Hiding Dr. Weiss seems like an adventure to Niki. At first. But the family's secret weighs on them. Mrs. Lukasser becomes "nervous." Mr. Lukasser withdraws. Care and feeding of Dr. Weiss fall to Niki and a blind girl - Niki's best friend, Sigi. Niki and Sigi straddle two worlds. In their adolescent world, they are discovering the limits of adult life, and the possibilities of each other. In the secret world they share with Dr. Weiss, they have power - a life depends on them. That is both gratifying and bewildering. As the psychological state of Dr. Weiss ebbs and flows, Niki and Sigi are entranced by the stories of his worldly life in a Europe very different from their own. He shows them how to dream beyond their village, beyond the war. They are beginning to understand compassion and respect. And from the inside of his box, Dr. Weiss is gradually coaxing them into adulthood.

    It follows an interesting life of a princess, Rotshidzwa, who doesn’t believe in love but is given an ultimatum to get married to a prince in order to access her father’s estate. The princess was wild and needed a tame, hence her father left a condition on his will – a condition which she did not want fulfil. Forced by her kind of lifestyle, she agreed to fake a marriage in the hope of receiving her portion of the estate and getting divorced afterwards. The prince agreed to enter into a fake marriage, provided that he gets a share of the money. Things did not go to plan as she was expected to prove the legitimacy of her marriage. In the process of proving the legitimacy of the marriage, she ends up falling in love with the prince and complicating his relationship with his partner named Adelaide. Their relationship ended up into a complicate love triangle.

    you will find that in a period of time which may be measured by years, but may be measured by months, Czechoslovakia will be engulfed in the Nazi régime. We are in the presence of a disaster of the first magnitude ... we have sustained a defeat without a war, the consequences of which will travel far with us along our road ... we have passed an awful milestone in our history, when the whole equilibrium of Europe has been deranged.” – Winston Churchill "My good friends," the mustached, bony man with thick eyebrows and large, strong teeth somewhat reminiscent of those of a horse, shouted to the crowds from the second-floor window of his house at 10 Downing Street, "this is the second time in our history, that there has come back to Downing Street from Germany peace with honor. I believe it is peace for our time." (McDonough, 1998, 70). The man addressing the crowd, British Prime Minister Neville Chamberlain, had just returned from the heart of Nazi Germany following negotiations with Adolf Hitler, and the crowd gathered outside the English leader's house on September 30, 1938 greeted these ringing words with grateful cheers. The piece of paper Chamberlain flourished exultantly seemed to offer permanent amity and goodwill between democratic Britain and totalitarian Germany. In it, Britain agreed to allow Hitler's Third Reich to absorb the Sudeten regions of Czechoslovakia without interference from either England or France, and since high percentages of ethnic Germans – often more than 50% locally – inhabited these regions, Hitler's demand for this territory seemed somewhat reasonable to Chamberlain and his supporters. With Germany resurgent and rearmed after the disasters inflicted on it by the Treaty of Versailles following World War I, the pact – known as the Munich Agreement – held out hope of a quick end to German ambitions and the return of stable, normal international relations across Europe. Of course, the Munich agreement is now notorious because its promise proved barren within a very short period of time. Chamberlain's actions either failed to avert or actually hastened the very cataclysm he wished to avoid at all costs. The "Munich Agreement" of 1938 effectively signed away Czechoslovakia's independence to Hitler's hungry new Third Reich, and within two years, most of the world found itself plunged into a conflict which made a charnelhouse of Europe and left somewhere between 60-80 million people dead globally. Of course, as most people now know, the invasion of Poland was merely the preface to the Nazi blitzkrieg of most of Western Europe, which would include Denmark, Belgium, and France by the summer of 1940. The resistance put up by these countries is often portrayed as weak, and the narrative is that the British stood alone in 1940 against the Nazi onslaught, defending the British Isles during the Battle of Britain and preventing a potential German invasion. In particular, the campaign in Poland is remembered as one in which an antiquated Polish army was quickly pummeled by the world’s most modern army. Polish lancers charging in a valiant yet idiotic attack against German tanks is the only image from the 1939 Nazi-Soviet invasion of Poland remaining in the popular imagination today. Originating as a piece of Nazi propaganda, paradoxically adopted by the Poles as a patriotic myth, the fictional charge obscures the actual events of September 1939.

    The crew, however, isn’t content to sit out the war. With help from unexpected sources—a naval attaché with the British Embassy and a courageous American reporter and her photographer sidekick—they overcome their captors, regain control of the "Eagle," and escape. The German’s are convinced the "Eagle's" crew has no stomach for a fight and will seek refuge in Sweden. But the Poles have something else in mind—join up with the British Fleet and continue fighting against their homeland's Nazi conquerors. They face stiff odds. The "Eagle" has little food and water, few torpedoes, and no sea charts. And before she can rendezvous with the British somewhere in the North Sea, she must traverse the Baltic, which has become little more than a Nazi-controlled lake. This story is inspired by the exploits of the Polish submarine, "Orzel," during the early weeks of World War II. Winston Churchill called her escape from the Nazis “an epic.”

    An attractive 29-year-old Polish woman suddenly appears before a New York Jewish family in 1967, claiming to be a long-lost child who was hidden in Poland during World War II."Told without artifice or irony, Mekler's story of inter generational immigration is a cooly composed novel. By the time ending veers... Mekler has already transcended plot in favor of uncompromising examination." -The New York Times Book Review "Stunning... well crafted... adding depth and resonance to a gripping read. Not to be missed by anyone who loves a tale well told."-Library Journal"Vividly drawn character,both major and minor... The tale itself is compelling, combining romance and mystery and reminding us of the difficulty of unearthing personal truths when one of history's great cataclysms has buried them."-The Wall Street Journal"Takes a less-traveled road [from other Holocaust literature] and explores the loss of identity... Strongly evoked... the understated and moving story of a woman whose memories open so many old wounds."-Philadelphia Inquirer

    Written in France in 1968, this personal testimony is more than just a life history or a critique of his work. A Kind of Testament stands as a testament to how Gombrowicz came to be the person and writer that he was and overlap between the two.

    Trąba, a failed Lutheran clergyman, alcoholic, would-be Polish insurrectionist, and one of the wildest literary characters since Sterne’s Uncle Toby. One drunken afternoon, Mr. Trąba and the narrator’s nameless father decide to take charge of their lives and do one final good turn for humanity: travel to distant Warsaw and assassinate the de facto Polish head of state, First Secretary of the Polish United Workers’ Party, Władysław Gomułka—assassinating Mao Tse-tung, after all, would be impractical. And they decide to involve Jerzyk in their scheme . . .