"As he has recorded the events of history, man has often forgotten to mention the hand that rocked the cradle." These remarkable Mormon women gave their all for the gospel of Christ. With drama and emotion stronger than that found in any work of fiction, the inspirational stories in Heroic Mormon Women will bring to light the incredible strength, virtue, and faith of the heroic women of the restoration. Some women included in this book are: Rachel Ivins Grant Jane Grover Jane Elizabeth Manning James Sarah Melissa Granger Kimball Heroic Marys Elizabeth Claridge McCune Sarah Pea Rich Aurelia Spencer Rogers Amanda Barnes Smith Eliza Roxey Snow Amanda Barnes Smith Lucy Mack Smith Emma Hale Smith

    Whether posing kittenishly in a pinup shot or dramatically for a classic portrait, this shy, vulnerable, enormously insecure woman was transformed by the lens.Marilyn posed for nearly every major photographer of her day, and this pictoral chronicle of her affair with the camera, featuring shots from Richard Avedon, Cecil Beaton, Henri Cartier-Bresson, Alfred Eisentaedt, Elliott Erwitt, Philippe Halsman, Weegee, and thirty other artists, brings together the most beautiful and unusual images available. From her early days as a "fashion model" for ads and pinup calendars, through the film stills that follow her career as a minor actress and then major starlit, to the now-famous portraits by Avedon, and Cecil Beaton, as well as the paparazzi shots from the hordes of photographers who trailed her every move -- Marilyn emerges in all her many moods: girlish and gay, sexy and serious, glamorous and girl-next-door. And, in a fascinating and revealing interview with French writer George Belmont, Marilyn sets the record straight about much of her early life, and about her ambitions, fears, and dreams. Jane Russell, Marilyn's friend and costar in Gentlemen Prefer Blondes, enhances this portrait with an affectionate foreword that describes what it was like to work with the young actress. Although we will never know the "real" Marilyn, this sumptuous volume goes a long way toward preserving the memory of an utterly unforgettable woman.

    

    When Betty Isaacs walked out on her twelve kids, the youngest were packed off to foster-homes--divided up, Carl Isaacs recalls, ""like sticks of firewood."" He was ten then and from the time when, a few years ... More later, his mother told him he couldn't come back and live with her (""Don't let's rock the boat""), he didn't care about anything. Foster-homes, reform schools, escapes--it all led at 19 to a Maryland prison where, lo and behold, there was his half-brother Wayne Coleman, 26, a shiftless and somewhat dim character with a violent streak. Wayne's prison sidekick was a surprise: a black convict named George Dungee, Wayne's homosexual lover (to Carl, the ""nigger fuck-boy""), doing time for non-support(!). The trio escaped, picked up 15-year-old Billy isaacs (himself a reform school runaway, but trying to go straight), and headed south. Aimless travel eventually brought them to a rural road near Donalsonville, Ga., where they tried to burglarize a house trailer belonging to Jerry and Mary Alday. Various Alday family members showed up unexpectedly, but Wayne had a solution--""Let's blow 'em away."" It was a challenge and, insane as it seems, Carl couldn't back down:he was the leader, and his status with his brothers was all he had. Five male Aldays murdered; Mary Alday gang-raped and murdered. Once it started, Carl made certain the woman was his ticket to the electric chair--he wanted it, anything but being raped again himself by the black studs in the general prison population. Carl, Wayne, and George all drew death sentences but, ten years later, still languish on Death Row amid legal appeals, while at least one Alday relative regrets not having accepted an offer of a lynching. Howard (American Saturday, Zebra) tries hard to elevate this senseless tragedy into something more than a simple horror story--where-did-they-go-wrong flashbacks to Carl's and Billy's childhoods, interspersed with scenes of the hard-working, God-fearing Aldays--but everything other than the gore here seems manufactured. - Kirkus

    To those who didn’t know, the biscuit factory that towered over Carlisle might look like just another slice of the industrial North, a noisy and chaotic place with workers trooping in and out at all hours. For the biscuit girls it was a place where they worked hard, but also where they gossiped, got into scrapes and made lifelong friends. Outside the factory walls there might be difficult husbands or demanding kids, and sometimes even heartbreak and tragedy, but they knew there would always be an escape from their troubles at Carr's. Some, like Barbara, only applied because she needed the extra cash, until things got a bit easier at home. Her supervisor cross examined her about who would be looking after the kids while she was at work, but let her have the job. Like many of the women who joined up ‘temporary’ Barbara went on to stay at Carrs for 32 years.Beginning in the 1940s, these heartwarming and vividly-remembered stories have all been told by the women themselves to Hunter Davies.

    Their wisdom has profoundly shaped Eastern cultures over the centuries.

    

    The real life and faith journey of Loretta Young -- her strong devotion to her Catholic faith and her passion for helping others in need.

    There are 10 quotes from each of these great men and women of God. Listen to the heart and passion of Oswald Chamber, C.S. Lewis, Gen. William Booth, Dietriech Bonhoeffer, E.M. Bounds, A.B. Simpson, Kathryn Kuhlman, Charles Spurgeon, Aimee Semple McPherson and Charles Finney.

    You have been warned. From the Yorkshire Witch, who was accused of murder when a potion for good health turned out to be fatal, to the woman who survived the gallows and took her empty coffin away with her, Amazing True Stories of Female Executions is brimming with macabre true stories of executed women from around the world. Interspersed with quirky last requests, and with black and white illustrations throughout, this is history at its most morbidly fascinating.

    Here is the intimate story of how one woman began To Live Again; in this story there are answers for every man and every woman.

    These pages are filled with insights into Joseph, but most have not yet been shared in a way that makes the accessible to a broader audience. This collection of short essays will help close this gap and bring insights into Joseph to Latter-day saints, both those who are struggling with questions about Joseph and those who simply want to understand the founding Prophet of the Restoration better. These essays look at Joseph Smith's life, character, personality, and relationships with others. Know Brother Joseph, is an accessible and faith-promoting look at Joseph Smith, his life, and its relevance to us in our daily walk.

    Drawing together history and readings from scripture, Wills explains the beads on the rosary and the moments in Christ's life they represent, illustrating each mystery with a stunning Tintoretto painting. The result is an illuminating and poignant exploration of the power of prayer that will edify and inspire readers.

    Here the trials and triumphs of the early Muslims as individuals are well-portrayed. Their various paths to Islam - sometimes direct, sometimes long and tortuous, their devotion to the noble Prophet, their endeavours in peace time and their exploits in war - all serve to cast them in a heroic mould. This is the first of two (formerly published as a series of three) books based on original Arabic sources and written in a style that is lively and often gripping. The lives of the Sahabah or Companions of the Prophet, may God bless him and grant him peace, is a rich storehouse of knowledge, guidance and inspiration. The men and women whose stories are told here helped to lay the foundations of a new world order, and it is only fitting that they should be more widely known.

    In this sweeping account, renowned historian Linda Gordon charts Lange’s journey from polio-ridden child to wife and mother, to San Francisco portrait photographer, to chronicler of the Great Depression and World War II. Gordon uses Lange’s life to anchor a moving social history of twentieth-century America, re-creating the bohemian world of San Francisco, the Dust Bowl, and the Japanese American internment camps. She explores Lange’s growing radicalization as she embraced the democratic power of the camera, and she examines Lange’s entire body of work, reproducing more than one hundred images, many of them previously unseen and some of them formerly suppressed. Lange reminds us that beauty can be found in unlikely places, and that to respond to injustice, we must first simply learn how to see it.