A potter's assistant by day and dress lodger by night, Gustine sells herself for necessity in a rented gown, scrimping to feed and protect her only love: her fragile baby boy. She holds a glimmer of hope after meeting Dr. Henry Chiver, a prisoner of his own dark past. But in a world where suspicion of medicine runs rampant like a fever, these two lost souls will become irrevocably linked, as each crosses lines between rich and destitute, decorum and abandon, damnation and salvation. By turns tender and horrifying, The Dress Lodger is a captivating historical thriller charged with a distinctly modern voice. . . .

    It’s 1900 in Oregon, and Olivia’s father, concerned that she’s headed for trouble, convinces a stage mesmerist to try to hypnotize the rebellion out of her. But the hypnotist, an intriguing young man named Henri Reverie, gives her a terrible gift instead: she’s able to see people’s true natures, manifesting as visions of darkness and goodness, while also unable to speak her true thoughts out loud. These supernatural challenges only make Olivia more determined to speak her mind, and so she’s drawn into a dangerous relationship with the hypnotist and his mysterious motives, all while secretly fighting for the rights of women. Winters breathes new life into history once again with an atmospheric, vividly real story, including archival photos and art from the period throughout.

    He has spent his entire life close to home, in the picturesque Scottish town of Pitlochry. After sixty-four years of playing it safe, with retirement looming, Jeffrey resolves to climb Ben Macdhui, Britain's second highest peak. His decision sets off a chain of events that changes his life forever. Challenging weather on the mountain, and an encounter with a mysterious stray dog, leave him exhilarated and inspired. When he gets home to share the news of his achievements with his ninety-one year old mother Agnes, who lives in the old-folks home in town, Jeffrey discovers that nothing is as he left it. When a fire threatens the street where he lives Jeffrey’s selfless act of bravery transforms him from a no-body to a local hero. His renewed confidence nudges him towards Mary Ferguson, Agnes’s favorite nurse at the home, a trip to the ancient streets of Rome and a brush with the Italian underworld. Facing the possibility of losing the only woman he has ever loved, Jeffrey takes a leap of faith towards a future that he could never have imagined for himself.

    Donovan, Senior Reviewer - Midwest Book Review The first recorded Europeans to cross the Mississippi River reached the western shore on June 18, 1541. Hernando De Soto and his army of three hundred and fifty conquistadors spent the next year and a half conquering the nations in the fertile flood plains of eastern Arkansas.Three surviving sixteenth-century journals written during the expedition detailed a complex array of twelve different nations. Each had separate beliefs, languages, and interconnected villages with capital towns comparable in size to European cities of the time. Through these densely populated sites, the Spanish carried a host of deadly old-world diseases, a powerful new religion, and war.No other Europeans ventured into this land until French explorers arrived one hundred and thirty years later. They found nothing of the people or the towns that the Spanish had so vividly described. For those lost nations, the only hope that their stories, their last remaining essence will ever be heard again lies with one unlikely Storykeeper.~~~Editorial Reviews for Storykeeper, winner of Best Indie Book Award 2013“‘A man without a story is one without a past,’ Smith writes, ‘and a man without a past is one without wisdom.’ By the time readers have wandered freely through the strange realm of the Storykeeper, they may well find those words more prophetic, and more powerful.” – Kirkus Reviews “Storykeeper is a complex read . . . With both perspective and time in flux, readers are carried along on a historical and cultural journey that, while compelling, requires attention to detail: not for those seeking light entertainment, it's a saga that demands - and deserves - careful reading and contemplation.” D. Donovan, Senior Reviewer - Midwest Book Review “I was not only entertained by this book, but educated about a period of history of which I knew nothing. I loved the chapter structure which has a rhythm of its own, all wrapped in an attractive and appropriate cover. I have no hesitation in recommending this book no matter where your historical interest may lie. I give it 5 stars!” Helen Hollick, Managing Editor - Historical Novel Society (Editor’s Choice) “Smith has created a wealth of history and culture that will make you weep. Creating words and phrases with a poetic sense, building a feel for Native American culture that feels so genuine and, yet, is eminently readable.” Kathy Davie - Books, Movies, Reviews! “I love this story, and I applaud Daniel A. Smith on his diligent research. Smith writes some strong characters in this gripping story. Every human emotion is engaged, and at times I felt like I was right there with Manaha and the tribes who fought against DeSoto. Superbly done.” SK - The Jelly Bomb Review “The book's images, enhanced by objective historical writing are portals into the distant past, sometimes humorous, often heartbreaking, but always illuminating.” Fred Petrucelli - Log Cabin

    Really, one kisses the air over his hand, and that's a good thing, for he's so glistening with lotions and powders to cover the liver spots on his skin, which he hates...Aunt Soap says he was a beautiful lad when he was young. "Prinny was the handsomest Prince ever. His curls were the colour of honey on toast, like that red-gold Russian sable the Princess de Lieven wears." Now, unfortunately, his beauty has quite fled. Perhaps he does wear a corset, as I once heard Lady C. remark--though I can't see that it does much good. (I'm sure she would be shocked to know I overheard. But I do wonder why so many people seem to think a young person's ears do not work unless they are instructed to by some adult.)

    Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.Not long into their marriage, Eliza fears that she should have listened to the locals. There’s something terribly wrong at Havenwood Manor: Forbidden rooms. Ghostly whispers in the shadows. Strangely guarded servants. And Malcolm’s threatening moods, as changeable as night and day.As Eliza delves deeper into Malcolm’s troubling history, the dark secrets she unearths gain a frightening power. Has she married a man or a monster? For Eliza, uncovering the truth will either save her or destroy her.

    In an attempt to escape her not-so-innocent past in Glasgow, Bessy Buckley—a wide-eyed and feisty young Irish girl—takes a job as a maid in a big house outside Edinburgh working for the beautiful Arabella—the "missus." Bessy lacks the necessary scullery skills for her new position, but as she finds out, it is her ability to read and write that makes her such a desirable property. Bessy is intrigued by her new employer but puzzled by her increasingly strange requests and her insistence that Bessy keep a journal of her mundane chores and most intimate thoughts. And it seems that the missus has a few secrets of her own, including her near- obsessive affection for Nora, a former maid who died in mysterious circumstances. Giving in to her curiosity, Bessy makes an infuriating discovery and, out of jealousy, concocts a childish prank that backfires and threatens to jeopardize all that she has come to hold dear. Yet even when caught up in a tangle of madness, ghosts, sex, and lies, she remains devoted to Arabella. But who is really responsible for what happened to her predecessor Nora? As her past threatens to catch up with her and raise the stakes even further, Bessy begins to realize that she has not quite landed on her feet. The Observations is a brilliantly original, endlessly intriguing story of one woman’s journey from a difficult past into an even more disturbing present, narrated by one of the most vividly imagined heroines in recent fiction. This powerful story of secrets and suspicions, hidden histories and mysterious disappearances is at once compelling and heart-warming, showing the redemptive power of loyalty and friendship. A hugely assured and darkly funny debut, The Observations is certain to establish Jane Harris as a significant new literary talent.

    In the winter of 1859, Anna Palmer becomes its newest patient. To Anna’s dismay, her new husband has declared her in need of treatment and brought her to this shabby asylum. Confused and angry, Anna is determined to prove her sanity, but with her husband and doctors unwilling to listen, her freedom will notbe easily won. As the weeks pass, she finds other allies: a visiting physician who believes the new medium of photography may reveal the state of a patient’s mind; a longtime patient named Talitha Batt, who seems, to Anna’s surprise, to be as sane as she is; and the proprietor’s bookish daughter, who also yearns to escape. Yet the longer Anna remains at Lake House, the more she realizes that—like the ethereal bridge over the asylum’s lake—nothing and no one is quite as it appears. Not her fellow patients, her husband, her family—not even herself. Locked alone in her room, driven by the treatments of the time into the recesses of her own mind, she may discover the answers and the freedom she seeks . . . or how thin the line between madness and sanity truly is. Wendy Wallace’s taut, elegantly crafted first novel, The Painted Bridge is a story of family betrayals and illicit power; it is also a compelling portrait of the startling history of the psychiatric field and the treatment of women— in society and in these institutions. Wallace sets these ideas and her characters on the page beautifully, telling a riveting story that is surprising and deeply moving.

    When the 8th Earl of Staton dies, his eldest son, the unreliable Richard, inherits the title and the family’s home—Hembry Castle. The Earl's niece, the American-born Daphne, is intrigued by Edward Ellis, a rising author with a first-hand knowledge of Hembry Castle—from the servants’ hall. And Edward, though captivated by the lovely Daphne, has his own hurdles he must overcome. Can Richard come to terms with his title before bringing ruin on his family? Will Edward and Daphne find their way to each other despite the obstacles of life at Hembry Castle? When It Rained at Hembry Castle is a page-turning, romantic novel with vivid characters and an engrossing story that will keep you guessing until the end.

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    Maggie Tanner's first recollection of life within the Victorian slums of London is at the age of six years, witnessing the death of her grandmother shortly followed by the tragic birth of her mother's stillborn twins.Born to an impoverished family who face the daily threat of disease, starvation and the cruel work-houses, she is forced at the age of twelve to seek work and is taken into service within an upper class family. But in an effort to escape the tribulations of her class Maggie only begins to discover an even worse fate than death itself - the shocking moral ostracization by society towards bastardy and the heartbreaking underworld business of baby-farming.'The Last Gift' exposes the gripping realities of the harsh and brutal facts of life for the poor, during the greatest class divide that British history has ever known.

    A story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition.The atmosphere of Bleak House, the sensuous thrill of Perfume, and the mystery of Jonathan Strange & Mr. Norrell all combine in a story of murder, deceit, love, and revenge in Victorian England."After killing the red-haired man, I took myself off to Quinn's for an oyster supper."So begins the extraordinary story of Edward Glyver--booklover, scholar, and murderer. As a young boy, Glyver always believed he was destined for greatness. A chance discovery convinces him that he was right: greatness does await him, along with immense wealth and influence. Overwhelmed by his discovery, he will stop at nothing to win back a prize that he knows is rightfully his.Glyver's path to reclaim his prize leads him from the depths of Victorian London, with its foggy streets, brothels, and opium dens, to Evenwood, one of England's most beautiful and enchanting country houses, and finally to a consuming love for the beautiful but enigmatic Emily Carteret. His is a story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition. And at every turn, driving Glyver irresistibly onward, is his deadly rival: the poet-criminal Phoebus Rainsford Daunt.The Meaning of Night is an enthralling novel that will captivate readers right up to its final thrilling revelation.

    Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    The mayor of Chicago will be assassinated at the end of the week, and she is stuck in the year 1893. What she doesn’t know is how she landed 100 years back in time, or why Peter Hastings, the man trying to help her, shares some eerie similarities to her dead husband.When Joey, perhaps unwisely, revealed the year of her origins it didn’t sit well with her host. Her effort to convince him by predicting the mayor’s murder only made matters worse. Now her sanity is in question, and everything she does puts it further into doubt. One of the few bright spots in the whole situation is William, Peter’s five year-old son, but he is a stark reminder that she left a son of her own back in 1993. Stuck in the past and desperate to return to her own Chicago, Joey stumbles her way through a time when women had a barely-audible voice, and very few options. Armed with nothing but her wits, Joey must navigate the rigid waters of the Victorian era while she tries to prevent a murder and find her way home.