Paolo has finally realised he must reveal the truth.

    Join Madeline in another adventure when she and Pepito run off to join the carnival with a band of traveling gypsies! At first they're having the time of their lives—they don't have to go to school, brush their teeth, or ever go to sleep. But soon Madeline and Pepito start to feel homesick. Leave it to clever Miss Clavel to find Madeline and Pepito and bring them home.

    Eddie Dickens is sent off to stay with his aunt and uncle and a riotously funny comedy of errors ensues. When both Eddie Dickens's parents catch a disease that makes them turn yellow, go a bit crinkly around the edges, and smell of hot water bottles, it's agreed he should go and stay with relatives at their house, Awful End. Unfortunately for Eddie, those relatives are Mad Uncle Jack and Even-Madder Aunt Maud. . . . This hilarious historical spoof, the first in the Eddie Dickens trilogy, has been called ""a scrumptious cross between Dickens and Monty Python.""

    48 tales from all over the world include The Emperor's New Clothes, The Tinder-box, How to Tell a True Princess, and The Nightingale, from Andersen, Grimm, Hungary, Poland, Russia, Germany, France, England, American Indians, and Iceland.

    Gunnar swears an oath to avenge his father's death and save his mother from Skuli – but first he must run to save himself. Murderous raiders, hand to hand battles to the death, mythical flying wolves and a relentless sea journey to the Land of Fire and Ice... Unknown to Gunnar, his life has been foretold, and he finds he has a destiny greater than his own story.

    Punctuated by slapstick and political revelations, this story is based on the writings of an anticommunist Belgian ex-consul to the Ukraine. Herge's early style revealed strong graphics, influenced by photo-reporting from the period, marking the historic debut of a major artist.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    Speed and self-confidence, that's Astrid Glimmerdal's motto. And her hair-raising escapades give her plenty of opportunity to practise both. Nicknamed "the little thunderbolt", Astrid loves to spend her days racing down the hillside on her sledge or skis. But poor Astrid longs for other children to come to her village and join her adventures. Instead, she has to put up with a grumpy old seventy-four year old for a best friend (although secretly, she knows she wouldn't have it any other way). Astrid's world is about to be turned upside down, however, first by the arrival of a strange family, and then a mystery woman. Her best friend, Gunnvald, has been keeping a secret from her - one that will test their friendship to its limits. Everything is changing in Astrid's valley, and she's not sure she likes it. Reminiscent of Pippi Longstocking, Heidi and Anne Shirley, Astrid is a feisty and irrepressible heroine who will help readers navigate the complexities of family and friendship with plenty of warmth, wit and humour.

    The saga recounts Egil's progression from youthful savagery to mature wisdom as he struggles to avenge his father's exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland. Exploring issues as diverse as the question of loyalty, the power of poetry, and the relationship between two brothers who love the same woman, Egil's Saga is a fascinating depiction of a deeply human character.

    Orfi, a wildly successful young singer, lives there, and it’s there that one night he sees his gorgeous girlfriend Eura disappear, “like a spirit,” through a little door in the high wall that surrounds a mysterious mansion across the way. Where has Eura gone? Orfi will have to venture with his guitar across the borders of life and death to find out.Featuring the Ashen Princess, the Line Inspector, trainloads of Devils, Trudy, Valentina, and the Talking Jacket, Poem Strip—a pathbreaking graphic novel from the 1960s—is a dark and alluring investigation into mysteries of love, lust, sex, and death by Dino Buzzati, a master of the Italian avant-garde.

      Book #1    Mischief Season: a Twins StoryThe Janara are wrecking the farm with their nightly mischiefs. Father blames Rosa for everything that goes wrong, and it’s up to the Twins and their friends to find a way to stop the Janara. Will some mysterious advice from an unexpected source be the solution to their problems?

    Just like a "real boy." Until he learns that to become truly real, he must open his heart and think of others.

    Tropical fish swimming in the canals. The magic of Mrs. Van Amersfoort, the Beethoven-loving witch next door. The fierce beauty of Eliza with her artificial leg. And the Lord Jesus, who tells him, "Just call me Jesus." Thomas records these visions in his "Book of Everything." They comfort him when his father beats him, when the angels weep for his mother's black eyes. And they give him the strength to finally confront his father and become what he wants to be when he grows up: "Happy."

    Mercer Mayer's famous Little Critter works hard to do it right in this funny picture book. Little Critter has a mountain of tub toys to remember, stuffed animals to line up so they can watch, bubble bath to pour, a floor to flood, and so much more. What will Little Critter find at the end of his huge effort? A dry and cozy finale.

    As we dream with him, we are taken further and further into mathematical theory, where ideas eventually take flight, until everyone--from those who fumble over fractions to those who solve complex equations in their heads--winds up marveling at what numbers can do.Hans Magnus Enzensberger is a true polymath, the kind of superb intellectual who loves thinking and marshals all of his charm and wit to share his passions with the world. In The Number Devil, he brings together the surreal logic of Alice in Wonderland and the existential geometry of Flatland with the kind of math everyone would love, if only they had a number devil to teach them.