But when her estranged mother remarries, prompting an unplanned reunion, Charleen finds herself moving out of her familiar existence.A dazzling counterpoint to Shields’s debut novel, Small Ceremonies, imbued with her scathing wit and dead-on observations, The Box Garden is an unforgettable portrait of a woman who finds transformation—and happiness—where she least expects it.

    In that small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the men though he is just as desperate to convince White of the power of faith as White is desperate to deny it. Their aim is no less than this: to discover the meaning of life. Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted, consistently thought-provoking, and deceptively intimate work by one of the most insightful writers of our time.

    Its owner is Aramon Lunel, an alcoholic haunted by his violent past. His sister, Audrun, alone in her bungalow within sight of the Mas Lunel, dreams of exacting retribution for the unspoken betrayals that have blighted her life. Into this closed world comes Anthony Verey, a wealthy but disillusioned antiques dealer from London seeking to remake his life in France. But from the moment he arrives at the Mas Lunel, a frightening and unstoppable series of consequences is set in motion.

    Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague routine punctuated by Upper East Side dinner parties. Into Chase's cloistered city enters Perkus Tooth, a wall-eyed free-range pop critic whose soaring conspiratorial riffs are fueled by high-grade marijuana, mammoth cheeseburgers, and a desperate ache for meaning. Perkus's countercultural savvy and voracious paranoia draw Chase into another Manhattan, where questions of what is real, what is fake, and who is complicit take on a life-shattering urgency. Along with Oona Laszlo, a self-loathing ghostwriter, and Richard Abneg, a hero of the Tompkins Square Park riot now working as a fixer for the billionaire mayor, Chase and Perkus attempt to unearth the answers to several mysteries that seem to offer that rarest of artifacts on an island where everything can be bought: Truth. Like Manhattan itself, Jonathan Lethem's masterpiece is beautiful and tawdry, tragic and forgiving, devastating and antic, a stand-in for the whole world and a place utterly unique.

    Rosewater (1965) presents Eliot Rosewater, an itinerant, semi-crazed millionaire wandering the country in search of heritage and philanthropic outcome, introducing the science fiction writer Kilgore Trout to the world and Vonnegut to the collegiate audience which would soon make him a cult writer.Trout, modeled according to Vonnegut on the science fiction writer Theodore Sturgeon (with whom Vonnegut had an occasional relationship) is a desperate, impoverished but visionary hack writer who functions for Eliot Rosewater as both conscience and horrid example. Rosewater, seeking to put his inheritance to some meaningful use (his father was an entrepreneur), tries to do good within the context of almost illimitable cynicism and corruption.It is in this novel that Rosewater wanders into a science fiction conference--an actual annual event in Milford, Pennsylvania--and at the motel delivers his famous monologue evoked by science fiction writers and critics for almost half a century: "None of you can write for sour apples... but you're the only people trying to come to terms with the really terrific things which are happening today." Money does not drive Mr. Rosewater (or the corrupt lawyer who tries to shape the Rosewater fortune) so much as outrage at the human condition. The novel was adapted for a 1979 Alan Menken musical. The novel is told mostly thru a collection of short stories dealing with Eliot's interactions with the citizens of Rosewater County, usually with the last sentence serving as a punch line. The antagonist's tale, Mushari's, is told in a similar short essay fashion. The stories reveal different hypocrisies of humankind in a darkly humorous fashion.

    His grand-nephew, Ptolemy's only connection to the outside world, was recently killed in a drive-by shooting, and Ptolemy is too suspicious of anyone else to allow them into his life. until he meets Robyn, his niece's seventeen-year-old lodger and the only one willing to take care of an old man at his grandnephew's funeral. But Robyn will not tolerate Ptolemy's hermitlike existence. She challenges him to interact more with the world around him, and he grasps more firmly onto his disappearing consciousness. However, this new activity pushes Ptolemy into the fold of a doctor touting an experimental drug that guarantees Ptolemy won't live to see age ninety- two but that he'll spend his last days in feverish vigor and clarity. With his mind clear, what Ptolemy finds-in his own past, in his own apartment, and in the circumstances surrounding his grand-nephew's death-is shocking enough to spur an old man to action, and to ensure a legacy that no one will forget. In The Last Days of Ptolemy Grey, Mosley captures the compromised state of his protagonist's mind with profound sensitivity and insight, and creates an unforgettable pair of characters at the center of a novel that is sure to become a true contemporary classic.

    Now, with War Against the Animals, he returns with his richest, most accomplished, and most compelling work yet.Living in small town in upstate New York, middle-aged Cameron Barnes has, after almost dying, recently recovered a measure of health and is trying to find a way to reenter the world outside. As part of this, Cameron hires two local brothers in their early twenties, Jesse and Kyle, to renovate a barn on his property. Kyle sees an opportunity in Cameron, pushing his brother Jesse to befriend him and take advantage of Cameron's boredom and directionlessness. Caught between the opposing worlds embodied by Cameron and Kyle, Jesse is torn by the demands of his brother, the expectations of his family and community, and his own mix of volatile, contradictory emotions.

    Drawn to the cold depths of the river by Ruth’s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and seventeen-year-old Maeve. Joining the family in the country is Stuart, Ruth’s childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary? Alternating between the two fateful summers, The Ophelia Girls is a suspense-filled exploration of mothers and daughters, illicit desire, and the perils and power of being a young woman.

    A small-town girl with big-time dreams and a quirk to match--hitchhiking her way into your heart, your hopes, and your sleeping bags...Featuring Bonanza Jellybean and the smooth-riding cowgirls of Rubber Rose Ranch. Chink, lascivious guru of yams and yang. Julian, Mohawk by birth; asthmatic esthete and husband by disposition. Dr. Robbins, preventive psychiatrist and reality instructor...Follow Sissy's amazing odyssey from Virginia to chic Manhattan to the Dakota Badlands, where FBI agents, cowgirls, and ecstatic whooping cranes explode in a deliciously drawn-out climax..."This is one of those special novels--a piece of working magic, warm, funny, and san--that you just want to ride off into the sunset with."--Thomas Pynchon"The best fiction, so far, to come out of the American counterculture."-- "Chicago Tribune Book World"

    Lark and Termite is set during the 1950s in West Virginia and Korea. It is a story of the power of loss and love, the echoing ramifications of war, family secrets, dreams and ghosts, and the unseen, almost magical bonds that unite and sustain us.At its center, two children: Lark, on the verge of adulthood, and her brother, Termite, a child unable to walk and talk but filled with radiance. Around them, their mother, Lola, a haunting but absent presence; their aunt Nonie, a matronly, vibrant woman in her fifties, who raises them; and Termite's father, Corporal Robert Leavitt, who finds himself caught up in the chaotic early months of the Korean War.Told with deep feeling, the novel invites us to enter into the hearts and thoughts of the leading characters, even into Termite's intricate, shuttered consciousness. We are with Leavitt, trapped by friendly fire alongside the Korean children he tries to rescue. We see Lark's dreams for Termite and her own future, and how, with the aid of a childhood love and a spectral social worker, she makes them happen. We learn of Lola's love for her soldier husband and her children and unravel the mystery of her relationship with Nonie. We discover the lasting connections between past and future on the night the town experiences an overwhelming flood, and we follow Lark and Termite as their lives are changed forever.

    That they eat, sleep, and work side by side in the gossip-ridden mill town of Shirley Falls—a location fans of Strout will recognize from her critically acclaimed novel, The Burgess Boys—only increases the tension. And just when it appears things can't get any worse, Amy's sexuality begins to unfold, causing a vast and icy rift between mother and daughter that will remain unbridgeable unless Isabelle examines her own secretive and shameful past.A Reader's Guide is included in the paperback edition of this powerful first novel by the author who brought Olive Kitteridge to millions of readers.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    Bestselling novelist Octavia Frost has just completed her latest book, a revolutionary novel in which she has rewritten the last chapters of all her previous books, removing clues about her personal life concealed within, especially a horrific tragedy that befell her family years ago. On her way to deliver the manuscript to her editor, Octavia reads a news crawl in Times Square and learns that her rock-star son, Milo, has been arrested for murder. Though she and Milo haven’t spoken in years, an estrangement stemming from that tragic day, she drops everything to go to him. The “last chapters” of Octavia’s novel are layered throughout The Nobodies  Album, the scattered puzzle pieces to her and Milo’s dark and troubled past. Did she drive her son to murder? Did Milo murder anyone at all? And what exactly happened all those years ago? As the novel builds to a stunning reveal, Octavia must consider how this story will come to a close. Universally praised for her candid explorations of the human psyche, Parkhurst delivers an emotionally gripping and resonant mystery about a mother and her son, and about the possibility that one can never truly know another person.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.

    A new bell, legendary symbol of religion and magic, is rediscovered. Dora Greenfield, erring wife, returns to her husband. Michael Mead, leader of the community, is confronted by Nick Fawley, with whom he had disastrous homosexual relations, while the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean....Iris Murdoch's funny and sad novel has themes of religion, the fight between good and evil, and the terrible accidents of human frailty.