The housekeeper's reputation is one built on dependable efficiency, though she is something of an oddity. Stubborn, foul-mouthed and with a flagrant disregard for her employer's opinions she may even be crazy. She allows no-one to set foot inside her house; she masks herself with a veil and is equally guarded about her personal life. And yet Emerence is revered as much as she is feared. As the story progresses her energy and passion to help becomes clear, extinguishing any doubts arising out of her bizarre behaviour. A stylishly told tale which recounts a strange relationship built up over 20 years between a writer and her housekeeper. After an unpromising and caustic start benign feelings develop and ultimately the writer benefits from what becomes an inseparable relationship. Simultaneously we learn Emerence's tragic past which is revealed in snapshots throughout the book.

    When eleven-year-old Henrietta arrives at the Fishers’ well-appointed house in Paris, she is prepared to spend her day between trains looked after by an old friend of her grandmother’s. Little does Henrietta know what fascinations the Fisher house itself contains–along with secrets that have the potential to topple a marriage and redeem the life of a peculiar young boy. By the time Henrietta leaves the house that evening, she is in possession of the kind of grave knowledge that is usually reserved only for adults.

    The trouble began in Venice ...'Mihály has dreamt of Italy all his life. When he finally travels there on his honeymoon with wife Erszi, he soon abandon her in order to find himself, haunted by old friends from his turbulent teenage days: beautiful, kind Tamas, brash and wicked Janos, and the sexless yet unforgettable Eva. Journeying from Venice to Ravenna, Florence and Rome, Mihály loses himself in Venetian back alleys and in the Tuscan and Umbrian countryside, driven by an irresistible desire to resurrect his lost youth among Hungary's Bright Young Things, and knowing that he must soon decide whether to return to the ambiguous promise of a placid adult life, or allow himself to be seduced into a life of scandalous adventure.Journey by Moonlight (Utas és Holdvilág) is an undoubted masterpiece of Modernist literature, a darkly comic novel cut through by sex and death, which traces the effects of a socially and sexually claustrophobic world on the life of one man.Translated from the Hungarian by the renowned and award-winning Len Rix, Antal Szerb's Journey by Moonlight (first published as Utas és Holdvilág in Hungary in 1937) is the consummate European novel of the inter-war period.

    While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

    One woman will be freed from purgatory once she writes the perfect book; another abides in a world devoid of physical contact. With wry prose and skewed humor, an emerging feminist writer explores post-Soviet promises of knowledge, freedom, and power.

    Although she is considerably older, Leonora becomes a little too fond of James. Leonora is determined to keep James to herself but realizes that her rival is the bookish Phoebe. Then along comes Ned, a saucy young American, and Leonora's problems boil over.

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea digs out her old wedding dress, bakes some sweet cakes, and heads out into the world—to make her mark. She buries a time capsule out in the yard. (It gets dug up to make room for a flagpole.) She wears her late husband’s watch and hopes people will ask her for the time. (They never do.) Is it really possible for a woman to disappear so completely that the world won’t notice her passing? The Faster I Walk, the Smaller I Am is a macabre twist on the notion that life “must be lived to the fullest.”

    One day she walks out of her office, acquires a gaudy new outfit, adopts a girlier tone of voice, and heads to the airport to fly south. On the plane she takes a seat between two men. One is delighted with her company, the other is deeply perturbed. So begins an unnerving journey into the darker recesses of human nature.

    Twenty-one year old Fenfang Wang has traveled one thousand eight hundred miles to seek her fortune in contemporary urban Beijing, and has no desire to return to the drudgery of the sweet potato fields back home. However, Fenfang is ill-prepared for what greets her: a Communist regime that has outworn its welcome, a city under rampant destruction and slap-dash development, and a sexist attitude seemingly more in keeping with her peasant upbringing than the country’s progressive capital. Yet Fenfang is determined to live a modern life. With courage and purpose, she forges ahead, and soon lands a job as a film extra. While playing roles like woman-walking-over-the bridge and waitress-wiping-a-table help her eke out a meager living, Fenfang comes under the spell of two unsuitable young men, keeps her cupboard stocked with UFO noodles, and after mastering the fever and tumult of the city, ultimately finds her true independence in the one place she never expected.At once wry and moving, Twenty Fragments of a Ravenous Youth gives us a clear-eyed glimpse into the precarious and fragile state of China’s new identity and asserts Xiaolu Guo as her generation’s voice of modern China.

    She hunts for men at bars, online, at home— the place doesn’t matter, neither does the man. Her victims then must live the aftermath of their assault in the form of doubt from the police, feelings of shame alienation from their friends and family and the haunting of a horrible woman who becomes the phantom on which society projects its greatest fears, fascinations and even misogyny. All the while the police are without leads and the media hound the victims, publicly dissecting the details of their attack.What is extraordinary is how as years pass these men learn to heal, by banding together and finding a space to raise their voices. Told in alternating viewpoints signature to each voice and experience of the victim, these pages crackle with emotion, ranging from horror to breathtaking empathy.

    The next morning her world is shattered. Forced to leave the comfortable home of her childhood, she is sent to London to live with relatives she never met: Aunt Margaret, beautiful and speechless, and her brothers, Francie, whose graceful music belies his clumsy nature, and the volatile Finn, who kisses Melanie in the ruins of the pleasure garden. And brooding Uncle Philip loves only the life-sized wooden puppets he creates in his toyshops. The classic gothic novel established Angela Carter as one of our most imaginative writers and augurs the themes of her later creative works. "Beneath its contemporary surface, this novel shimmers with blurred echoes—from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch… It leave behind it a flavor, pungent and unsettling" —The New York Times Book Review

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    Complicating these feelings of abandonment, as Kirabo comes of age she feels the emergence of a mysterious second self, a headstrong and confusing force inside her at odds with her sweet and obedient nature.Seeking answers, Kirabo begins spending afternoons with Nsuuta, a local witch, trading stories and learning not only about this force inside her, but about the woman who birthed her, who she learns is alive but not ready to meet. Nsuuta also explains that Kirabo has a streak of the “first woman”—an independent, original state that has been all but lost to women.Kirabo’s journey to reconcile her rebellious origins, alongside her desire to reconnect with her mother and to honor her family’s expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Makumbi’s unforgettable novel is a sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.

    Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. The Enlightenment of the Greengage Tree is really an embodiment of Iranian life in constant oscillation, struggle and play between four opposing poles: life and death; politics and religion. The sorrow residing in the depths of our joy is the product of a life between these four poles.