Everybody’s got a drawer somewhere with something hidden in it.On June 28, 1980—the hottest night of the year—Kelly Michelle Lund shoots and kills Oscar-nominated director John McFadden at a party in his home. . . . And instantly becomes a media sensation, her chilling smile fodder for national nightmares. For years, speculation swirls over the enigmatic seventeen-year-old’s motives, information she’s refused to share. Convicted of the murder, she loses her youth and her freedom—but keeps her secrets to herself.Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high profile murder. But this time, she’s got some unexpected allies who believe she’s innocent—of both killings—and want to help her clear her name. But is she?Written with masterful precision and control, What Remains of Me brilliantly moves forward and back in time, playing out the murders side by side—interweaving subtle connections and peeling away layers of events to reveal the shocking truth.

    For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)

    They are tired and cold and desperate. Emerging from the fog, invisible until it is too late, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.Months later, an ex-cop named bill Hodges, still haunted by the unsolved crime, contemplates suicide. When he gets a crazed letter from "the perk," claiming credit for the murders, Hodges wakes up from his depressed and vacant retirement, fearing another even more diabolical attack and hell-bent on preventing it.Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of eccentric and mismatched allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady's next mission, if it succeeds, will kill or maim thousands.Mr. Mercedes is a war between good and evil from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.--front flap

    Kat was named the prime suspect and, on a string of circumstantial evidence, charged and tried. While the jury found her innocent, not everyone else agreed, and her only choice was to go into hiding. But she carried a dark secret with her, one that made her worry she might actually have had something to do with Sara’s death . . .Now, years later, Kat is still haunted by her sister’s unsolved murder and continues to receive chilling anonymous letters, but she has tried to move on with her life. Until, on the tenth anniversary of Sara’s death, she receives a letter that makes the past impossible to ignore: "What about justice for Sara?" What about justice for Sara? And for herself? Kat realizes that going back to Liberty, Louisiana, might be the only way to move forward and find some peace. And there’s a killer out there who was never caught.But the town she’s come back to is hardly different from the one she left. The secrets and suspicions still run deep. Kat has an ally in Detective Luke Tanner, son of the former Liberty police chief, but he may be her only one. With plenty of enemies, no one to trust and a killer determined to keep a dark secret buried, Kat must decide if justice is worth fighting—and dying—for.

    Fans of Paula Hawkins’ The Girl on the Train will love this modern reimagining of Patricia Highsmith’s classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart—which the Washington Post said “should be a contender for crime fiction’s best first novel of 2014.”On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

    Will under suspicion, they flee. Suddenly a hard-edged FBI agent appears on their doorstep. “I know you’re innocent, because Rachael wasn’t the first ... or the last.”