It is rare that an economist has the courage and aptitude to take a studied look at real world issues and to lay out the advantages and disadvantages of current policies. Coyle takes these potentially confusing and politically rife issues and makes them straightforward, thereby educating the reader in an entertaining and sophisticated manner. Coyle uses humour and irony to explain the issues. Who else could draw a link between Japanese teenage fashion and the country's long standing liquidity trap; or how sunspots can determine whether we will have a financial crisis on earth; or how pork belly futures depend on the weather and pigs' amorous intentions? Throughout the book, Diane Coyle highlights the fact that above all, economics is a social science, and one that affects us all.

    Violet's story is of young innocent love for a local lad taking an unfortunate twist, while Claudine is a thoroughly twenty-first-century character: daughter of a loving father with a less loving stepmother, she marries in haste after her father's death, and is at a turning point in her life when she starts to find out the true story of Violet. Is happiness a possibility for these women in their separate and very different worlds?

    Now recognized as a classic work, this incisive portrait of Japanese society investigates a nation whose deeper proclivities remain veiled behind cliches cherished in the West.

     After Amelia Harveston loses her mother to tragic circumstances, she fears she will be forced into poverty and the position of a desperate woman. When distant relatives invite her to live with them at Mirror House, the plantation home built by her grandfather, she readily accepts. Her expectations of a warm family embrace where she'll be loved and protected, though, are soon shattered. Mirror House is a home haunted by the past, by dark secrets and by the cruel games its inhabitants play. Alone and with no one to confide in, Amelia struggles to unearth the house's secrets. Then the accidents begin, and Amelia knows she's become the target for the hate that infests it. Out of the despair, two seeming allies appear. Two offers of marriage promise sanctuary. Both men claim to love her. One of them is lying. Amelia must choose the one man whose embrace promises the love and safety her very life depends on. But the house, it seems, has other ideas...

    For Francesca it is an introduction to terror...

    There, she finds herself caught up in the drama of that ancient house and the unusual members of the Stacy family. When Caroline Verlaine's sister, the archaeologist Roma, disappears, Caroline is forced down to Lovat Stacy in an attempt to discover what has happened. She finds herself caught up in the drama of the ancient house and with the unusual members of the Stacy family. But it is Napier Stacy, recently returned from years of banishment for apparently killing his brother, who she is especially drawn to. Napier is haunted by the tragedy, and Caroline becomes determined that he should put his past behind him and not allow, what she insists was an accident, to cloud his life for ever. At the same time, she becomes equally determined to solve the mystery of her own sister's disappearance. Why has Roma vanished? Was it an accident or has she been murdered? As the tension mounts Caroline soon realizes that this quest to uncover the truth is a dangerous one and is marking her out as the next victim. /////// 2) The Secret Woman (1970) - To all appearances, Anna Brett was a quiet, capable young woman whose only ambition was to carry on the profitable antiques business bequeathed her by a spinster aunt. And so she was - until the memory of a cherished moment with a blue-eyed stranger suddenly returned to haunt her with savage intensity. It was then Anna discovered the secret woman who waited within her - impetuous, daring . . . and dangerous.

    This is a dramatized version of the Charles Dickens classic, the story of a badly treated workhouse boy who runs away and falls in with a gang of thieves.

    She was guilty. Or was she? What had actually happened that led this wealthy young woman to be on trial for her life? Only one person knows the whole story--and the telling of it would change Elinor's life forever.

    "Don’t think about him. Don’t talk about him. And, whatever you do, don’t write about him. If you do, he might come back," they told me. Ghost hunting isn't always fun and games. Sometimes, it can be deadly. Paranormal investigator, Joni Mayhan, found out the hard way when she met The Soul Collector, and had to fight for her life. True story. Contains photos and links to Joni's EVPs

    It wasn’t Lizzy’s fault that she saw the cloaked people out in the yard. It wasn’t her fault that she was drawn by the moonlight to watch them as they advanced on the house. And it definitely wasn’t her fault when people began to die. Lizzy didn’t want the strange dreams where she saw how they were killed. Even her sister was starting to suspect her. It wasn’t fair because it wasn’t her fault. Lizzy was claimed.

    Now, Catherine finds herself back on the small peninsula to attend the reading of her eccentric uncle’s will. It is in the very mansion her own grandfather built amongst ghostly servants, chilling houseguests, and a mysterious and captivating stranger that Catherine must finally unlock the dark secrets of her past.

    A pale, thin boy is haunting his every step but every time he tries to confront the boy he disappears. And what of the chilling scream and desperate sobbing only he can hear?His quest leads him eventually to the old lady of Kittiscar Hall, where he discovers something far more terrible at work than he could ever have imagined.

    Her childhood was filled with seances, scam mediums and talk of ghostly presences.When Mara finally left her family's home, she vowed she would never allow superstition or false religion into her life again. Now she's ready to start over with her fiance, Neil, in a world based on rationality and facts.But her past isn't ready to let her go just yet.Mara and Neil purchase Blackwood House, a derelict property outside of town. They're warned about strange occurrences in the crumbling building. Doors open by themselves, voices whisper in the night, bloody handprints appear on the walls, and cold spots linger in the basement, where the house's original owner was murdered.But Blackwood was dirt-cheap and came with a large plot of overgrown land. Mara loves her new home, and disregards the warnings.Because ghosts aren't real......are they?

    The job was an exciting challenge for Katherine, and a needed change from the events she'd sooner forget. And her new employer was a charming and gracious lady. If only all of the people of Owisden and the little mountain village that huddled against the estate for protection were so nice, Katherine's happiness would be assured. However, beneath the charm stirred other emotions, other forces. There was evil in that mountain valley, a brooding evil that worshipped at a dark altar... an altar that had been built for unspeakable sacrifice! And Katherine was marked from the moment she arrived - marked to die!

    Dangerous first love. This is where it all begins...The mansion on top of Benson Hill has stood empty for years. But one day it seems to be occupied, and its mysterious, handsome inhabitant Alexander Sterling becomes the source of much talk around town. Raven, a vampire-obsessed Goth-girl who has always considered herself an outsider in 'Dullsville', is determined to uncover the truth surrounding the secretive Alexander. As she gets to know him, and their spark intensifies, Raven finds herself in some unanticipated situations. Vampire Kisses: The Beginning captures the thrill of a most unusual romance.Also available by Ellen Schreiber:Vampire Kisses 2: Kissing CoffinsVampire Kisses 3: VampirevilleVampire Kisses 4: Dance with a VampireVampire Kisses 5: The Coffin ClubVampire Kisses 6: Royal BloodVampire Kisses 7: Love BitesOnce in a Full Moon