In a strikingly original interpretation that brings the Jazz Age to life in a wholly new way, Ann Douglas arugues that when, after World War I, the United States began to assume the economic and political leadership of the West, New York became the heart of a daring and accomplished historical transformation.

    While many of us have imagined the possibility that our time on Earth as humans might end, there are those around the world who are preparing for what they see as the inevitable calamity. With a backdrop that consists of everything from electromagnetic pulses created by solar flares, to an inadvertently triggered nuclear war, to an abiding sense most people have that they're under constant surveillance, cultural geographer Bradley Garrett traces how the "prepping" movement has spread, and the many forms it's now taking.Currently, 3.7 million Americans are preppers. Garrett argues this is a rational response to global, social, and political systems that are failing to produce credible narratives about the stability of the present or the hopefulness of our collective future. Left with a sense of foreboding arising from accelerating climate change, increasing government dysfunctionality, looming threats to critical infrastructure, and the ramping up of invasive monitoring, people all over the world are doing what they've always done in times of crisis: hunkering down. Garrett travels across four continents to meet those who are preparing go-bags, constructing panic rooms, building underground backyard survival chambers, hiding inflatable rafts, rigging mobile "bugout" vehicles, and burrowing deep into the Earth.A captivating mix of intriguing people and places, Bunker is a fascinating, inside look at a growing global phenomenon.

    But for how long?Are New York City's local merchants a dying breed or an enduring group of diehards hell bent on retaining the traditions of a glorious past? According to Jim and Karla Murray the influx of big box retailers and chain stores pose a serious threat to these humble institutions, and neighborhood modernization and the anonymity it brings are replacing the unique appearance and character of what were once incredibly colorful streets.Store Front: The Disappearing Face of New York is a visual guide to New York City's timeworn storefronts, a collection of powerful images that capture the neighborhood spirit, familiarity, comfort and warmth that these shops once embodied.

    Already at the beginning of the century, we became 50% urban as a global population, and by 2050 we're going to be up to 70% urban. So cities could either be our coffin or our ark.Leo Hollis presents evidence that cities can deliver a better life and a better world in the future. From exploring what slime mold can tell us about traffic flow, to looking at how traditional civic power structures are being overturned by Twitter, to investigating how cities all over the world are tackling climate change, population growth, poverty, shifting work patterns and the maintenance of the fragile trust of their citizens, Cities Are Good for You offers a new perspective on the city.Combining anecdote, scientific studies, historical portraits, first-hand interviews and observations of some of the most exciting world cities, Hollis upends long-held assumptions with new questions: Where do cities come from? Can we build a city from scratch? Does living in the city make you happier or fitter? Is the metropolis of the future female? What is the relationship between cities and creativity? And are slums really all that bad?Cities Are Good for You introduces us to dreamers, planners, revolutionaries, writers, scientists, architects, slum-dwellers and kings. Ranging globally and through time in search of answers--from the archive to the laboratory, from City Hall to the architect's desk--it is above all driven by the idea that cities are for people and by people.

    Best remembered for his landscape architecture, from New York's Central Park to Boston's Emerald Necklace to Stanford University's campus, Olmsted was also an influential journalist, early voice for the environment, and abolitionist credited with helping dissuade England from joining the South in the Civil War. This momentous career was shadowed by a tragic personal life, also fully portrayed here.Most of all, he was a social reformer. He didn't simply create places that were beautiful in the abstract. An awesome and timeless intent stands behind Olmsted's designs, allowing his work to survive to the present day. With our urgent need to revitalize cities and a widespread yearning for green space, his work is more relevant now than it was during his lifetime. Justin Martin restores Olmsted to his rightful place in the pantheon of great Americans.

    Where women are hard as the steel of a gun, and the sweet burn of whiskey eases the rough, ratted edges. Where death is a pill that must be swallowed, and senses are developed beyond true human comprehension . . .Honest work on the frontier was sometimes hard to acquire. Traveling independently on the expansive road through the west, cowboy and westerner Tomas H. Elkman is a man of the times. To ease the loneliness of the trail while searching for gainful employment, Elkman warily teams up with a fight-prone, good-timing gambler by the name of Jefferson McGredy. This strange pairing of men is hired to deliver an assemblage of horses to a ranch in the untamed northern territory. The rancher sends his young son, Kent Martin, to accompany the horsemen on their travels through mountains and rivers, across primitive landscapes, and into remnants of mining boomtowns. The journey becomes a constant challenge to their moral fiber as they face the overwhelming hardships of hostile weather, rustlers, and natives . . .T. H. Elkman is a story of frontier grit, moral simplicity, individuality and consequential violence in the American West.Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    San Francisco 1976: a golden city of freedom, adventure and possibility. But, as na�ve small-town girl Mary Ann finds out, it can be hard to find your place in a strange new city - especially when the supermarket is a pick up joint and a Jockey Shorts dance contest can make or break a relationship. Luckily for Mary Ann, she finds the perfect home at 28 Barbary Lane where the dysfunctional residents form an unconventional family of waifs and strays. Mona the cynic, Michael 'Mouse' Tolliver the romantic looking for love and DeDe the jaded debutante, all watched over by the eccentric and mysterious Anna Madrigal.Get addicted to these characters in six short, funny and heartbreaking episodes.Episode 1: Taking the Plunge Newly arrived from the Midwest, Mary Ann Singleton finds refuge at 28 Barbary Lane. Mona warns Mrs Madrigal about her naive new tenant and DeDe gets jealous.

    In The Invention of Brownstone Brooklyn, SuleimanOsman offers a groundbreaking history of this unexpected transformation. Challenging the conventional wisdom that New York City's renaissance started in the 1990s, Osman locates the origins of gentrification in Brooklyn in the cultural upheavals of the 1960s and 1970s. Gentrification began as agrassroots movement led by young and idealistic white college graduates searching for authenticity and life outside the burgeoning suburbs. Where postwar city leaders championed slum clearance and modern architecture, brownstoners (as they called themselves) fought for a new romantic urban idealthat celebrated historic buildings, industrial lofts and traditional ethnic neighborhoods as a refuge from an increasingly technocratic society. Osman examines the emergence of a slow-growth progressive coalition as brownstoners joined with poorer residents to battle city planners and localmachine politicians. But as brownstoners migrated into poorer areas, race and class tensions emerged, and by the 1980s, as newspapers parodied yuppies and anti-gentrification activists marched through increasingly expensive neighborhoods, brownstoners debated whether their search for authenticityhad been a success or failure.

    She leaves Moscow and returns to her native New York City to house-hunt for the perfect spot while her Dutch husband, John, stays behind in Russia with their dog to pack up their belongings. Intoxicated by West Harlem’s cultural diversity and, more important, its affordability, Judith impulsively buys a stately fixer-upper brownstone in the neighborhood.Little does she know what’s in store. Judith and John discover that their dream house was once a crack den and that “fixer upper” is an understatement. The building is a total wreck: The beams have been chewed to dust by termites, the staircase is separating from the wall, and the windows are smashed thanks to a recent break-in. Plus, the house–crowded with throngs of brazen drug dealers–forms the bustling epicenter of the cocaine trade in the Northeast, and heavily armed police regularly appear outside their door in pursuit of the thugs and crackheads who loiter there. Thus begins Judith and John’s odyssey to win over the neighbors, including Salami, the menacing addict who threatens to take over their house; MacKenzie, the literary homeless man who quotes Latin over morning coffee; Mrs. LaDuke, the salty octogenarian and neighborhood watchdog; and Miguel, the smooth lieutenant of the local drug crew, with whom the couple must negotiate safe passage. It’s a far cry from utopia, but it’s a start, and they do all they can to carve out a comfortable life. And by the time they experience the birth of a son, Judith and John have even come to appreciate the neighborhood’s rough charms.Blending her finely honed reporter’s instincts with superb storytelling, Judith Matloff has crafted a wry, reflective, and hugely entertaining memoir about community, home, and real estate. Home Girl is for anyone who has ever longed to go home, however complicated the journey.Advance Praise for Home Girl“Although I always suspected that renovating a house in New York City would be a slightly more harrowing undertaking than dodging bullets as a foreign correspondent, it took this charming story to convince me it could also be more entertaining. Except for the plumbing. That’s one adventure I couldn't survive.”–Michelle Slatalla, author of The Town on Beaver Creek“After years of covering wars overseas, Judith Matloff takes her boundless courage and inimitable style to the front lines of America’s biggest city. From her vantage point in a former crack house in West Harlem, she brings life to a proud community held hostage by drug dealers and forgotten by policy makers. Matloff’s sense of humor, clear reportage, and zest for adventure never fail. Home Girl is part gritty confessional, part love story, and totally delightful.”–Bob Drogin, author of Curveball“Here the American dream of home ownership takes on the epic dimensions of the modern pioneer in a drug-riddled land. Matloff’s story, which had me crying and laughing, is a portrait of a household and a community, extending far beyond the specifics of West Harlem to the universal–as all well-told stories do.”–Martha McPhee, author of L’AmericaFrom the Hardcover edition.

    Ted Steinberg brings a vanished New York back to vivid, rich life. You will see the metropolitan area anew, not just as a dense urban goliath but as an estuary once home to miles of oyster reefs, wolves, whales, and blueberry bogs. That world gave way to an onslaught managed by thousands, from Governor John Montgomerie, who turned water into land, and John Randel, who imposed a grid on Manhattan, to Robert Moses, Charles Urstadt, Donald Trump, and Michael Bloomberg.“Weighty and wonderful…Resting on a sturdy foundation of research and imagination, Steinberg’s volume begins with Henry Hudson’s arrival aboard the Half Moon in 1609 and ends with another transformative event—Hurricane Sandy in 2012” (The Plain Dealer, Cleveland). This book is a powerful account of the relentless development that New Yorkers wrought as they plunged headfirst into the floodplain and transformed untold amounts of salt marsh and shellfish beds into a land jam-packed with people, asphalt, and steel, and the reeds and gulls that thrive among them.With metropolitan areas across the globe on a collision course with rising seas, Gotham Unbound helps explain how one of the most important cities in the world has ended up in such a perilous situation. “Steinberg challenges the conventional arguments that geography is destiny….And he makes the strong case that for all the ecological advantages of urban living, hyperdensity by itself is not necessarily a sound environmental strategy” (The New York Times).

    A perfectly charming, sidesplittingly funny, intellectually entertaining illustrated history of the blocks, the buildings, and the guts of New York City, based on Julia Wertz's popular illustrated columns in The New Yorker and Harper's. In Tenements, Towers & Trash, Julia Wertz takes us behind the New York that you think you know. Not the tourist's New York-the Statue of Liberty makes a brief appearance and the Empire State Building not at all-but the guts, the underbelly, of this city that never sleeps. With drawings and comics in her signature style, Wertz regales us with streetscapes "Then and Now" and little-known tales, such as the lost history of Kim's Video, the complicated and unresolved business of Ray's Pizza, the vintage trash and horse bones that litter the shore of Brooklyn's Bottle Beach, the ludicrous pinball prohibition, Staten Island's secret abandoned boatyard, and the hair-raising legend of the infamous abortionist of Fifth Avenue, Madame Restell. From bars, bakeries, and bookstores to food carts, street cleaners, and apartments both cramped and grand, Tenements, Towers & Trash is a wild ride in a time machine taxi from the present day city to bygone days of yore.

    Mike Davis shows us where the city's money comes from and who controls it while also exposing the brutal ongoing struggle between L.A.'s haves and have-nots.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    Using glorious, colorful graphics, Mark Ovenden traces the history of mass transit-including rare and historic maps, diagrams, and photographs, some available for the first time since their original publication. Transit Maps is the graphic designer's new bible, the transport enthusiast's dream collection, and a coffee-table essential for everyone who's ever traveled in a city.

    17th century to the present. Book was reprinted in 2006