is a series of women's monologues tackling many different aspects of the complex female psyche.

    Right is much easier said than done. While surrounding himself with his close group of girlfriends it comes to pass that the only thing harder than looking for love is supporting the loved ones around you. From the critically acclaimed writer who brought you Bad Jews.

    . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register""One of the most absorbing evenings of theatre to come along in some time."-"Variety"Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Playwright Olympe De Gouge, assassin Charlotte Corday, and former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, loose their heads, and try to beat back the extremist insanity in revolutionary Paris. This grand and dream-tweaked comedy is about violence and legacy, feminism and terrorism, art and how we actually go about changing the world. It a true story. Or total fiction. Or a play about a play. Or a raucous resurrection that ends in a song and a scaffold.

    When the struggling writer was asked to take over the unpaid, anonymous position of advice columnist, Strayed used empathy and her personal experiences to help those seeking guidance for obstacles both large and small. Tiny Beautiful Things is a play about reaching when you’re stuck, healing when you’re broken, and finding the courage to take on the questions which have no answers.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    Having lost both her parents and grandparents, and with nowhere else to go, Layla is moving from Florida to a small town in North Carolina to live with the only family she has left: her estranged uncle and aunt. The last five years of Layla’s life were spent appeasing her less-than-loving grandmother, followed by being her grandfather’s caretaker. Growing old before her time, Layla lost her identity. Now she must learn how to allow herself to be the one cared for and loved. Life takes an unexpected turn when Layla meets Will Meyer. His breathtaking good looks are enough to catch her eye, but his sincerity and passion are everything she needs to find the strength and confidence she lost — and lead her into love. When tragedy once again strikes Layla’s life, her hope is all but completely crushed. Through it all, Layla learns what it means to truly love and be loved. Troubled Waters (The Lake Trilogy, Book 2) College life for Layla Weston isn’t starting the way she’d intended. She’s revisiting the plans she once had to be the reclusive girl she wanted to be at Heyward Prep, and Layla is more than confident in her ability to succeed this time. After all, she’s got a whole new bag of secrets to keep. Still reeling from Will’s disappearance, Layla is doing her best to adjust to life back in Florida. She continues to hold out hope, confident she was meant to find Will’s ring for a reason. Just as Layla is starting to accept that she must keep moving forward, secrets from the past threaten Layla and her family. As Luke and Claire join with Layla to protect their family, Layla discovers that her uncle may not be the man she thought he was – and that there’s more to Will’s disappearance than she ever could have imagined. Safe Harbor (The Lake Trilogy, Book 3) Layla Weston was supposed to be planning her wedding, not waiting for her fiancé’s father to die. As Luke prepares to defend Holly for the shooting of Gregory Meyer, Layla and her family weigh the possibility of being able to return home to North Carolina. Only Layla isn't quite sure that's what she wants. Will and Layla are faced with a new set of challenges for their future - including the status of their upcoming wedding. And when new revelations about his father come to light, Will finds himself questioning his own destiny as a man. With Layla's help, he must learn that his identity is not determined by his DNA. Now that they are on the brink of their happily-ever-after, will Layla and Will get everything they dreamed of? Or will their happiness continue to be just out of reach? Anchored: A Lake Series Novella They've been to hell and back again, but now Will and Layla are beginning the biggest adventure of their lives: parenthood! It's only been a few short months since Will and Layla welcomed their twins. And while Layla is excited for all that awaits her in motherhood, she's feeling a little disconnected from the friends who have stood by her from the moment they met. Reintegrating into her social life and balancing motherhood may be a bit of a challenge, but Layla isn't going to miss her opportunity to help her dearest friends find their Happily Ever After, too. But what would life be without a curve ball once in a while? When someone from their past surfaces and asks for help, Layla isn’t sure telling Will is the best thing to do. He spent years protecting her, now it’s her turn to protect him from further heartache. She knows she won’t be able to keep the secret from Will forever, but no matter what happens, Layla is confident they’ll walk through it together, remaining just as anchored together as they’ve always been.

    In this hilarious comedy by the author of Lend Me A Tenor and Moon Over Buffalo, two English Shakespearean actors, Jack and Leo, find themselves so down on their luck that they are performing "Scenes from Shakespeare" on the Moose Lodge circuit in the Amish country of Pennsylvania. When they hear that an old lady in York, PA is about to die and leave her fortune to her two long lost English nephews, they resolve to pass themselves off as her beloved relatives and get the cash. The trouble is, when they get to York, they find out that the relatives aren't nephews, but nieces! Romantic entanglements abound, especially when Leo falls head-over-petticoat in love with the old lady's vivacious niece, Meg, who's engaged to the local minister. Meg knows that there's a wide world out there, but it's not until she meets "Maxine and Stephanie" that she finally gets a taste of it.

    Lemon tells the audience about the overwhelming influence in her life of her parents' friend "Aunt Dan," an eccentric, passionate professor whose stories and seductive opinions enthrall Lemon from the time she is a young girl. The relationship that develops between Lemon and Aunt Dan and the conversations that went on in a small house on the bottom of an English garden form the focus of this play about political orientation and the allure of certain ideas-even if they lead to murder. A forceful play exposing the banality of society's evil, Aunt Dan & Lemon explores the ease with which good and bad become reconciled in the human mind.

    Prodigal Son is pure, splendid Shanley: shaggily idealistic and always scratching a philosophical itch underneath jokes and banter." -- Davide Cote, Time Out New York“Shanley chooses characters stretched to the breaking point between rage and love… His are characters of obsessive passions who match those passions with hyper-melodic language.” --BOMB magazineWhen a troubled but gifted boy from the South Bronx arrives at a private school in New Hampshire, two faculty members wrestle with how to help him adjust to his new environment. The boy is violent, brilliant, alienated, and on fire with a ferocious loneliness. As with his Pulitzer Prize-winning play, Doubt, John Patrick Shanley has drawn on his personal experiences to create an explosive portrait of a young man on the verge of either salvation or destruction.John Patrick Shanley is the author of Doubt, a parable (Pulitzer Prize for Drama, Tony Award for Best Play), Outside Mullingar (Tony nomination for Best Play), Defiance, Storefront Church, Danny and the Deep Blue Sea, and Dirty Story, among many other plays. He wrote the teleplay for Live from Baghdad (Emmy nomination for Outstanding Writing of a Miniseries, Movie or Dramatic Special) and the screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano, Doubt, a parable (Academy Award nomination for Best Adapted Screenplay) and Moonstruck (Academy Award for Best Original Screenplay).

    How has the climate changed in the past?How is it changing now?How do we know?And what kind of a future do we want to create?

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri