Tyra went from dating deadbeats to dating athletes. But living the good life came at a price.... "The Skeletons In My Closet" By: LaShonda DeVaughn, Author of A Hood Chick's Story I & II - They say in order to receive true and real love, we must all take chances. Will Kenneth end up being the real deal? Or will Rita end up regretting her decision in courting a young thug? "Taking Chances" By: Mimi Renee, Author of Deadly Decisions and Pretty Bright - Despite years of women playing games to take her husband away from her, Jai was determined to hold on. Her best friend questions why she puts up with his infidelity. Jai reasons: It's just Something In His Backstroke. "Something In His Backstroke" By: Tysha - Author of The Boss...the story of a female hustler - Fairytales should all have happy endings. Unfortunately, in Zoe's world each ending comes with a tale of lies... "Sleeping With The Enemy" By: Kaie Golson

    A figure of speech inwhich a part is used for the whole, as in the screen for movies.From Charlie Kaufman, perhaps the most distinctive screenwritingvoice of our generation, comes a visual and philosophicadventure of epic proportions. Much as he did with hisgroundbreaking scripts for Being John Malkovich, Adaptation,and Eternal Sunshine of the Spotless Mind, Kaufman twists andsubverts the form and language of film as he delves into themind of a man who, obsessed with his own mortality, sets outto construct a massive artistic enterprise that could give somemeaning to his life. Starring Philip Seymour Hoffman,Samantha Morton, Michelle Williams, Catherine Keener,Emily Watson, Dianne Wiest, Jennifer Jason Leigh, HopeDavis, and Tom Noonan, and directed by Kaufman,Synecdoche, New York is an epic story of grand artistic ambitionsand creative madness.This Newmarket Shooting Script® Book includes:Exclusive introduction by Charlie KaufmanComplete Shooting ScriptExclusive Q&AColor photo sectionComplete cast and crew credits

    In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham City and unveils his alter ego: Batman, a masked crusader who uses his strength, intellect, and an array of high-tech deceptions to fight the sinister forces that threaten the city.As Bruce Wayne/Batman, Christian Bale heads an all-star cast that also includes Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Tom Wilkinson, Rutger Hauer and Morgan Freeman. Visionary director Christopher Nolan has delivered the Batman we've been waiting for - a dark legend brought to life in a way never before imagined on the big screen.This volume contains the complete screenplay of Batman Begins by Christopher Nolan and David S. Goyer, together with storyboards for the picture drawn by Martin Asbury and James Cornish, and an exclusive interview with Christopher Nolan in which he reveals his cinematic vision of The Dark Knight.

    Weber, an 8-page color section, production notes, and the complete cast and crew credits.

    Screenwriter Tony Kushner blows the dust off history by investing it with flesh, blood, and churning purpose. . . . A great American movie.” –Peter Travers, Rolling Stone“Lincoln is a rough and noble democratic masterpiece. And the genius of Lincoln, finally, lies in its vision of politics as a noble, sometimes clumsy dialectic of the exalted and the mundane…And Mr. Kushner, whose love of passionate, exhaustive disputation is unmatched in the modern theater, fills nearly every scene with wonderful, maddening talk. Go see this movie.” –A.O. Scott, New York Times“A lyrical, ingeniously structured screenplay. Lincoln is one of the most authentic biographical dramas I’ve ever seen…grand and immersive. It plugs us into the final months of Lincoln’s presidency with a purity that makes us feel transported as if by time machine.” –Owen Gleiberman, Entertainment WeeklyA decade-long collaboration between three-time Academy Award® winner Steven Spielberg and Pulitzer Prize winner Tony Kushner, Lincoln is a revealing drama that focuses on the 16th President’s tumultuous final months in office. Having just won re-election in a country divided, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of America, and generations, to come. Containing eight pages of color photos from the film and inspired by Doris Kearns Goodwin’s critically acclaimed Team of Rivals: The Political Genius of Abraham Lincoln, Lincoln is now a major motion picture by DreamWorks starring two-time Academy Award® winner Daniel Day-Lewis.Tony Kushner's plays include Angels in America, Parts One and Two; A Bright Room Called Day; Slavs!; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols's film of Angels in America and for Steven Spielberg's Munich. Kushner is the recipient of a Pultizer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, and two Oscar nominations, among other honors. In 2008 he was the first recipient of the Steinberg Distinguished Playwright Award.

    An invaluable reference for film students and fans, this book details the evolution of the epic romance from script to screen, including scenes and dialogue cut from the final film, as well as annotations explaining footage seen in the final cut, yet not contained in the screenplay. Never-before-seen photographs of the stars, storyboards for sequences never filmed, and an in-depth interview with Cameron make Titanic: James Cameron's Illustrated Screenplay an essential companion to the #1 bestseller James Cameron's Titanic.

    Dalloway -- a postmodern masterpiece whose minimal action takes place on a single June day in postwar London. The Hours progresses in fuguelike fashion: First we meet Clarissa Vaughan, a New York book editor dubbed "Mrs Dalloway" by her longtime friend and former lover Richard. Next, Cunningham presents Woolf herself, beginning work in 1923 on what is to become Mrs. Dalloway. And finally we are introduced to Laura Brown, a California housewife who is avidly reading Woolf's novel. Scenes from these three narratives are presented in recurrent identical succession: "Mrs. Dalloway," Mrs. Woolf, Mrs. Brown -- all bristling with connections and startling parallels. The "Mrs. Dalloway" strand is particularly rich, filled as it is with one-to-one correspondences to Woolf's novel. But the deepest and most important thing that The Hours shares with Mrs. Dalloway is "the feeling," as Woolf called it, "that it was very, very dangerous to live even one day." Cunningham's three women proceed through the day, through the hours, trying to keep themselves psychologically intact, like someone carrying a glass of water filled to the brim through a crowd and endeavoring not to spill it. They hesitate before plunging into the day because they know how hard it is to live in the world and remain identical with oneself. And they puzzle over a universal dilemma: how to bring the self into the world without its getting broken in the process. In The Hours, Michael Cunningham has explored this dilemma with an impressive and moving subtlety worthy of his great precursor. Benjamin Kunkel

    Jack Lemmon played the 'schnook' who lends out his apartment for his boss's sexual trysts, only to fall in love with the boss's girl - played by Shirey MacLaine. The Apartment is a beautifully judged piece of writing saved from cynicism by Wilder and Diamond's tenderness towards their central characters. This edition of the screenplay includes a specially commissioned introduction by Mark Cousins.

    Included is the original shooting script. With over thirty pages of material not used in the final film, along with a sixteen-page color section featuring rare artwork, production drawings, photographs of the cast and crew, and detailed annotations by the screenwriters.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    Deprived of love and respect from his family, Eddie is renamed 'Dirk Diggler' and conquers the world of porn, but manages to retain his essential innocence. As the turbulent seventies shade into the hedonistic eighties, Dirk's career goes into a tailspin; but he is rescued by the safety net of the extended family fostered by hard-core movie director Jack Horner.Paul Thomas Anderson's screenplay is exemplary in its ability to interweave the stories of its large cast of characters. In accord with the wisdom of the Roman dramatist Terence (who claimed, 'Nothing human is alien to me'), Anderson has engaged with a side of life widely considered to be irredeemably sleazy, and has mined humour, sadness and compassion out of his unlikely subject matter.

    It is the story of Izzy and Celia, two lonely, wounded, and mismatched strangers, transformed into soul mates by the uncanny powers of a phosphorescent stone. Destiny, as well as some bizarre and near-tragic circumstances, conspire to keep the lovers apart. But the audience and reader are privy to a grand and surprising finale that explains all. Thought-provoking, intriguing, and utterly romantic, Lulu on the Bridge offers a lyrical meditation on what distinguishes chance from fate, reality from illusion, and life from death. Following on the success of the screenplay cornpanion to Smoke and Blue in the Face, this book contains the shooting script; an interview with Paul Auster by Rebecca Prime; interviews with the producer, costume designer, editor, director of photography, and production designer; and stills from the film.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    Ada, together with her nine-year-old illegitimate daughter Flora, and her piano, leave Scotland to arrive in the remote bush of 19th-century New Zealand for a marriage arranged by her father.

    From the Rebels' defeat at the Battle of Hoth to the battle between Luke and Darth Vader, The Empire Strikes Back continues the story of Luke, Leia, Han, Chewie, and the others as they struggle to overthrow the evil Galactic Empire.