Three disgruntled ex-boyfriends. Two very effective chicken fillet boob-enhancers. And one gorgeous man. It's tough being a bridesmaidWith less than an hour to go before her best friend, Grace, is to walk down the aisle, Evie is attempting to fulfil her most important bridesmaid role: to deposit the bride at the start-line at the appointed time. But with a bride famed for her chaotic sense of time, and the bride's daughter busy mashing Molton Brown into the expensive hotel carpet, minus underwear, the odds are stacked against her . . . At least she has her new 'chicken fillet' boob-enhancers to make her feel special. That is, until these are spotted poking over the top of her dress. So spotted by Jack - the most ruggedly attractive man Evie has ever laid eyes on. Evie is twenty-seven; a sparkly, down-to-earth journalist. She has never been in love and has started to fret that she never will be. Small wonder, then, that the prospect of being bridesmaid at no less than three impending weddings is one that fills her with trepidation. Things get worse when Evie learns that Jack is her friend Valentina's date. Valentina is beautiful, shallow and self-obsessed. Her dates tend to be mirror-images. Which can mean only one thing: Jack can't possibly be as good as he seems. But as they sit together talking late into the night, Evie finds herself yearning to believe he's all real.

    This time around, the ladies are a bit older, a lot richer, but not particularly wiser nor more endearing than Bushnell's earlier heroines. Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need. This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg Q: Were Victory, Wendy, and Nico inspired by any real-life women? A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man. Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle." Q: What kind of research did you do to cover fashion, film, and publishing in one book? A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!

    Barbara Delinsky has always had a gift for creating tales of extraordinary emotional power and depth. Now the New York Times bestselling author of Three Wishes surpasses herself once again in a novel that takes readers on a journey as richly textured, colorful, and poignant as the northern California landscape in which the book is set. Rachel Keats and Jack McGill were artists, deeply in love when they married, until the rush of life took its toll. After ten years of marriage, they divorced and went their separate ways. Jack stayed in San Francisco. Rachel moved with their two young daughters to Big Sur. Six years later, an alarming middle-of-the-night phone call demands that Jack put aside his own busy life and career as a leading architect to rush to his ex-wife's hospital bed. While she lies comatose, Jack maintains a bedside vigil and finds himself getting to know Rachel better than he ever did -- through their daughters, her friends, and, even more, through her art. Meanwhile, the beauty and grace of the Redwood canyon where she has made her home also work their own special alchemy upon Jack. He begins to see Rachel, his daughters, and the story of his marriage with new eyes. Coast Road celebrates those things in life that matter most -- the kinship of neighbors, the companionship of friends, and the irreplaceable time spent with children and family. Barbara Delinsky depicts with exquisite accuracy the ties that bind each of us to those people and places we hold most dear.

    Now to the external world, at least she s finally getting back on her feet, running her business, Cake. Then she meets Ciaran Argyll.His rich and charmed life feels a million miles from her own. However, there s more to Ciaran than the superficial world that surrounds him, and he too is wrestling with his own ghosts. Will Holly find the missing ingredient that allows her to live again and embrace an unknown and unexpected tomorrow?

    Dazzling, reckless Caitlin welcomed Vix into the heart of her sprawling, eccentric family, opening doors to a world of unimaginable privilege, sweeping her away to vacations on Martha's Vineyard, a magical, wind-blown island where two friends became summer sisters...Now, years later, Vix is working in New York City. Caitlin is getting married on the Vineyard. And the early magic of their long, complicated friendship has faded. But Caitlin has begged Vix to come to her wedding, to be her maid of honor. And Vix knows that she will go—for the friend whose casual betrayals she remembers all too well. Because Vix wants to understand what happened during that last shattering summer. And, after all these years, she needs to know why her best friend—her summer sister—still has the power to break her heart...

    His parents have long since left, the small farming community is on the brink of extinction, and only one close friend from his childhood remains--Taycee Emerson, his best friend’s little sister, who isn’t so little anymore. Then there’s the matter of Shelter’s Bachelorette, an online reality dating show created to raise some much needed funds for the town. Unwittingly cast as the bachelorette, Taycee wants out, especially when she discovers that Luke, her childhood crush, is back in town and will be one of the bachelors. To make matters worse, it's up to the viewers--not her--to decide which bachelors stay or go. And they all seem to like Luke.Unwilling to let him break her heart again, Taycee launches a subtle attack on Luke’s good name with the hope of getting him voted off the show. But she’d forgotten that Luke's an eye-for-an-eye kind of guy, and when he discovers what she's up to, it means revenge.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    What she doesn't have is a ring on her finger, and after being left at the altar, she's in no hurry. Besides, she has plenty of other issues to tackle, including her wayward father, a new rival at work, and an ever-shrinking amount of personal time. To keep sane, Waverly makes a habit of jotting down "Honey Notes," her own brand of self-deprecating wisdom and pipe-dream for a line of greeting cards. As Waverly stumbles back into the dating scene (no stalkers or jean shorts, please), her personal and professional lives threaten to collide. Perfect on Paper reminds readers that everyone has a bad date (or twelve), and that everyone needs a best friend to tell them, “Honey, you are not alone."

    She knows she won't be home for long; she's got every intention (and a three-point plan) to win back everything she thinks she's lost.Meanwhile, Miles Hoffman--aka "The Prince of Sea Point"--has also returned home to prove to his mother that he's capable of taking over the family business, and he's promised to help his childhood best friend, Ziggy Miller, with his own financial struggles at the same time. Kate, Miles, and Ziggy converge in Sea Point as the town faces an identity crisis when a local developer tries to cash in on its potential. The summer swells, and white lies and long-buried secrets prove as corrosive as the salt air, threatening to forever erode not only the bonds between the three friends but also the landscape of the beachside community they call home.Full of heart and humor--and laced with biting wit--Rock the Boat proves that even when you know all the back roads, there aren't any shortcuts to growing up.

    She's never had a real home of her own, but perhaps she could borrow someone else's. Under an assumed name and identity, she moves to Harmony, Texas, but keeps her distance from the welcoming townsfolk. Until prairie fires threaten Harmony-and Reagan learns the true meaning of family, friends, and home.

    She feels responsible for managing the summer house and making sure everything is as it always has been. But she’s hurt that her parents’ recent divorce has destroyed the family’s comfortable summer routines, and her own kids seem to be growing up at high speed. Is it too late to have another baby?Jess is the middle sister. She loves her job but isn’t as passionate about her marriage. She’s not sure she can find the courage to tell Maggie what she’s done—much less talk to her husband about it.Virgie is the youngest, her dad’s favorite. She’s always been the career girl, but now there’s a man in her life. Her television job on the west coast is beyond stressful, and it’s taking its toll on her—emotionally and physically. She’s counting on this vacation to erase the symptoms she’s not talking about.The Herington girls are together again, with their husbands and kids, for another summer in the family’s old Cape Cod house. When their mother, Gloria, announces she’s coming for an unscheduled visit—with her new boyfriend—no one is more surprised than their father, Arthur, who has not quite gotten over his divorce. Still, everyone manages to navigate the challenges of living grown-up lives in close quarters, until an accident reveals a new secret that brings everyone together in heartbreak… and then healing.

    . . and finding herself again . . . in the middle of her life.Maybe it was those extra five pounds I’d gained. Maybe it was because I was about to turn the same age my mother was when I lost her. Maybe it was because after almost twenty years of marriage my husband and I seemed to be running out of things to say to each other.   But when the anonymous online study called “Marriage in the 21st Century” showed up in my inbox, I had no idea how profoundly it would change my life. It wasn’t long before I was assigned both a pseudonym (Wife 22) and a caseworker (Researcher 101).   And, just like that, I found myself answering questions.   7. Sometimes I tell him he’s snoring when he’s not snoring so he’ll sleep in the guest room and I can have the bed all to myself. 61. Chet Baker on the tape player. He was cutting peppers for the salad. I looked at those hands and thought, I am going to have this man’s children. 67. To not want what you don’t have. What you can’t have. What you shouldn’t have. 32. That if we weren’t careful, it was possible to forget one another.   Before the study, my life was an endless blur of school lunches and doctor’s appointments, family dinners, budgets, and trying to discern the fastest-moving line at the grocery store. I was Alice Buckle: spouse of William and mother to Zoe and Peter, drama teacher and Facebook chatter, downloader of memories and Googler of solutions.   But these days, I’m also Wife 22. And somehow, my anonymous correspondence with Researcher 101 has taken an unexpectedly personal turn. Soon, I’ll have to make a decision—one that will affect my family, my marriage, my whole life. But at the moment, I’m too busy answering questions.   As it turns out, confession can be a very powerful aphrodisiac.

    Great job, really good hair, loyal friends, loving family. It’s only her succession of lame duck boyfriends that ruin the picture.Oh, and the world-famous rock-star father she’s never met, who won’t even acknowledge her existence.Then Ellie’s perfect life is smashed to pieces when her secret is sold to the highest bidder and her name, face (and pictures of her bottom) are splashed across the tabloids. Suddenly everyone thinks she’s a gold-digging, sex-crazy, famewhore.Enter David Gold. Charming and handsome David Gold. On paper he’s even more perfect than Ellie, if only he wasn’t her father’s ruthlessly ambitious lawyer whose job is to manage the crisis – and her. He certainly doesn’t think that Ellie’s the innocent party and she doesn’t trust him at all. So why is it that every time they’re alone together, damage limitation is the last thing on their minds?

    But when her husband, Brian, leaves her for someone younger, thinner, blonde, and French, she has to step back and take a good, long look at her life.First, her career. She can’t continue to write about “Happily Ever After,” so she changes the heroine of her new book from a hot young thing to a forty-something woman who manages to find happiness without a man. Her agent isn’t too happy—the heroine is how old? She doesn’t get the guy in the end? How is that even possible?But Mona is tough, and she’s got Anthony, her personal assistant, and a few good friends to cheer her on and keep the stiff martinis flowing. And Ben. Ben is her plumber, but not your average plumber. He’s smart enough to know that Brian was never good enough for her, and sexy enough to be cast as the romantic lead in quite a few of her books. The sound of his voice alone can send her imagination into full romantic overdrive.Then she meets Mitch, who might be just the guy for her. And there’s still Ben, who’s managed to come to her rescue more than once. But—there’s a book to publish, a soon-to-be-ex-husband to deal with, and what has Aunt Lily done this time? Can Mona work this all out? Can life imitate art, and can Mona write her own happy ending?