G. Wodehouse, the second full-length novel featuring the popular characters Jeeves and Bertie Wooster, after Thank You, Jeeves. It also features a host of other recurring Wodehouse characters, and is mostly set at Brinkley Court, the home of Bertie's Aunt Dahlia. It was first published in the United Kingdom on October 5, 1934 by Herbert Jenkins, London, and in the United States on October 15, 1934 by Little, Brown and Company, Boston, under the title Brinkley Manor. Before being published as a book, it had been sold to the Saturday Evening Post, in which it appeared in serial form from December 23, 1933 to January 27, 1934, and in England in the Grand Magazine from April to September 1934. Wodehouse had already started planning this sequel while working on Thank You, Jeeves.Carry on, Jeeves is a collection of ten short stories by P. G. Wodehouse. It was first published in the United Kingdom on 9 October 1925 by Herbert Jenkins, London, and in the United States on October 7, 1927 by George H. Doran, New York. Many of the stories had previously appeared in the Saturday Evening Post, and some were rewritten versions of stories in the collection My Man Jeeves (1919). The book is considered part of the Jeeves canon.The first story in the book, "Jeeves Takes Charge", describes Jeeves' arrival in his master's life, as a replacement for Wooster's previous, thieving valet, and features Lady Florence Craye, as well as a passing mention of Lord Emsworth and Blandings Castle.Several of the other stories are set in New York, and the book includes appearances by regular characters Bingo Little, Aunt Dahlia, Anatole, and Sir Roderick Glossop.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Among the captives sold into slavery in Algiers were the island pastor, his wife and their three children. Although the raid itself is well documented, little is known about what happened to the women and children afterwards. It was a time when women everywhere were largely silent.In this brilliant reimagining, Sally Magnusson gives a voice to Ásta, the pastor's wife. Enslaved in an alien Arab culture Ásta meets the loss of both her freedom and her children with the one thing she has brought from home: the stories in her head. Steeped in the sagas and folk tales of her northern homeland, she finds herself experiencing not just the separations and agonies of captivity, but the reassessments that come in any age when intelligent eyes are opened to other lives, other cultures and other kinds of loving.The Sealwoman's Gift is about the eternal power of storytelling to help us survive. The novel is full of stories - Icelandic ones told to fend off a slave-owner's advances, Arabian ones to help an old man die. And there are others, too: the stories we tell ourselves to protect our minds from what cannot otherwise be borne, the stories we need to make us happy.

    Fighting time, heat, malaria, and bullets, they make their escape on the rickety steamboat The African Queen...and hatch their own outrageous military plan. Originally published in 1935, The African Queen is a tale replete with vintage Forester drama - unrelenting suspense, reckless heroism, impromptu military manoeuvres, near-death experiences - and a good old-fashioned love story to boot.

    He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.Gradually Lacroix recovers his health, but not his peace of mind - he cannot talk about the war or face the memory of what happened in a village on the gruelling retreat to Corunna. After the command comes to return to his regiment, he sets out instead for the Hebrides, with the vague intent of reviving his musical interests and collecting local folksongs.Lacroix sails north incognito, unaware that he has far worse to fear than being dragged back to the army: a vicious English corporal and a Spanish officer are on his trail, with orders to kill. The haven he finds on a remote island with a family of free-thinkers and the sister he falls for are not safe, at all.

    But then her father has a dreadful accident and her mother breaks down in guilt and grief. Maria, the only child, must care for them. Her hopes are dashed, not only of her career, but of marrying the one who's loved her for years.Reluctantly, Maria is driven into the arms of the supposedly reliable Barney. But he's no such thing. The young couple have to leave their home in a hurry and settle in Birmingham, where Barney grows increasingly difficult and finally goes too far. A family crisis ensues but out of it comes the one thing Maria had given up hope of ever finding again.This is a superb saga of love, loss and family closeness, set against the tumultuous years of the war and its aftermath. Established fans of this author will love it and it is set to win her many new dedicated readers.

    A beautiful young French Jew, Paula Bernheim, and a Prussian officer, Wilhelm von Rhode, meet and fall in love. Within a few months they are married and settled in Berlin--just as Hitler's rise to power begins. The story of what happens to this young couple serves as a microcosm for the European convulsion, as Hitler's poisonous brand of anti-Semitism invades every strata of society.

    . .On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn't know she had, she remains a mystery - no more so than when a lost masterpiece with a secret history is delivered to the gallery.The truth about the painting lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half-sister Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences . . .

    But this daughter was not one to let others define her; Amory became a woman who accepted no limits to what that could mean, and, from the time she picked up her first camera, one who would record her own version of events.Moving freely between London and New York, between photojournalism and fashion photography, and between the men who love her on complicated terms, Amory establishes her reputation as a risk taker and a passionate life traveler. Her hunger for experience draws her to the decadence of Weimar Berlin and the violence of London's blackshirt riots, to the Rhineland with Allied troops and into the political tangle of war-torn Vietnam. In her ambitious career, the seminal moments of the 20th century will become the unforgettable moments of her own biography, as well.In Sweet Caress, Amory Clay comes wondrously to life, her vibrant personality enveloping the reader from the start. And, running through the novel, her photographs over the decades allow us to experience this vast story not only with Amory's voice but with her vision. William Boyd's Sweet Caress captures an entire lifetime unforgettably within its pages. It captivates.

    As these units join their RAF cousins during the Battle of Britain, famous woman aviator Amelia Earhart (who survived her world-circling flight) emerges as a rallying point for those willing to stand against fascism.

    Heroic resistance is old hat. Everything is in short supply, and tempers are even shorter. Overwhelmed by the terrors and rigors of the Blitz, middle-aged Miss Roach has retreated to the relative safety and stupefying boredom of the suburban town of Thames Lockdon, where she rents a room in a boarding house run by Mrs. Payne. There the savvy, sensible, decent, but all-too-meek Miss Roach endures the dinner-table interrogations of Mr. Thwaites and seeks to relieve her solitude by going out drinking and necking with a wayward American lieutenant. Life is almost bearable until Vicki Kugelmann, a seeming friend, moves into the adjacent room. That’s when Miss Roach’s troubles really start to begin.Recounting an epic battle of wills in the claustrophobic confines of the boarding house, Patrick Hamilton’s The Slaves of Solitude, with a delightfully improbable heroine, is one of the finest and funniest books ever written about the trials of a lonely heart.

    Adventurer. Fighter. Drinker.Saviour?Pratchett goes swashbuckling in the hotly anticipated original fiction debut of the multi-million selling Warhammer star.Triumff is a ribald historical fantasy set in a warped clockwork-powered version of our present day … a new Elizabethan age, not of Elizabeth II but in the style of the original Virgin Queen. Throughout its rollicking pages, Sir Rupert Triumff drinks, dines and duels his way into a new Brass Age of Exploration and Adventure.

    IRGB is a nation living in the aftermath of a bizarre and terrifying terrorist atrocity - hundreds of thousands were wiped out when a vast triangle of west London was instantly annihilated. The authorities think the terrorist attack and the death of Tarent's wife are somehow connected. A century earlier, a stage magician is sent to the Western Front on a secret mission to render British reconnaissance aircraft invisible to the enemy. On his journey to the trenches he meets the visionary who believes that this will be the war to end all wars. In 1943, a woman pilot from Poland tells a young RAF technician of her escape from the Nazis, and her desperate need to return home. In the present day, a theoretical physicist stands in his English garden and creates the first adjacency. THE ADJACENT is a novel where nothing is quite as it seems. Where fiction and history intersect, where every version of reality is suspect, where truth and falsehood lie closely adjacent to one another. It shows why Christopher Priest is one of our greatest writers.

    

    Eileen Gillmoss, a colourful character with a smile forever lighting up her face was the life and soul of the party. Today was the day she'd prayed for and dreamed about. After five long, lonely years, her prisoner-of-war husband Bill would be coming home, back to the open, loving arms of his wife and children. But the man who comes back from the war is a complete stranger to her. It isn't only that Bill's appearance has changed. It's his remoteness, his flinching from her touch that Eileen can't cope with. Now, Eileen, who is always there to lend a shoulder to cry on, is the one in need. But who can she turn to? No one can give her what she craves most... her old husband back. She wants him back where he belongs, as the man of the house.