Maja was five years old when her black Cuban family emigrated from the Caribbean to London. Now, almost twenty years later, Maja is a singer, in love with Aaron, pregnant, and haunted by what she calls “her Cuba.” Growing up in London, she has struggled to negotiate her history and the sense that speaking Spanish or English made her less of a black girl. But she is unable to find herself in the Ewe, Igbo, or Akum of her roots. It seems all that’s left is silence. Meanwhile distance from Cuba has only deepened Maja’s mother faith in Santeria —the fusion of Catholicism and Western African Yoruba religion—but it also divides the family as her father rails against his wife’s superstitions and the lost dreams of the Castro revolution.On the other side of the reality wall, Yemaya Saramagua, a Santeria emissary, lives in a somewherehouse with two doors: one opening to London, the other to Lagos. Yemaya is troubled by the ease with which her fellow emissaries have disguised themselves behind the personas of saints and by her inability to recognize them. Lyrical and intensely moving, The Opposite House is about the disquiet that follows us across places and languages, a feeling passed down from mother and father to son and daughter.

    Even though she was the daughter of the emperor, Izta had no desire to marry a man of wealth and power. Instead, she fell in love with Popoca, a brave warrior who fought in her father’s army—and a man who did not offer her riches but a promise to stay by her side forever.   The emperor did not want his daughter to marry a mere warrior, but he recognized Popoca’s bravery. He offered Popoca a deal: If the warrior could defeat their enemy, Jaguar Claw, then the emperor would permit Popoca and Izta to wed. But Jaguar Claw had a plan to thwart the warrior. Would all be lost?   Today two majestic volcanoes—Popocatépetl and Iztaccíhuatl—stand overlooking Mexico City. They have been admired and revered for countless generations, and have formed the basis of many origin and creation myths. In The Princess and the Warrior, award-winning author and illustrator Duncan Tonatiuh retells one of Mexico’s cherished legends.

    But, the spirited daughter of the mountain god was not to be easily subdued as her waters darted about uncontrollably. Only Shiva could tame her by entangling her in the coils of his hair. When her waters could finally wend their way out, they were calmer and purer. They turned arid wastes into fertile land and filled up the oceans. Since those ancient times when King Bhagiratha sought her help, Ganga, whether roaring or placid, dancing or sombre, continues to enchant one and all with her life-giving beauty.

    A lonely old woman adopts, cares for, and raises a polar bear as if he were her own son, until jealous villagers threaten the bear's life, forcing him to leave his home and his "mother," in a retelling of a traditional Inuit folktale.

    The Qallupilluit wear women’s parkas of loon feathers, are grotesque-looking, and grab children who come too near the shore or stand too close to cracks in sea ice. The main character in the story is Allashua, a young Inuk girl.

    Follow the naughty Goldilocks into the house of the three bears, and see what happens when they come home and find her! Part of the Ladybird "First Favourite Tales" series, this hardback book contains lots of funny rhythm and rhyme to delight young children. It is ideal for reading aloud and sharing with preschoolers.

    Although Holden is required to conform to a rigid schedule and strict standards of behavior, his internal life is led with imagination and wonder. Whether he is in art class, the computer lab, or walking the hall to lunch, Holden’s vivid imagination transforms his commonplace surroundings into a world of discovery and delight.Explore the world through Holden’s eyes. Join him for the day, and celebrate the strong spirit of a boy who rises above the rules surrounding him.

    "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.

    She is a skilled nurse, but jobs are few and far between now. So, at the advice of an old friend, she accepts an offer as a mail order bride, and soon she is headed west for her new life. However, her plans are shattered when a tornado rips her stagecoach apart, leaving her stranded on the prairie. Now, Marie finds herself held captive by a group of Indians in need of her healing skills. Her only friend is Chayton, a member of the tribe who takes her under his protection. And slowly, their hearts begin to open to each other. But when one of Marie’s patients nears death, the tribe demands a task that not even Chayton can protect her from.

    She goes to class (most of the time), fights with her mom, and crushes on a boy…or two. But around her sixteenth birthday, Chloe finds that perhaps she isn’t so normal after all. There’s the heightened night vision, the super fast reflexes – oh, and the claws. As she discovers who she is – and where she comes from – it is clear she is not alone. And someone is trying to get her. Chloe has nine lives. But will nine be enough?

    Chairman Mao has declared a new openness in society: “Let a hundred flowers bloom; let a hundred schools of thought contend.” Many intellectuals fear it is only a trick, and Kai Ying’s husband, Sheng, a teacher, has promised not to jeopardize their safety or that of their young son, Tao. But one July morning, just before his sixth birthday, Tao watches helplessly as Sheng is dragged away for writing a letter criticizing the Communist Party and sent to a labor camp for “reeducation.”A year later, still missing his father desperately, Tao climbs to the top of the hundred-year-old kapok tree in front of their home, wanting to see the mountain peaks in the distance. But Tao slips and tumbles thirty feet to the courtyard below, badly breaking his leg. As Kai Ying struggles to hold her small family together in the face of this shattering reminder of her husband’s absence, other members of the household must face their own guilty secrets and strive to find peace in a world where the old sense of order is falling. Once again, Tsukiyama brings us a powerfully moving story of ordinary people facing extraordinary circumstances with grace and courage.

    And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong. Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means.

    Her husband, Richard, works for a humanitarian organization dedicated to the health and prosperity of developing countries and wants her help on an extended AIDS assignment in the Dominican Republic. But Alma begs off joining him: the publisher is breathing down her neck. She promises to work hard and follow him a bit later. The truth is that Alma is seriously sidetracked by a story she has stumbled across. It's the story of a much earlier medical do-gooder, Spaniard Francisco Xavier Balmis, who in 1803 undertook to vaccinate the populations of Spain's American colonies against smallpox. To do this, he required live "carriers" of the vaccine. Of greater interest to Alma is Isabel Sendales y Gómez, director of La Casa de Expósitos, who was asked to select twenty-two orphan boys to be the vaccine carriers. She agreed— with the stipulation that she would accompany the boys on the proposed two-year voyage. Her strength and courage inspire Alma, who finds herself becoming obsessed with the details of Isabel's adventures. This resplendent novel-within-a-novel spins the disparate tales of two remarkable women, both of whom are swept along by machismo. In depicting their confrontation of the great scourges of their respective eras, Alvarez exposes the conflict between altruism and ambition.Julia Alvarez’s new novel, Afterlife, is available now.

    Their feathers had no color at all. Raven spent his days swooping through the sky trying to fight off his incessant boredom, while loon spent her days in her iglu working away on her sewing. One day, too bored to even fly, Raven visited Loon and suggested a sewing game that would give their feathers some much-needed color. The results led to Raven and Loon acquiring their now-familiar coats. This retelling of a pan-Arctic traditional story features lively, colorful illustrations and the whimsical storytelling of two of the Arctic’s most gifted storytellers.

    Children will eagerly continue reading to see what she will do when everyone wants a taste!CLASSIC STORIES: This classic retold tale captures a child's interest, page after page, as they take their imagination on a magical journey through timeless stories and adventures.BENEFITS: Easy-to-follow story books are an excellent skill-building resource for reading comprehension, while introducing your child to hundreds of new words.FAMILY STORY TIME: Reading together is a great way to bond with your child while also fostering communication, understanding, and a lifelong love for reading.BUILD A LIBRARY: Collect every title from the Keepsake Stories collection to create the perfect library that will enchant readers time and time again!