Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

    Coyote and Rae Spoon are accomplished, award-winning writers, musicians, and performers; they are also both admitted "gender failures." In their first collaborative book, Ivan and Rae explore and expose their failed attempts at fitting into the gender binary, and how ultimately our expectations and assumptions around traditional gender roles fail us all.Based on their acclaimed 2012 live show that toured across the United States and in Europe, Gender Failure is a poignant collection of autobiographical essays, lyrics, and images documenting Ivan and Rae's personal journeys from gender failure to gender enlightenment. Equal parts hilarious and heartbreaking, it's a book that will touch LGBTQ readers and others, revealing, with candor and insight, that gender comes in more than two sizes.Ivan E. Coyote is the author of six story collections and the award-winning novel Bow Grip, and is co-editor of Persistence: All Ways Butch and Femme. Ivan frequently performs at high schools, universities, and festivals across North America.Rae Spoon is a transgender indie musician whose most recent CD is My Prairie Home, which is also the title of a new National Film Board of Canada documentary about them. Rae's first book, First Spring Grass Fire, was a Lambda Literary Award finalist in 2013.

    Hunter and Van become boyfriends before they're even teenagers, and stay a couple even when adolescence intervenes. But in high school, conflict arises -- mostly because Hunter is much more comfortable with the sex part of sexual identity. As the two boys start to realize that loving someone doesn't guarantee they will always be with you, they find out more about their own identities -- with Hunter striking out on his own while Van begins to understand his own asexuality.In poems that are romantic and poems that are heartbreaking, Vanilla explores all the flavors of the spectrum -- and how romance and love aren't always the same thing.

    Sullivan kept comprehensive journals from age eleven until his AIDS-related death at thirty-nine. Sensual, lascivious, challenging, quotidian and poetic, the diaries complicate and disrupt normative trans narratives. Entries from twenty-four diaries reveal Sullivan’s self-articulation and the complexity of a fascinating and courageous figure.

    From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.

    This is a spectacular debut trying to puzzle though the insurgencies, context, and kinesis of our present, from the workplace to the pop charts but most of all to the politics of struggle.Copies for purchase now available: https://communeeditions.com/cruel-fic...

    Inside/Out is like if Maggie Nelson had written Bluets about fucking men.” – ALEXANDER CHEE, author of Queen of the Night“I don't know that there is a writer in this country doing as much with queer theory, narrative momentum, whiteness, sexual identity and the literal outside as Joseph Osmundson. In Inside/Out, Osmundson manages to create an epic in less than fifty pages. Somehow, while welcoming readers into so many folds of his life, he manages to obliterate spectacle and really demands we ask ourselves who and what we are, and who and what we want to hide, from the inside out. Inside/Out is more than an intervention, more than a literary awakening; it is the terrifying and utterly gorgeous exploration of what love, loss, and fear do to us from the inside out. I have never read anything like this book.” – KIESE LAYMON, author of How To Slowly Kill Yourself and Others in AmericaJoseph Osmundson is a scientist and writer based in New York City. Originally from the rural Pacific Northwest, he has a PhD in Molecular Biophysics and is a Clinical Professor of Biology at NYU. He is the author of Capsid: A Love Song (2016) and a co-host of the podcast Food 4 Thot.

    Serving as a maid to Eliza Hamilton, and an assistant in the woman's stubborn desire to preserve her late husband's legacy, has driven that point home for Mercy—as have her own previous heartbreaks. When Andromeda Stiel shows up at Hamilton Grange for an interview in her grandfather's stead, Mercy's resolution to live a quiet, pain-free life is tested by the beautiful, flirtatious, and entirely overwhelming dressmaker. Andromeda has staid Mercy reconsidering her worldview, but neither is prepared for love—or for what happens when it's not enough. This is an angsty but fluffy F/F novella with a happy ending for both of our intrepid heroines.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    It’s not something they say. It’s something about their hands, the shape of their mouths, the way they look walking away from you."A collection that will beg you to be dogeared, coffee-stained, & shared.”—Amanda Lovelace, author of the princess saves herself in this oneHoneybee is an honest take on walking away and still feeling like you were walked away from. It’s about cutting love loose like a kite string and praying the wind has the decency to carry it away from you. It’s an ode to the back and forth, the process of letting something go but not knowing where to put it down. Honeybee is putting it down. It’s small town girls and plane tickets, a taste of tenderness and honey, the bandage on the bee sting. It’s a reminder that you are not defined by the people you walk away from or the people who walk away from you."A spine tingling, heart wrenching, goosebumps-across-your-skin experience."—Nikita Gill, author of Fierce FairytalesPerfect for fans of Caroline Kaufman, Atticus, Clementine von Radics, Nina LaCour, Adam Silvera, and Becky Albertalli; or anyone interested in bisexuality, heartbreak, running away from your problems, and coming out.Look for Trista Mateer's other book of poetry, Aphrodite Made Me Do It and her contribution to [Dis]Connected Volume 1: Poems & Stories of Connection and Otherwise.

    By turns serious and fantastical, hilarious and confrontational, We Were Always Here addresses the fears, mysteries, wonders and variety of experience that binds our community together. We Were Always Here is a snapshot of current LGBTI+ writing and a showcase of queer talent.Contributors: Alice Tarbuck, Andrés Ordorica, April Hill, AR Crow, Bibi June, BD Owens, Callum Harper, Christina Neuwirth, Ciara Maguire, Elaine Gallagher, Elva Hills, Eris Young, Etzali Hernández, Felicity Anderson-Nathan, Freddie Alexander, Garry Mac, Gray Crosbie, Harry Josephine Giles, Heather Parry, Heather Valentine, Jack Bigglestone, Jane Flett, Jay G Ying, Jay Whittaker, Jonathan Bay, Jo Clifford, Kirsty Logan, Laura Waddell, Lori England, MJ Brocklebank, Rachel Plummer, Ross Jamieson, Sandra Alland, Shane Strachan, Zoe Storrie.

    When the desperate crew of a cargo vessel stops by her shipyard looking for her spiritually advanced sister Nova, Alana stows away. Maybe her boldness will land her a long-term gig on the crew. But the Tangled Axon proves to be more than star-watching and plasma coils. The chief engineer thinks he's a wolf. The pilot fades in and out of existence. The captain is all blond hair, boots, and ego . . . and Alana can't keep her eyes off her. But there's little time for romance: Nova's in danger and someone will do anything--even destroying planets--to get their hands on her.

    She isn’t expecting much from her freshman year of college until she finds herself sharing a class with Treasure, the gorgeous stripper from her sister’s party. Trisha Hamilton has finally gotten the credits and the money together to transfer to a four-year university. Between classes, studying, and her job as a stripper, she has little time for a social life, until she runs into the adorably shy baby butch from the club. Trisha can’t seem to hide her feelings for Alexis, even when Trisha discovers what she has been through, but will Alexis have the strength to be just as fearless about their new love?

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

    Once loved and respected in their community and in their church, they are ostracized by their neighbors, led by their church leader, and a seventeen-year feud between the Delaneys and the church ensues. Ava and her family are displaced from the community even as they continue to live within it, trapped inside their creaky, shadowy old house.When a mysterious woman arrives unexpectedly for a visit, her presence stirs up the past and ghosts and other restless things begin to emerge. And something is reignited in Ava: the indifferent woman she has become begins to give way to the wild girl, and the passionate artist, she used to be. But not without a struggle that threatens her well-being and, ultimately, her life.Mia McKenzie is a winner of the Astraea Foundation's Writers Fund Award and the Leeway Foundation's Transformation Award. She describes herself as "a black feminist and a freaking queer." Her work has been recommended by The Root, Colorlines, Feministing, Angry Asian Man, and Crunk Feminist Collective, among others. She is the creator of the blog BlackGirlDangerous.org.