Eve Babitz was the ultimate factory girl, a pure product of LA.The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few.Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she’s since experienced a breakthrough. Now in her mid-seventies, she’s on the cusp of literary stardom and recognition as an essential—as the essential—LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so sheerly enjoyable as to be mistaken for simple entertainment.For Babitz, life was slow days, fast company until a freak fire in the 90s turned her into a recluse, living in a condo in West Hollywood, where Lili Anolik tracked her down in 2012. Anolik’s elegant and provocative new book is equal parts biography and detective story. It is also on dangerously intimate terms with its subject: artist, writer, muse, and one-woman zeitgeist, Eve Babitz.

    I was so taken by Nate and Emi’s love for each other. It’s the kind of love that few have and many desire but never get to experience.” - Megan, Reading Books Like a Boss Independent and sensitive, idealistic and hopeful, Emi Hennigan lives her life with optimism and an open mind. Between sharing a tiny Manhattan apartment with her fun-loving roommate and spending most of her free time with her heart-breaker friend, Emi’s seen enough failed relationships to know what to avoid in her quest to find her true love. Not only that, but a single moment from her past lingers in her mind, setting high expectations for every man she dates. Emi’s best friend, artist and hopeless romantic Nate Wilson, has been her closest companion all of their adult lives. After swearing off love with Emi in a silly high school pact, Nate has been seeing other women in hopes of finding one that evokes stronger feelings than the ones he’s been harboring for Emi since he was a teen. Over the span of a year, boundaries are crossed, feelings are confessed, and their unique friendship begins to blossom into something more. Through Nate’s eyes, an atypical romance unfolds, disrupting the comfortable safe haven their friendship has provided. With a promising future ahead of them both, fate intervenes to bring two soul mates together. Photography and cover design by Christi Allen Curtis, assisted by Katrina Boone

    In the middle of a dusty Southern town, in the middle of the twentieth century, magician Henry Walker entertains crowds at Jeremiah Musgrove’s Chinese Circus. Though not the world-famous illusionist he once was, Henry, with his dark skin and green eyes, is still something of a novelty to the patrons who pay a dime to see his show. Most of the patrons, anyway. As the novel begins, one May night in 1954, Henry is confronted by three menacing white teens, and soon thereafter disappears. With his fate uncertain, his friends from the circus—Jenny the Ossified Girl, Rudy the Strong Man, and JJ the Barker—piece together what they know of Henry's mysterious and extraordinary life. The result is a spellbinding adventure that begins when ten-year-old Henry meets the devil, who gives him the art of magic and then steals the one thing that means the most to him. As Henry’s friends recount the remarkable adventures and incredible heartache that result from this childhood encounter, only one thing seems certain about Henry's life: nothing is as it appears.Brimming with surprising twists and turns, and peopled with a literal circus of memorable characters, Mr. Sebastian and the Negro Magician is Daniel Wallace at his finest. As in his beloved debut, Big Fish, Wallace once again conjures a wondrous tale with an emotional punch. This is a story of love and loss, identity and illusion, fate and choice; a story that will capture your heart and your imagination and not let go until the very last page.

    People, Beings and BeastsWhere does the boogeyman come from?What creatures feast on faithful men?How do you defeat a minotaur?What really riles a dragon?Where would you find real-life werewolves?What happened to Atlantis?From dragons, vampires, werewolves and fairies to flying carpets, lost cities and modern-day mysteries,this delightful compendium of over 250 weird and wonderful legends, myths and monsters will entertain and astound anyone

    But the voice inside her head has a different name. When the mysterious Ms. Karina finds Domino in an alleyway, she offers her a position at her girls’ home in secluded West Texas. With no alternatives and an agenda of her own, Domino accepts. It isn’t long before she is fighting her way up the ranks to gain the woman’s approval…and falling for Cain, the mysterious boy living in the basement. But the home has horrible secrets. So do the girls living there. So does Cain. Escaping is harder than Domino expects, though, because Ms. Karina doesn’t like to lose inventory. But then, she doesn’t know about the danger living inside Domino’s mind. She doesn’t know about Wilson.

     She’s Britney Spears shaving her head, Whitney Houston saying, “crack is whack,” and Amy Winehouse, dying in front of millions. But the trainwreck is also as old (and as meaningful) as feminism itself. From Mary Wollstonecraft—who, for decades after her death, was more famous for her illegitimate child and suicide attempts than for A Vindication of the Rights of Woman—to Charlotte Brontë, Billie Holiday, Sylvia Plath, and even Hillary Clinton, Sady Doyle’s Trainwreck dissects a centuries-old phenomenon and asks what it means now, in a time when we have unprecedented access to celebrities and civilians alike, and when women are pushing harder than ever against the boundaries of what it means to “behave.” Where did these women come from? What are their crimes? And what does it mean for the rest of us? For an age when any form of self-expression can be the one that ends you, Sady Doyle’s book is as fierce and intelligent as it is funny and compassionate—an essential, timely, feminist anatomy of the female trainwreck.