She’s sixteen, the daughter of immigrant parents, doesn’t fit in at home and hides in plain sight in school. She’s an outsider until she’s rescued by an unlikely friendship that changes her life.FALLING (first in the Bits and Pieces Series) is a coming of age friendship story about Liz that chronicles parts of her life during the fall of her junior year. She’s had a rough year and managed to get through it without anyone’s support, including her parents’. Her life changes when her physics teacher assigns new seats in class and Patrick, her new lab partner, befriends her. Unlike her past partners, Patrick challenges her to see the true meaning of teamwork and friendship. With him as her new best friend, she learns what friendship is really about and starts to find herself in the process.

    When her father, Calvin, telephones out of the blue one evening and says he’s coming home for Thanksgiving, Angel thinks her dream of having a normal family is finally going to come true. Instead, she finds herself at the center of a dangerous scenario, threatened by secrets far beyond her understanding.Set in a small Appalachian town in the early 1970’s, Angel is the compelling story of an innocent girl as the unwitting link between the two generations of her family’s dark and unresolved past.

    It is our private journey, and only we understand how it came about; only we know the fitness and the wonder of it.'William James Mudie Larnach's name resonates in New Zealand history - the politician and self-made man who built the famous 'castle' on Otago Peninsula. In 1891, after the death of his first two wives, he married the much younger Constance de Bathe Brandon. But the marriage that began with such happiness was to end in tragedy.The story of the growing relationship between Conny and William's younger son, Dougie, lies at the heart of this subtle and compelling novel. The socially restrictive world of late nineteenth-century Dunedin and Wellington springs vividly to life as Marshall traces the deepening love between stepmother and stepson, and the slow disintegration of the domineering yet vulnerable figure of Larnach himself.Can love ever really be its own world, free of morality and judgement and scandal?

    And in doing so, she touches every woman's secret heart.....

    Her marriage to KK is perfect precisely because she is not in love with him, and their life on a tea plantation in the picturesque Anamalai hills is idyllic. Then, one rainy morning, a man arrives to take up temporary residence in the homestay they run. Shoola Pani is south Indian cinema's heartthrob, an actor in flight from his own superstardom, and the last thing he is looking for is emotional entanglement. But when Lena and he meet, something flares between them that neither could have anticipated. She becomes his Lee and he her Ship, and the place they inhabit Arcadia. Told partly from the point of view of Komathi, whose own relationship with Lena is fraught with buried truths from the past, this searing tale of unexpected passion and adultery reaffirms the magical power of love in all our lives.

    History has already begun its steady march. Six native women clad in black and scarlet pichauras huddle around Naineetal Lake, attempting to cleanse it of threatening new influences. For, these are the days of Upper Mall Road (for Europeans and their horses) and Lower Mall Road (‘for dogs, servants and other Indians’). And this is the story of feisty young Tilottama Dutt, whose uncle hangs when he protests the reigning order—and her daughter, Deoki, who will confront change as Indians and as women. Things to Leave Behind brings alive the romance of the mixed legacy of British-Indian past. Full of the fascinating backstory of Naineetal and its unwilling entry into Indian history, throwing a shining light on the elemental confusion of caste, creed and culture, illuminated with painstaking detail, here is a fascinating historical epic and Namita Gokhale’s most ambitious novel yet.

    But even after her death, Savitri remains in the house, invisible yet constantly audible. Gradually, the inmates begin to rely on Savitri’s voice to have their lives managed.One day, Savitri falls silent. Soon afterwards, Moom, a young girl of 11 or 12 mysteriously appears in Agarwal House. And her arrival reveals several secrets.

    Stories that are innocent, beautiful, colourful and different in their own way.This is one such story of friendship and its journey to love.A Journey in which they were not together.A typical middle class lad, and a mealy-mouthed mummy-papa boy, Vishwas never imagined that in just seven days life will twist his roads and leave him at place he had never dreamt of. A typical middle class girl, a go-getter, and indefatigably correct when it’s between the two, Shailja always believed that one day her life will be at crossroads.Wreathed in smiles, with his bag of dreams, aspirations and youthful reveries, Vishwas sets off on his dream journey from his small world in the tranquil foothills of the Himalayas. But soon the small town boy’s dreams and fantasies are hijacked by the pace and character of the big city he lands in. The roller coaster called life derails from the path he chooses and goes amok refusing to stop, until he discovers a truth he hadn’t imagined.What happened in those seven days that changed his life forever?Will he accept what the destiny unfolds? Will he fight? Will he run?Or fate has something else in store for him?

    The Chinese have nuked large parts of the country; Bombay has been obliterated; Delhi is in the throes of rigorous reconstruction; Bengal has seceded and is now a protectorate of China; the Maoists have taken over much of what remains. The southern states are a distant and tranquil place that nobody has visited in years.The most powerful person in the country is a deranged bureaucrat called the Competent Authority, who has used his official position as the head of the Bureau of Reconstruction, to subvert all forces of governmental authority. Cloaked in anonymity, his identity known only to his terrified minions, the CA rules the remnants of India with an iron fist.Although, in theory, the government and the armed forces still exist, the Prime Minister, who looks very familiar, and the General, who commands the Army, are mere puppets in the hands of the Competent Authority. All they can do is watch in horror as he tries to put in motion a fiendish plan to annihilate everyone in the country, for reasons that are completely logical.The only person who can stop him is Pintoo, a mutant twelve year old from Shanti Nagar, where all the poor people live. Determined to thwart the CAs plan and save the country from disaster, Pintoo employs three reluctant henchmen to help him: Pande, a corrupt and vicious policeman, Chatterjee, a pessimistic but determined CBI officer and Ali, the last surviving member of Al Qaeda. And then there's also the matter of the hand that has a mind of its own.

    In a Southern Indian village, Asha doesn’t have much—raising two children in a tiny hut, she and her husband can barely keep a tin roof over their heads—but she wants a better education for her gifted son. Pressured by her family, Asha reluctantly checks into the Happy Mothers House: a baby farm where she can rent her only asset—her womb—to a childless couple overseas. To the dismay of friends and family, Priya places her faith in a woman she’s never met to make her dreams of motherhood come true.Together, the two women discover the best and the worst that India’s rising surrogacy industry has to offer, bridging continents and cultures to bring a new life into the world—and renewed hope to each other.

    She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard.Greg Sarris weaves together stories from Mabel McKay's life with an account of how he tried, and she resisted, telling her story straight—the white people's way. Sarris, an Indian of mixed-blood heritage, finds his own story in his search for Mabel McKay's. Beautifully narrated, Weaving the Dream initiates the reader into Pomo culture and demonstrates how a woman who worked most of her life in a cannery could become a great healer and an artist whose baskets were collected by the Smithsonian.Hearing Mabel McKay's life story, we see that distinctions between material and spiritual and between mundane and magical disappear. What remains is a timeless way of healing, of making art, and of being in the world.

    Carly desperately hopes Teddy will take them in and save them from going into foster care—and forgive them for the lies told by their mother.But when the starving girls get caught stealing food on a Native American reservation, their journey gets put on hold. While the girls work off their debt, Carly becomes determined to travel onward—until Jen confesses a terrible secret that leaves both sisters wondering if they can ever trust again.Set against the backdrop of the American Southwest, Walk Me Home and its resilient heroines will inspire readers and renew their faith in recovery and redemption.

    Growing up in Jabalpur with a loving and supportive family, her childhood had been perfect. Why then was her body telling her otherwise? Confronted with the vagaries of her health, Manjiri came to a realisation—her body could contain its secrets no longer. It was time to let go.To make sense of the present, she needs to address the violence of the past, but it is not easy to do while balancing a life and career in an alien city with a demanding relationship. Even as Manjiri grapples with the trauma and abuse she faced as a child, she tries to lead a regular, healthy life. Written with visceral honesty and unapologetic candour, It’s All In Your Head, M chronicles the confidences a female body learns to keep. As much a coming-of-age story as it is an exploration of the author’s struggles with mental health, this reflective memoir speaks to all survivors of abuse, offering up a tale of strength and resilience and the ultimate potion of self-care: love and acceptance.

    It is the story of the avaricious rich merchant Dhona, the poor lad Dukhey, and his mother; it is also the story of Dokkhin Rai, a mighty spirit who appears to humans as a tiger, of Bon Bibi, the benign goddess of the forest, and her warrior brother Shah Jongoli.The original print version of this legend, dating back to the nineteenth century, is composed in a Bengali verse meter known as dwipodi poyar. Jungle Nama is a free adaptation of the legend, told entirely in a poyar-like meter of twenty-four syllable couplets that replicate the cadence of the original.The first-ever book in verse by Amitav Ghosh, Jungle Nama evokes the wonder of the Sundarban through its poetry, accompanied by stunning artwork by the renowned artist Salman Toor. This is an illuminated edition of a fabulous folk tale that every book lover will want to possess.

    and reprint of some of Tagore's most famous stories