In these segments, Olbermann calls out the perpetrators of mismanagement, brutality, cronyism, and the appalling lack of accountability at the highest levels of the Bush administration. In so doing, Olbermann goes where most of the mainstream media fear to tread–and his rapidly expanding audience eagerly follows. In Truth and Consequences, Olbermann collects the best of his Special Comments, presented here with additional observations and other new material. Whether taking to task the likes of Vice President Dick Cheney and (the thankfully former) Secretary of Defense Donald Rumsfeld, who compare critics of the Iraq War to Nazi appeasers, or giving his impassioned perspective on why torture is un-American and what it really means to support our troops, or grilling timid lawmakers who fail to rein in presidential overreach and abuses of executive power, Olbermann’s devastatingly blunt (and at times wickedly funny) commentary cuts to the core of the duplicity and cynicism of a government that has lost the ability to distinguish between leading our great nation and ruling it. Naturally, Keith Olbermann’s candor and razor-sharp polemic have earned him many detractors and enemies. His antagonists in the media, such as Bill O’Reilly, have mocked him and accused him of rank intolerance. Yes, Keith Olbermann is intolerant–of hypocrisy, demagoguery, fear-mongering, and especially the equation of dissent with treason. In Truth and Consequences, he fights to reclaim for himself and all Americans the dignity of speaking one’s mind and acting on one’s conscience. Praise for Keith Olbermann “A truth-telling, Bush-bashing accidental liberal hero.”–New York “The most honest man in news . . . Olbermann clearly relishes his feuds and doesn’t seem to worry much about sparking new ones.”–Rolling Stone “Part Jon Stewart (the funny), Dennis Miller (the erudite and biting sub-references), [and] H. L. Mencken (the skewering of power and stupidity in equal doses) as well as crusading journalist . . . Olbermann has emerged as a kind of force of nature.” –San Francisco Chronicle“Intelligent, well-read, forceful and incisive.”–Rocky Mountain NewsFrom the Hardcover edition.

    Its core contention is that American conservatism and the Republican Party took a wrong turn when they adopted Barry Goldwater’s worldview during and after the 1964 campaign. The radicalism of today’s conservatism is not the product of the Tea Party, Washington Post columnist E.J. Dionne writes. The Tea Partiers are the true heirs to Goldwater ideology. The purity movement did more than drive moderates out of the Republican Party—it beat back alternative definitions of conservatism.Since 1968, no conservative administration—not Nixon not Reagan not two Bushes—could live up to the rhetoric rooted in the Goldwater movement that began to reshape American politics fifty years ago. The collapse of the Nixon presidency led to the rise of Ronald Reagan, the defeat of George H.W. Bush, to Newt Gingrich’s revolution. Bush initially undertook a partial modernization, preaching “compassionate conservatism” and a “Fourth Way” to Clinton’s “Third Way.” Conservatives quickly defined him as an advocate of “big government” and not conservative enough on spending, immigration, education, and Medicare. A return to the true faith was the only prescription on order. The result was the Tea Party, which Dionne says, was as much a reaction to Bush as to Obama.The state of the Republican party, controlled by the strictest base, is diminished, Dionne writes. It has become white and older in a country that is no longer that. It needs to come back to life for its own health and that of the country’s, and in Why the Right Went Wrong, he explains how.

    It was an election that played out against a backdrop of wars, a shattered economy, and deep pessimism about the future. Dan Balz and Haynes Johnson followed this campaign from the candidates' first forays into Iowa and New Hampshire to the historic night of Obama's victory celebration. They take readers on a gripping journey through the epic battle for Iowa, Clinton's dramatic comeback in New Hampshire, the racially tinged primary in South Carolina, the stunning endorsement of Obama by Senator Edward M. Kennedy over the Clintons' objections. They reveal the strategic mistakes of the Clinton campaign and the story behind Obama's breakthrough organization. They cover McCain's struggle for survival in the Republican primaries, Sarah Palin, and the economic meltdown that ensured Obama's victory. Exclusive interviews with the candidates and their top strategists produce intimate portraits of Obama, Clinton, and McCain under stress throughout the longest and most expensive presidential campaign in American history. Balz and Johnson also move far off the campaign trail to listen to voters in battleground states express their deep anxieties about the darkening economic climate and the challenges facing the United States. This book is a riveting account of how this election not only marked a new era in American politics but also offered a test of historic proportions at a watershed moment for our nation.

    In this feisty, accessible primer, bestselling author Eric Alterman sets out to restore liberalism to its rightful honored place in our political life as the politics of America’s everyday citizens. In Why We’re Liberals Alterman examines liberalism’s development and demonstrates how its partisans have come to represent not just the mainstream, but also the majority of Americans today. In a crisply argued though extensively documented counterattack on right-wing spin and misinformation, Alterman briskly disposes of such canards as “Liberals Hate God” and “Liberals Are Soft on Terrorism,” reclaiming liberalism from the false definitions foisted upon it by the right and repeated everywhere else. Why We’re Liberals brings clarity and perspective to what has often been a one-sided debate for nothing less than the heart and soul of America. Why We’re Liberals is the perfect election-year book for all of those ready to fight back against the conservative mud-slinging machine and claim their voice in the political debate.

    In a blistering polemic which shows that Clinton was at once philanderer and philistine, crooked and corrupt, Hitchens challenges perceptions - of liberals and conservatives alike - of this highly divisive figure.With blistering wit and meticulous documentation, Hitchens masterfully deconstructs Clinton's abject propensity for pandering to the Left while delivering to the Right and argues that the president's personal transgressions were inseparable from his political corruption.

    October 2006: The world finds out why. What was really behind the U.S.-led invasion of Iraq? As George W. Bush steered the nation to war, who spoke the truth and who tried to hide it? "Hubris" takes us behind the scenes at the Bush White House, the CIA, the Pentagon, the State Department, and Congress to answer all the vital questions about how the Bush administration came to invade Iraq. Filled with new revelations, "Hubris" is a gripping narrative of intrigue that connects the dots between George W. Bush's expletive-laden outbursts at Saddam Hussein, the bitter battles between the CIA and the White House, the fights within the intelligence community over Saddam's weapons of mass destruction, the startling influence of an obscure academic on top government officials, the "real "reason Valerie Plame was outed, and a top reporter's ties to wily Iraqi exiles trying to start a war. Written by veteran reporters Michael Isikoff and David Corn, this is the inside story of how President Bush took the nation to war using faulty and fraudulent intelligence. It is a news-making account of conspiracy, backstabbing, bureaucratic ineptitude, journalistic malfeasance, and, especially, arrogance.

    Or because, increasingly, the profession treats issues as complex as health-care reform and foreign policy as exercises in political gamesmanship. These are just a few of the arguments that have made Breaking the News so controversial and so widely acclaimed. Drawing on his own experience as a National Book Award-winning journalist--and on the gaffes of colleagues from George Will to Cokie Roberts--Fallows shows why the media have not only lost our respect but alienated us from our public life. "Important and lucid...It moves smartly beyond the usual attacks on sensationalism and bias to the more profound problems in modern American journalism...dead-on."--Newsweek

    Moment by moment, Bernstein and Woodward portray the taut, post-Watergate White House as Nixon, his family, his staff, and many members of Congress strained desperately to prevent his inevitable resignation. This brilliant book reveals the ordeal of Nixon's fall from office -- one of the gravest crises in presidential history.

    With this book, Franken demonstrates that he owns. The frankly Democratic author's shtick reminds us how much of a free ride conservatives have gotten in the mainstream media. For instance, he really drives home the weirdness of the conservatives' preachiness about "family values" in light of Newt Gingrich's and Bob Dole's first marriages, and Rush Limbaugh's first, second and third marriages. And he has great fun with Rush's and Newt's miraculous draft deferments in a chapter where he imagines all of the great conservative "chicken-hawks" out on a Vietnam war patrol under the leadership of Ollie North.

    They peer deeply into Trump's White House – at the aides pressured to lie to the public, the lawyers scrambling to clear up norm-breaking disasters, and the staffers whose careers have been reduced to ashes – to paint an unparalleled group portrait of an administration driven by self-preservation and paranoia. Rucker and Leonnig reveal Trump at his most unvarnished, showing the unhinged decision-making and incompetence that has floored officials and stunned foreign leaders. They portray unscripted calls with Vladimir Putin, steak dinners with Kim Jong-un, and calls with Theresa May so hostile that they left her aides shaken. They also take a hard look at Robert Mueller, Trump's greatest antagonist to date, and how his investigation slowly unravelled an administration whose universal value is loyalty – not to country, but to the president himself.

    Now, in The Wrecking Crew, Frank examines the blundering and corrupt Washington those politicians have given us. Casting his eyes from the Bush administration's final months of plunder to the earliest days of the Republican revolution, Frank describes the rise of a ruling coalition dedicated to dismantling government. But rather than cutting down the big government they claim to hate, conservatives have simply sold it off, deregulating some industries, defunding others, but always turning public policy into a private-sector bidding war. Washington itself has been remade into a golden landscape of super-wealthy suburbs and gleaming lobbyist headquarters―the wages of government-by-entrepreneurship practiced so outrageously by figures such as Jack Abramoff.It is no coincidence, Frank argues, that the same politicians who guffaw at the idea of effective government have installed a regime in which incompetence is the rule. Nor will the country easily shake off the consequences of deliberate misgovernment through the usual election remedies. Obsessed with achieving a lasting victory, conservatives have taken pains to enshrine the free market as the permanent creed of state.Stamped with Thomas Frank's audacity, analytic brilliance, and wit, The Wrecking Crew is his most revelatory work yet―and his most important.

    Whether discussing the recent U.S. military escalation in Colombia, the bipartisan rollback of Social Security, the rise of for-profit HMOs, or growing inequality worldwide, Chomsky shows how ordinary citizens, if they work together, have the power to make meaningful change.Renowned interviewer David Barsamian showcases his unique access to Chomsky's thinking on a number of topics of contemporary and historical import. In an interview conducted after the important November 1999 "Battle in Seattle", Chomsky discusses prospects for building a movement to challenge corporate domination of the media, the environment, and even our private lives. Chomsky also engages in a discussion of his ideas on language and mind, making his important linguistic insights accessible to the lay reader.

    Nobody appeared. Across all departments the stories were the same: Trump appointees were few and far between; those who did show up were shockingly uninformed about the functions of their new workplace.Michael Lewis’s brilliant narrative of the Trump administration’s botched presidential transition takes us into the engine rooms of a government under attack by its leaders through willful ignorance and greed. The government manages a vast array of critical services that keep us safe and underpin our lives, from ensuring the safety of our food and medications and predicting extreme weather events to tracking and locating black- market uranium before the terrorists do. The Fifth Risk masterfully and vividly unspools the consequences of what happens when the people given control over our government have no idea how it works.

    Trump, television has conquered America. In Audience of One, New York Times chief television critic James Poniewozik traces the history of TV and mass media from the Reagan era to today, explaining how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president.In the tradition of Neil Postman’s masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today’s zillion-channel, Internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump, the chameleonic celebrity who courted fame, achieved a mind-meld with the media beast, and rode it to ultimate power.Braiding together these disparate threads, Poniewozik combines a cultural history of modern America with a revelatory portrait of the most public American who has ever lived. Reaching back to the 1940s, when Trump and commercial television were born, Poniewozik illustrates how Donald became “a character that wrote itself, a brand mascot that jumped off the cereal box and entered the world, a simulacrum that replaced the thing it represented.” Viscerally attuned to the media, Trump shape-shifted into a boastful tabloid playboy in the 1980s; a self-parodic sitcom fixture in the 1990s; a reality-TV “You’re Fired” machine in the 2000s; and finally, the biggest role of his career, a Fox News–obsessed, Twitter-mad, culture-warring demagogue in the White House.Poniewozik deconstructs the chaotic Age of Trump as the 24-hour TV production that it is, decoding an era when politics has become pop culture, and vice versa. Trenchant and often slyly hilarious, Audience of One is a penetrating and sobering review of the raucous, raging, farcical reality show—performed for the benefit of an insomniac, cable-news-junkie “audience of one”—that we all came to live in, whether we liked it or not.

    The editor-in-chief of The Huffington Post tackles the issues at the heart of the 2008 presidential election with her trademark passion, intelligence, and devastating wit.