It’s 1936 and Britain is in the grip of the Depression.Nell Flanagan is a decent, hardworking woman, married to Stephen, a tough, heavy-drinking brute of a man, who works as a casual in the docks — when there’s work available. Nell has hidden the abuse she has suffered at his hands from her young children, although most of the neighbours realise what’s going on.The Tanners think she must be asking for it, but nineteen-year-old Martin Lovell, has always admired Nell. When he sees Stephen actually attacking Nell, he can stand back no longer, but his actions have repercussions for all the families…

    My body still hurts. It has been some time since Oorja Chaturvedi has come home; but the wounds she suffered, at the hands of the very people who so aptly named her, cut deep. Her relationship with her father was barely strung together with a few words. But when her mother dies, the woman whose nagging love was both her comfort and her secret hiding place from the world, new grief melds with old bitterness. Reeling from the loss, Oorja decides to come back to India, only to find her estranged father missing. Her search leads her to her grandfather, a man who had lived all his life among books and forest, withering away in his house. As she tries to grapple with her grief for a dying grandfather, she unexpectedly finds love and solace in the arms of a man who inherits her grandfather’s estate. But before she can decide what Anang and her own future together hold, Oorja must first untangle the secrets of their shared past. A quiet gut-punch of a debut, acclaimed filmmaker Ashwiny Iyer Tiwari’s novel, Mapping Love is heartbreakingly brave and equally delicate. It is a story that digs its claws into you and doesn't let go, long after you've finished it.

    But, even with all the beauty and material possessions tey still come up short when it comes to the men in their lives. When unexpected drama unfolds, their relationsips, friendships, and loyalty are put to the ultimate test.

    Let's see if they can finally get it together or if they will call it quits once and for all. Skye had to learn the hard way that revenge ain't always sweet! Her secret relationship with Rell has left her pregnant with a child and she has no idea who the father is. Zyir wants nothing to do with her and she's feeling more alone than ever. Will her and Zy work on their relationship or will Rell come back in the picture to claim what he feels is rightfully his? Murder, Lies, Secrets and Love! You don't want to miss the emotional roller coaster part 3 is sure to have you on.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    The story in Someday, though told through fictional characters and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.When the family is finally reunited, however, the dreams of neither women are fulfilled.The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Somedayis an entertaining, humourous, and spirited play that packs an intense emotional wallop.Reviews: "One of the 50 Essential Canadian Plays"-- Toronto Star

    Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.