The Preacher's Daughter begins a remarkable journey of heartache and homespun delight - a series readers will find impossible to forget. Paradise, Pennsylvania, is likened to a little slice of heaven on earth...but for Annie Zook - the preacher's eldest daughter, it seems like a dead-end street. She is expected to join the Amish church, but at 20 she is still deciding. Because of the strict rules that guide the Plain community, she must continually squelch her artistic passion, although it has become her solace. In her signature style, with character depth and unexpected plot twists, beloved novelist Beverly Lewis once again opens the door to the world of the Amish.

    When the Goodwins took over the last dairy farm in the small Midwestern town of Prairie Center, they envisioned their home a self-made paradise. But these days, as Alice is all too aware, her elder daughter Emma is prone to inexplicable fits of rage, her husband Howard distrusts her maternal competence, and Prairie Center's tight-knit suburban community shows no signs of warming to "those hippies who think they can run a farm." A loner by nature, Alice is torn between a yearning for solitude coupled with a deep need to be at the center of a perfect family. On this particular day, Emma has started the morning with a violent tantrum, her little sister Claire is eating pennies, and it is Alice's turn to watch her neighbor's two small girls as well as her own. She absentmindedly steals a minute alone that quickly becomes ten: time enough for a devastating accident to occur. Her neighbor's daughter Lizzy drowns in the farm's pond, and Alice - whose own volatility and unmasked directness keep her on the outskirts of acceptance - becomes the perfect scapegoat. At the same time, a seemingly trivial incident from Alice's past resurfaces and takes on gigantic proportions, leading the Goodwins far from Lizzy's death into a maze of guilt and doubt culminating in a harrowing court trial and the family's shattering downfall.

    A crowd forms, hoping to catch a glimpse of the magical creature. One crate after another is unpacked: a zebra, a leopard, and a baboon. There's no mermaid, but in the final two crates is something almost as magical—a pair of young elephants, in poor health but alive.Seeing a unique opportunity, a wealthy sugar merchant purchases the elephants for his country estate and turns their care over to a young stable boy, Tom Page. Tom's family has long cared for horses, but an elephant is something different altogether. It takes time for Tom and the elephants to understand one another, but to the surprise of everyone on the estate, a remarkable bond is formed.The Elephant Keeper, the story of Tom and the elephants, in Tom's own words, moves from the green fields and woods of the English countryside to the dark streets and alleys of late-eighteenth-century London, reflecting both the beauty and the violence of the age. Nicholson's lush writing and deft storytelling complement a captivating tale of love and loyalty between one man and the two elephants that change the lives of all who meet them.

    In the tradition of Divine Secrets of the Ya-Ya Sisterhood, this moving novel, filled with warmth, wit, and wisdom, is about a group of women who discover--over the course of 40 turbulent years--the nature of true friendship.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    M. Forster once described The Longest Journey as the book "I am most glad to have written." An introspective novel of manners at once comic and tragic, it tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

    She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and betrayal: the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy--its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her--are linked to generations of women she never knew.A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific. Hailed by the "Los Angeles Times" for his "sustained, intricate brilliance," Jonathan Coe once again proves himself "an artist of character and of his characters' stories," here more astutely than ever before.

    In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile.From the Hardcover edition.

     FIRST SIGHT   New York. London. Milan. Paris. Fashion Week in all four cities. A month of endless interviews, parties, and unflagging work and attention to detail at the semiannual ready to wear fashion shows—the famous prêt-à-porter. At the center of the storm and avalanche of work is American Timmie O’Neill, whose renowned line, Timmie O, is the embodiment of casual chic, in fashion and for the home. She has created a business that inspires, fills, and consumes her life.   With an unerring instinct for what the next trend will be, an innate genius for business, tireless labor, and sheer fearlessness, starting from nothing, over two decades Timmie has built an international empire that has brought her enormous satisfaction and success. In a world where humility and compassion are all too rare, her humor, kindness, integrity, and creativity are inspirational. Yet as blessed as she feels by her success, Timmie harbors the private wounds of a devastating childhood and past tragedy. She is too smart, too experienced, and too hurt to want much in her personal life beyond a succession of convenient, very limited relationships. Always willing to take risks in business, she never risks her heart.   But despite her well-ordered and highly controlled world, it turns out that Timmie O’Neill is not immune to magic when it strikes. And it strikes in Paris during Paris Fashion Week, when an intriguing Frenchman comes into her life when she gets sick. At first, Timmie and Jean-Charles Vernier are only patient and physician. They become confidants and friends, corresponding at a safe distance between Paris and Los Angeles once she goes home. There is every reason why they must remain apart. But neither can deny their growing friendship and the electricity that sparks whenever they meet.  First Sight is as complex and compelling as modern life itself. Careers, families, histories, losses, duty, obligation, and fear of losing control and getting hurt. It is a tale of daring to take risks, and losing control just enough to have a life, when the opportunity presents itself. When two very different worlds and strong-willed people collide, everything changes in an instant, as they confront the age-old question of whether to lay oneself bare and risk intimacy—or not. Are they brave enough to face what comes next? And will they do it together or apart?

    He is a writer, observes the "Chicago Tribune," who can "convincingly squeeze whole lives into a mere twenty pages or so." Now Chaon marshals his notable talents in his much-anticipated debut novel. "You Remind Me of Me" begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother's pet Doberman; in 1997 another little boy disappears from his grandmother's backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon" "explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of "ordinary" people.

    Federal Reserve Board, finds himself in jail - suddenly, inexplicably, imprisoned by the Swiss police. He is accused of committing massive frauds in the financial markets, allegedly netting him over $450 millon. The case against him seems ironclad - almost too perfect. It is nearly certain that he will be convicted and will spend thirty years doing hard labor in a Swiss prison. He has been framed - set up. Charlie's wife, Sally, in her efforts to find diplomatic support and effective legal defense for him, is frustrated at every turn. No one in Switzerland or the United States seems able - or even willing - to help. But neither Charlie nor Sally will give up; they will not agree to a proposal of a lesser prison term in exchange for his pleading guilty. Then, one evening, a mysterious stranger offers Sally a deal. Gradually, and in colorful detail, we learn why and how Charlie was framed and what he and Sally must do to uncover and expose the financial conspiracy that has set him up. And what they learn launches them, at virtually a moment's notice, on an exciting but dangerous journey, one they hope will lead to Charlie's freedom and clear his name.

    To his considerable astonishment, when he recovers, he is not a young boy, but a cat! Fortunately, he meets Jennie, a cat who had been abandoned by her family when they moved away, who educates him in the wiles of the feline world. Will he stay a cat with Jennie, or return to being a human boy?

    For seventeen years, Willa has lived in elegant prosperity with Joe and Candace Golding, her adoptive parents, in the Massachusetts Berkshires, where she attends the elite, private Pioneer School. But the Goldings have fled a mysterious past, and when a cleaned-up Nate arrives at Pioneer to teach English, the well-varnished façade of an idyllic small town begins to crack.Somebody Else's daughter is a collision between two fathers, biological and adoptive; a woman artist whose independence and unconventionality have led her to the dead ends of life and love; "pillars of the community" who are not what they seem; and a villain whose intentions slowly unfold with the help-witting and unwitting- of all those around him. Brundage, the author of The Doctor's Wife, has given us another electric, suspenseful tale of conflicted characters and the fractured landscape of the American psyche.

    As the two follow clues and journey deeper into the woods amid the eerily quiet and hauntingly beautiful landscape-bypassing tokens and remains of the departed, suicide notes tacked to trees and shrines put up by forlorn loved ones-they'll depend on one another in ways they never had to before, testing the very fabric of their relationship. And, as daylight quickly escapes them and they find themselves lost in the dark veil of night, Bill discovers a truth Junko has hidden deep within her-a truth that will change them both forever.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.