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    As their paths collide, Kyra can’t help falling in love, not only with her little adventure but also with the man who’s probably all wrong for her.Irfan is stuck in LIFE. Kyra is stuck in a RUT.Only LOVE can get them un-stuck! They just don’t know it yet.Love Un-Stuck is a sweet romance novel about finding the love and the life of one’s dreams...Irfan and Kyra's story will leave you smiling and rooting for this mismatched pair.

    Most of us know the man only through the characters that he has played: Roohdaar in Haider, Maqbool in the eponymous film, Rana in Piku, Saajan in The Lunchbox, and of course, Ashoke in The Namesake. Today, these characters have made him a recognized name around the world.Irrfan Khan is an intimate and meticulously researched account of this refreshingly unique and unconventional Indian icon. Drawn from personal interviews and told through many voices, Aseem Chhabra traces Irrfan’s personal and artistic life in all its many shades. Rich in detail and peppered with anecdotes, it is a fascinating look at the life and work of the actor that begins in a small household in Rajasthan and culminates in his face gazing down from billboards in Hollywood. It explores some of his greatest performances that have shown India and the world what cinema can do. At the heart of this story, however, is a man, possibly the finest actor of his generation, his passion for the craft of acting and his love for unusual characters.

    He turned forty, and his wife of fourteen years left him for another man, taking their only child with her. Now he is on a train to Dehradun, the town of his childhood, doing the one thing he feels he is still good at: running away. As he looks back on his imperfect past, crowded with personal and professional compromises, only a slim hope saves him from despair: perhaps this flight will give him a second chance to reclaim a long-lost love that could have been his, had he the courage of his convictions. And then he can start afresh. With uncommon sensitivity and a rare understanding of human emotions, Navtej Sarna has produced a poignant account of a life of missed opportunities and approximate loves.

    Written with Sanjeev's trademark flair, the stories crackle with irreverence and wit. In 'The Troll', a presumptuous blogger faces his undoing when he sets out to expose an Internet phenomenon. In the title story, a young man loses his job in the financial crisis and tries to reset his life over two beers. In 'The Intellectuals', a foreign researcher spends some memorable hours with Kolkata's ageing intellectuals. From the vicious politics of a Mumbai housing society to the snobberies of Delhi's cocktail circuit, the stories in Life over Two Beers get under the skin of a rapidly changing India-and leave you chuckling.

     Armaan Malhotra is a celebrity artist with an aversion to commitment in relationships. Unlike his famous works of art that are filled with colours, he is careful to keep his personal life a blank canvas. Zara is a spirited, independent young woman who has carved out a niche for herself professionally. Branded as ‘illegitimate’ since her childhood, she hopes to find happiness in a practical marriage some day. Her mother's indiscretion has haunted her all her life, teaching her pragmatism and independence the hard way. Having known each other as children, Zara finds Armaan arrogant and insensitive in spite of a secret crush she had on him as a teenager. Armaan finds Zara stubborn and defiant even though he feels irresistibly drawn to her. Both detest the sight of each other. Under pressure from Armaan's mother, Zara and Armaan agree on a short-term arranged marriage. Soon, the undercurrent of tension and fierce attraction blows up into a full-fledged battle on their honeymoon. Thrown together in an unexpected situation, they are compelled to alter their prejudiced notions about each other as their marriage begins to take on a different hue from what they had wanted. Could the true colours of love transform their antagonism into deep abiding faith?

    Originally from India, her family still holds on to many old-world customs and traditions that seem stifling to a young North American woman. She knows that the freedom experienced by others is beyond her reach. But unlike her older sisters, Meena refuses to accept a life dictated by tradition. Against her mother’s wishes, she falls for a young man named Liam who asks her to run away with him. Meena must then make a painful choice—one that will lead to stunning and irrevocable consequences.Heartbreaking and beautiful, Everything Was Good-bye is an unforgettable story about family, love, and loss, and the struggle to live in two different cultural worlds.

    In one such space works Mohan, a contemplative man who has spent his life observing people from his seat as a letter-writer outside the main post office. But Mohan's lack of engagement with the world has caused a thawing of his marriage. At this delicate moment Mohan – and his wife, Lakshmi – are joined at their home in Saraswati Park by their nephew, Ashish, a sexually uncertain 19-year-old who has to repeat his final year in college.As the novel unfolds, the lives of each of the three characters are thrown into relief by the comical frustrations of family life: annoying relatives, unspoken yearnings and unheard grievances. When Lakshmi loses her only brother, she leaves Bombay for a relative's home to mourn not only the death of a sibling but also the vital force of her marriage. Ashish, meanwhile, embarks on an affair with a much richer boy in his college and, not long afterwards, succumbs to the overtures of his English tutor.As Mohan scribbles away in the margins of the sort of books he secretly hopes to write one day, he worries about whether his wife will return, what will become of Ashish, and if he himself will ever find his own voice to write from the margins about the centre of which he will never be a part.

    When she met Ernest Simpson it was as if he was sent to save her from her past. But marriage to him led her to an extraordinary future.

    Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she sets about building a dream house in the hope that he will one day return to her. From her fairytale castle, The Mai waits by the window for her dark-haired prince to return. Set in the inspiring surrounds of the West of Ireland, on the banks of the legendary Owl Lake, we enter this world on the day of Robert's return after an absence of four years. In the midst of Mai's and Robert's troubled reunion are the idiosyncratic characters that comprise the family. Irreverent and unapologetic, the opium-smoking one-hundred-year-old matriarch, Grandma Fraochlan, presides over all. The "Spanish Beauty," as she is known, with her "ancient and fantastical memory" and mythical presence, reminds us that the past is looming ever present. Her daughters, Agnes and Julie, meddle in the affairs of their three nieces, with comical tenacity. Deeply theatrical and profoundly intense, THE MAI is an epic tale of love and loss, of elusive dreams shattered by vulgar but inescapable reality.

    Her coffin is pulled to the church on a sledge by Peter, a young man engulfed by his first feelings of love for an older, unattainable woman. Elsewhere, an old woman searches desperately for a wedding dress in her dream of love. When the electricity fails, a lonely headmaster is forced to close his school and in shadowy candlelight he is tempted into indiscretion. Meanwhile, in the very heart of the city, the purity of snow is tainted by the murder of a young woman, and as one man begins to unravel the dark secrets of the city, he knows he is in race against time-to find the murderer before the snow melts. PDavid Park peers into the souls of his characters with an insight and compassion that makes this flawed slice of humanity somehow glorious. He is a writer of rare dignity and talent.

    And at the same time, it is but natural that you are not aware of the experiences I have gone through on a personal level. I also agree that it is not possible to put all my experiences in words. But still I would like to share some of the personal experiences which have the potential of some social cause or the other. I find it my duty to present these experiences before you. Actually, every human being who lives his or her life with open eyes and mind possesses such experiences, but not everybody takes the initiative to make them public. To be frank, you do not have to be born as an author to be able to share your experiences. Some of the experiences themselves have the immense strength of touching the minds, capturing the society; they do not need any so called author to put them into words. You do not have to take any trouble to be a writer, such experience itself starts flowing down in the form of writing. At the end, I would just suggest one thing; do not get tangled in the feelings, just keep in your mind that you want to be happy, the words will automatically follow. Va Pu.

    He has enshrined in them every kind of experience from the pangs of hunger and sex to the rapture of mystic vision. Its range includes stark realistic pictures of the material world as well as the realm of fantasy haunted by ghosts and spirits. Basheer has written on love and hate, on politicians and pickpockets, on the fancies of childhood and on the disillusionments of adult life with an intense sense of the tragedy of life and at the same time an irrepressible sense of humour.

    

    Only the ideals have changed, the conflict has remained forever. The conflict in the ideals presented in Ulka represent the 1st half of the 20th Century