He opens with the beautiful “Elegy for Miss Brooks,” invoking Gwendolyn Brooks, who died in 2000, and who makes a perfect muse for the volume: “What the devil / are we without you?” he asks. “I tuck your voice, laced / tight, in these brown shoes.” In that spirit of intimate community, Young gives us a saucy ballad of Jim Crow, a poem about Lionel Hampton's last concert in Paris, an “African Elegy,” which addresses the tragic loss of a close friend in conjunction with the first anniversary of 9/11, and a series entitled “Americana,” in which we encounter a clutch of mythical southern towns, such as East Jesus (“The South knows ruin & likes it / thataway—the barns becoming / earth again, leaning in—”) and West Hell (“Sin, thy name is this / wait—this place— / a long ways from Here / to There”). For the Confederate Dead finds Young, more than ever before, in a poetic space that is at once public and personal. In the marvelous “Guernica,” Young’s account of a journey through Spain blends with the news of an American lynching, prompting him to ask, “Precious South, / must I save you, / or myself?” In this surprising book, the poet manages to do a bit of both, embracing the contradictions of our “Confederate” legacy and the troubled nation where that legacy still lingers.

    If anyone asked about her family, she would tell them her parents were wealthy and that she came from a refined background. She never mentioned the time they lived in a mobile home two miles north of the Tijuana border. "Trailer Trashed" is a collection of interconnected essays, ranging from hilarious to heart-breaking, all on one broad theme—Hollis Gillespie's relationships with her equally offbeat sisters, her precocious daughter, her bizarre friends, and the people they love. Think David Sedaris meets "Thelma & Louise." "If David Sedaris had a vagina and wasn't such a pussy, he'd write like Hollis Gillespie." --Bust magazine

    Over the following years, it became his life's work as he continuously revised and expanded it. Freed from the restraints of tradition, Whitman's exuberance shines through every poem. His uplifting verses and powerful language provide a stunning experience unmatched by his contemporaries, and exercised and incredible influence on his fellow countrymen. The poems selected here take you on a whirlwind tour of emotions as he whisks you from celebrations of sexuality to his inspirational accounts of society.

    This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

    Experts say they are scanner echoes tossed out of the past by the Phenomenon. The rumors and a cryptic entry in an ancestor's diary propel Lieutenant-Commander Mart Britlot of the Confederation navy into the dangerous Sivon sector of space. There, Britlot hopes to find help for the Confederation, now facing a two-front war. As the last living Confederation descendant of the Adian nation, Britlot is obsessed with finding the ghost ships, believed destroyed during a mass emigration 300 years in the past. He dreams of riding to the rescue at the head of the never defeated Adian fleet; he dreams of finding family after the death of all his near relatives at the hands of the Combine. He'll drive his ship and crew beyond endurance to achieve this. The felid Tlartox Empire, eager to avenge their humiliating defeat at the hands of the Confederation, has voted to annul the long-standing peace treaty. The glory of The Hunt beckons. Admiral Tood Tlomega has focused on the human planet Lormar, with its great naval base, as a fitting target for retribution. She will return dignity to the people of Tlar. She will return them to the path that Tlar illuminated so many centuries ago.But a small band of Tlartox subversives intend to rake a claw across the plans of the war-mongers, and give both the Empire and the Confederation something they hadn't counted on.

    This shy, snuffling, enigmatic animal has captured the imagination of children and adults for centuries – from Beatrix Potter’s Mrs Tiggywinkle to Sonic the Hedgehog.Full to the brim with fascinating insights and countryside lore, The Hedgehog Handbook explores different facets of this much-admired mammal – from its wildlife habits to its literary heritage, how different cultures have viewed the hedgehog and what we can do to help preserve this icon of rural life. Fun, sweet and warm hearted, The Hedgehog Handbook is a month by month celebration of one of the countryside’s best-loved creatures. Packed with inspirational quotes, entertaining facts, folklore and literary references, it’s the perfect gift for anyone with a penchant for prickles.

    Colin Elford spends his days alone - alone but for the deer, the squirrels, the rabbits, the birds, and the many other creatures inhabiting the woods. From the crisp cold of January, through the promise of spring and the heat of summer, and then into damp autumn and the chill winds of winter, we accompany the forest-ranger as he goes about his work - stalking in the early morning darkness, putting an injured fallow buck out of its misery, watching stoats kill a hare, observing owls, and simply being a part of the outdoors. Colin Elford immerses himself in the richly diverse and unique landscapes of Britain, existing in rhythm with natural environments. For fans of Robert Macfarlane's Landmarks, Helen Macdonald's H is for Hawk orJames Rebanks' A Shepherd's Life, Colin's rare and uplifiting journey will unveil the true nature and beauty of Britain's countryside. 'This is nature for real . . . Elford describes woodland wonders in short paragraphs of luminous intensity' Daily Mail 'A poetic insight in the world of hidden Nature' Countryman 'Stalking sharpens the senses and there is an almost hallucinatory clarity to Elford's writing' Observer 'Refreshingly unsentimental. Contains some wonderful descriptions and sentences which are so profound they demand a second reading' Sunday Express Colin Elford is a forest ranger on the Dorset/Wiltshire border. Craig Taylor is the author of Return to Akenfield and One Million Tiny Plays About Britain and the editor of the magazine Five Dials.

    It could be argued that he dared, in fact, to be the first modern poet. . . .Above all, Blake teaches us that the imagination is a portion of the divine principle, that "Energy is Eternal Delight," and that "everything that lives is Holy." Human liberty and imagination have never been better served.

    H. Auden first published in 1952, and the title work of a collection of poems by Auden, published in 1955. It is Auden's response to the detailed description, or ekphrasis, of the shield borne by the hero Achilles in Homer's epic poem the Iliad.The poem is the title work of The Shield of Achilles, a collection of poems in three parts, published in 1955, containing Auden's poems written from around 1951 through 1954. It begins with the sequence "Bucolics", then miscellaneous poems under the heading "In Sunshine and In Shade", then the sequence Horae Canonicae.It won the U.S. National Book Award for Poetry in 1956.

    Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."

    But those who seek instead a true widening of the horizons of meaning, coupled with a sure-handed mastery of the craft of poetry, will find this latest collection satisfying indeed.Here is a man who matches superb gifts with a truly subtle imagination, into whose depths he is courageously traveling--pioneering--in exploratory penetrations into areas of life that are too often evaded or denied. "The Firebombing," "Slave Quarters," "The Fiend"--these poems, with the others that comprise the present volume, show a mature and original poet at his finest.

    As with several of his early works, the entire edition (of 1,500 copies) was distributed for free. The title poem envisions a world where cybernetics has advanced to a stage where it allows a return to the balance of nature and an elimination of the need for human labor.

    In our ­fields, hedgerows and woodlands, our beaches, cities and parks, an almost imperceptible shift soon becomes a riot of sound and colour: winter ends, and life surges forth once more. Whether in town or country, we all share in this natural rhythm, in the joy and anticipation of the changing year.In prose and poetry both old and new, Spring mirrors the unfolding of the season, inviting us to see what’s around us with new eyes. Featuring original writing by Rob Cowen, Miriam Darlington and Stephen Moss, classic extracts from the work of George Orwell, Clare Leighton and H. E. Bates, and fresh new voices from across the UK, this is an original and inspiring collection of nature writing that brings the British springtime to life in all its vivid glory.“A book to live with and to love… features a wonderfully various array of poetry and prose, from Chaucer to the present day, that allows us to see the arrival and the passing of our most fecund season (and those who have written about it) in fresh and stimulating ways.” –- Matthew Adams, Independent‘[A] tremendous, soul-lifting collection … a profound evocation of what rejuvenation means to the winter-stunned psyche’—Lucy Jones, BBC Wildlife Magazine“The cover of this book is absolutely striking… I couldn't wait to look inside. It is so full of life… Full of perfectly mixed passages of the wonders of nature, this is a book I will turn to each year as the vivacious season of spring approaches.” –- The Book Magnet “A very lovely object … I was captivated by the writing. These were the words of people who wanted to share their experiences of the world around them; some of them wrote to inform, some of them wrote to celebrate, and of course the very best of them did both … There is nothing in it that doesn’t deserve its place, and I can think of nothing that should be there but isn’t. It would make a lovely Easter gift. It’s a book that I know I will enjoy revisiting.” –- Beyondedenrock.com“Everything about this book, from Lynn Hatzius’ gorgeous cover, to the rich cream of the pages, to the meticulously selected content is an invitation … to taste the Spring in the air, to hear the grasses grow, to lose yourself in a vast sky or to watch the farmers at work. The book, like a sparkling Spring stream swollen with meltwater, is just begging for you to dip in.” – Richard Littledale, blogger“An anthology edited by Melissa Harrison was never going to stick to [the] beaten track … important is her imaginative commissioning of new works and choice of previously published pieces. There are several refreshing novelties in this book … Serves to remind us that the future of nature writing – if we must use the label – is under no threat.” – Laurence Rose, thelongspring.comPraise for Summer"A remarkable anthology of abundance capturing both the physical wonders and the psychological enchantments of this glorious season, this book conjures summer in the senses as potently as a field of freshly cut hay. Featuring some of the greatest writers on landscape as well as fantastic new voices, it is a collection that will trigger the memory, evoke new places and people, and help you see afresh the preciousness and precariousness of our natural world." -- Rob Cowen, author of Common Ground“A delightful miscellany of reflections on that loveliest of seasons, summer – packed with insights and encounters with nature from a wide range of authors from Gilbert White and George Eliot to a bevy of young contemporary naturalists” — Stephen Moss, author of Wild Hares and Hummingbirds and Wild Kingdom: Bringing Back Britain’s Wildlife"This book will convince you that summertime is where we truly belong - not through overindulgence in nostalgia, but through realisation of our core values and roots. It will take you home" -- Matthew Oates, author of In Pursuit of Butterflies: A Fifty-year Affair “Lavishly capturing the nature of the season in all its slow, sensual splendour, Summer is a potent reminder of the riches that surround us, and a poignant evocation of all that we cannot bear to lose” – Sharon Blackie, author of If Women Rose Rooted and editor of Earthlines“[A] delicious antidote … a summer collection to wake up a tired imagination, like sunshine warming a plant to coax it into opening.” – Richard Littledale, blogger“I’ve been dipping in and out of this beautiful anthology for some time but didn’t want to post a review until I had read every entry. There are poems, extracts and essays spanning several centuries, so that there is something for every reader in this celebration of the season ... There’s a beauty to this book – from the glorious cover to the simple illustrations like that of the swallow that adorn the inside pages. The writings are all evocative, enlightening, entertaining or thought provoking ... I shall treasure it and return to it again and again ... A perfect gift for any lover of words or nature.” -- Linda’s Book Bag blog“Taken together, these pieces truly give the feeling of an English summer. The older writing is remarkably undated, which contributes to a sense of continuity across the centuries ... These are really rather lovely books. Summer is a perfect bedside companion to dip into as the days warm up. Impossible not to covet the whole four-season set.” – BookishBeck blog“There are so many lovely things that I could pull out from this book … I know that I will enjoy revisiting this beautifully produced anthology” -- Beyondedenrock.com

    The next day a home in Georgia is burned. Both events are etched into the memory of Cole Bishop, eerily playing out the predictions of a former classmate named Marie Fitzpatrick. Cole and Marie are high school seniors when they first meet in fall 1954. He is a native-born Southerner accepting the traditions of segregation as a way of life. Marie is a recent transplant from Washington, DC, a brilliant and assertive nonconformist with bold predictions about a new world that is about to be ushered in by desegregation. The story revolves around the fiftieth reunion of the Overton High School class of 1955. The Book of Marie is the story of a generation?whites and blacks?who ignited the war of change. Yet, it is also as much about the power of place?the finding of home?as it is about the history of events.

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.