E. Housman's A Shropshire Lad, first published in 1896. Scholars and critics have seen in these timeless poems an elegance of taste and perfection of form and feeling comparable to the greatest of the classic. Yet their simple language, strong musical cadences and direct emotional appeal have won these works a wide audience among general readers as well.This finely produced volume, reprinted from an authoritative edition of A Shropshire Lad, contains all 63 original poems along with a new Index of First Lines and a brief new section of Notes to the Text. Here are poems that deal poignantly with the changing climate of friendship, the fading of youth, the vanity of dreams — poems that are among the most read, shared, and quoted in our language.

    The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso. In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged. With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man.

    With brilliant wit and trenchant judgments they offer a scintillating survey of seemingly everything that went on of any consequence (or inconsequence) in those years in politics, business, science, religion, art, literature, fashion, education, popular amusements, domestic life, sexual relations -- much else.Across this crowded canvas of British life stride the Duke of Windsor and Mrs. Wallis Simpson, Neville Chamberlain, Charlie Chaplin, Virginia Woolf, Lord Beaverbrook, Evelyn Waugh, Winston Churchill, Marie Stopes, Aldous Huxley, Lloyd George, and dozens of other figures great and small who put their stamp on the era. From a postwar period of prosperity and frivolity defined by the high jinks of the Bright Young Things through the ever-darkening decade of the thirties punctuated by spiraling economic and political crises and shadowed by the inevitable conflagration to come The Long Week-End deftly and movingly preserves the details and captures the spirit of the time. It is social history the way it is meant to be written -- a classic of its kind.

    Julia Gelardi's Born to Rule is the powerful epic story of five royal granddaughters of Queen Victoria, who reigned over the end of their empires, the destruction of their families, and the tumult of the twentieth centuryHere are the stories of Alexandra, whose faith in Rasputin and tragic end have become the stuff of legend; Marie, the flamboyant and eccentric queen who battled her way through a life of intrigues and was also the mother of two Balkan queens and of the scandalous Carol II of Romania; Victoria Eugenie, Spain's very English queen who, like Alexandra, introduced hemophilia into her husband's family---with devastating consequences for her marriage; Maud, King Edward VII's daughter, who was independent Norway's reluctant queen; and Sophie, Kaiser Wilhelm II's much maligned sister, daughter of an emperor and herself the mother of no less than three kings and a queen, who ended her days in bitter exile.Using never before published letters, memoirs, diplomatic documents, secondary sources, and interviews with descendents of the subjects, Julia Gelardi's Born to Rule is an astonishing and memorable work of popular history.

    Favell Lee Mortimer had something nasty to say about them. Their faults, according to Mrs. Mortimer, might have amounted to just about anything. The Irish "are very kind and good-natured when pleased, but if affronted, are filled with rage." In Italy, "the people are ignorant and wicked." In Sweden, "Nothing useful is well done...The carpenters and the blacksmiths are very clumsy in their work."Remarkably, all of these assertions come from a woman who only twice set foot outside of her native England. But lack of personal experience never kept Mrs. Mortimer from dispensing her horrifying wisdom about the evils of just about every nation on earth. Whether describing Europe ("It is dreadful to think what a number of murders are committed in Italy"), Asia ("The religion of Taou teaches men to act like madmen"), Africa ("The worst quality in any character is hypocrisy, and this is to be found in the Egyptian"), or America ("New Orleans is a dangerous place to live in, both for the body and the soul"), Mrs. Mortimer's views are consistently appalling. One hundred fifty years later, three of her forgotten classics have been compiled into one volume, The Clumsiest People in Europe, reviving the comically misinformed and startling prejudices of this unique Victorian eccentric.

    In the style of Studs Terkel (Working, Hard Times, The Good War) and Dave Isay (Listening Is an Act of Love), Londoners offers up  the stories, the gripes, the memories, and the dreams of those in the great and vibrant British metropolis who “love it, hate it, live it, left it, and long for it,” from a West End rickshaw driver to a Soldier of the Guard at Buckingham Palace to a recovering heroin addict seeing Big Ben for the very first time. Published just in time for the 2012 London Olympic Games, Londoners is a glorious literary celebration of one of the world’s truly great cities.

    Yet the great majority of fatalities from arsenic in the nineteenth century came not from intentional poisoning, but from accident.Kept in many homes for the purpose of poisoning rats, the white powder was easily mistaken for sugar or flour and often incorporated into the family dinner. It was also widely present in green dyes, used to tint everything from candles and candies to curtains, wallpaper, and clothing (it was arsenic in old lace that was the danger). Whether at home amidst arsenical curtains and wallpapers, at work manufacturing these products, or at play swirling about the papered, curtained ballroom in arsenical gowns and gloves, no one was beyond the poison's reach.Drawing on the medical, legal, and popular literature of the time, The Arsenic Century paints a vivid picture of its wide-ranging and insidious presence in Victorian daily life, weaving together the history of its emergence as a nearly inescapable household hazard with the sordid story of its frequent employment as a tool of murder and suicide. And ultimately, as the final chapter suggests, arsenic in Victorian Britain was very much the pilot episode for a series of environmental poisoning dramas that grew ever more common during the twentieth century and still has no end in sight.

    The great heritage of western civilization - from the Greek and Roman classics to Jewish and Christian works - would have been utterly lost were it not for the holy men and women of unconquered Ireland. In this delightful and illuminating look into a crucial but little-known "hinge" of history, Thomas Cahill takes us to the "island of saints and scholars, " the Ireland of St. Patrick and the Book of Kells. Here, far from the barbarian despoliation of the continent, monks and scribes laboriously, lovingly, even playfully preserved the west's written treasures. With the return of stability in Europe, these Irish scholars were instrumental in spreading learning. Thus the Irish not only were conservators of civilization, but became shapers of the medieval mind, putting their unique stamp on western culture.

    Some sacrificed everything for love, while others met a cruel fate at the edge of an axman's blade. From the truth behind the supposed madness of King George to Queen Victoria's surprisingly daring taste in sculpture, Behind the Palace Doors ventures beyond the rumors to tell the unvarnished history of Britain's monarchs, highlighting the unique mix of tragedy, comedy, romance, heroism, and incompetence that has made the British throne a seat of such unparalleled fascination.Featuring: - stories covering every monarch, from randy Henry VIII to reserved Elizabeth II - historical myths debunked and surprising "Did you know . . . ?" anecdotes - four family trees spanning every royal house, from the Tudors to the Windsors

    More than 200 photos depict aristocrats and the middle class as well as Oscar Wilde, Lillie Langtry, Winston Churchill, Queen Victoria, and others. Commentary and annotations describe and identify the costumes.

    In this important study, Richard D. Altick moves us toward an understanding of the social, intellectual, and theological crises that Carlyle and Dickens, Tennyson and Arnold were daily struggling to solve. And the issues were many: the revolution in class structure and class attitudes; the rise of utilitarianism and the evangelical spirit; the crisis in religion, including the Oxford movement and Darwinism; the democratization of culture; the place of art and the artist in an industrial, bourgeois society; the effects of industrialism, especially on the way people live. Altick brings to the discussion of these complicated questions the lively and sensitive intelligence that his many readers have come to expect. He includes contemporary illustrations and a full reference index.

    John Snow. It's the summer of 1854, and London is just emerging as one of the first modern cities in the world. But lacking the infrastructure—garbage removal, clean water, sewers—necessary to support its rapidly expanding population, the city has become the perfect breeding ground for a terrifying disease no one knows how to cure. As the cholera outbreak takes hold, a physician and a local curate are spurred to action—and ultimately solve the most pressing medical riddle of their time. In a triumph of multidisciplinary thinking, Johnson illuminates the intertwined histories and inter-connectedness of the spread of disease, contagion theory, the rise of cities, and the nature of scientific inquiry, offering both a riveting history and a powerful explanation of how it has shaped the world we live in.

    In this concise biography, Lady Longford, long recognised as an authority on the subject, gives a full account of Queen Victoria?s life and provides her unique assessment of the monarch. Victoria ascended the throne in 1837 on the death of her uncle William IV. In 1840 she married her first cousin, Prince Albert of Saxe-Coburg-Gotha, and for the next twenty years they were inseparable. Their descendants were to succeed to most of the thrones of Europe. When Albert died in 1861 Victoria?s overwhelming grief caused her to almost withdraw from public life for several years. This perceived dereliction of public duty, coupled with rumours about her relationship with her Scottish ghillie, John Brown, led to increasing criticism. Coaxed back into the public eye by Disraeli, she resumed her political and constitutional interest with vigour until her death in 1901. This classic and concise biography of Britain?s longest-reigning monarch was written by Lady Elizabeth Longford who was a renowned biographer (she died in 2002). Her other titles include Wellington, Byron and the Queen Mother. Elizabeth Longford's first work on Queen Victoria, Victoria RI, won the James Tait Black memorial prize.

    of photos.

    He provides an extraordinary mediation upon the nature of place, time and our daily lives.