Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later.As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years–each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic–and informed by revealing excerpts from the pair’s journals and letters–We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.

    Pater was shocked at the reaction his book inspired: 'I wish they would not call me a hedonist, it gives such a wrong impression to those who do not know Greek.'.The book had begun as a series of idiosyncratic, impressionistic critical essays on those artists that embodied for him the spirit of the Renaissance; by collecting them and adding his infamous Conclusion, Pater gained a reputation as a daring modern philosopher. But The Renaissance survives as one of the most innovative pieces of cultural criticism to emerge from the nineteenth century.

    His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

    As an 'inspector' for Henry Marchmont's hugely successful weekly The Labouring Classes of London, his job is to investigate the notorious slum of Somers Town, near the new St Pancras Station, recording house by house the number of inhabitants, their occupations and standard of living. By mapping the streets in this way, Marchmont intends to show the world the stark realities of poverty in its greatest city. Befriended by Jo, a young coster, and his sister Roma, David comes to learn the slang of the hawkers and traders, sharpers and scavengers, magsmen and mobsmen, who throng the teeming byways of Somers Town. It is a place of Darwinian struggle for survival. And the deeper he penetrates the everyday squalor and destitution the more appalled he is by mounting evidence that someone is making a profit from people's suffering. A dinner at the Kensington home of his godfather Sir Martin Elder introduces him to Kitty, Elder's only daughter, and to a cabal of prominent citizens who have been plotting a radical solution to the problem of London's poor. David belatedly realises that a conspiracy is afoot. Passionate but reckless in his urge to uncover it he finds his life in danger, sustained only by the faithfulness of a friend and, ultimately, the love of a woman. In The Streets Anthony Quinn reconstructs an unforgettable picture of Victorian London, encompassing the extremes of privilege and privation, from the baronial mansions of the rich to the 'whited tombs' of the slums. With shocking poignancy and pin-sharp detail he brings to life a world of terrible degradation, yet one redeemed by dark comedy, profound fellow-feeling and the enduring possibility of love.

    This book contains first hand accounts of life in the workhouse, enabling you to see the workhouse through the eyes of people who experienced it.CONTENTSFOODI am fond of gruelSaltless gruel and dry breadSweetened gruel and diarrhoeaSour gruelSICKNESSRaw, festering soresThe tramp with diarrhoeaAsking for the doctorBATHING, UNDRESSING AND DRESSINGDirty looking bathsOur clothes were taken from us“Hurry up, women”Wet clothesThe condition of the clothesCONDITIONS AND PEOPLEDo I look like a prostitute?We were “only tramps”Coming into contact with other men’s fleshThirst“Your neighbour breathed right into your face”Being woken up throughout the nightPunished for being cheekyBEDS AND BEDDINGThe wire mattressThe wire pillow – a cruel inventionDirty blankets and hard bedsLABOURPicking oakumStone-breaking in Paddington work houseA NIGHT IN A WORKHOUSEYou’ve missed your gruelA stain of blood bigger than a man's handFilthy anecdotesThe swearing clubChecking for liceThree fourths of a pint of gruel in a yellow basinMilling with the crank-handleTHE CRAWLERS: THE WOMAN UNABLE TO GET ADMISSION TO THE WORKHOUSEA CHILD'S MEMORIES OF BEING PUT IN THE WORKHOUSE

    It looks at the differing political sympathies of the couple, revealed through letters, and re-examines the prevailing view that the domineering Vicky never bothered to conceal her distaste for everything Prussian and flaunting her sense of British superiority. In many ways ahead of her time, she was something of a pioneer feminist, refusing to accept the oft-accepted maxim that women were second-class citizens. Insufficient consideration has been given to her health and the possibility that her judgement and reason may sometimes have been affected, albeit mildly, by the family's inheritance of porphyria that led to the 'madness' of her great-grandfather George III.

    Trollope's 1875 tale of a great financier's fraudulent machinations in the railway business, and his daughter's ill-use at the hands of a grasping lover is a classic in the literature of money and a ripping good read as well.

    In this updated edition of the classic work, Mark Pendergrast reviews the dramatic changes in coffee culture over the past decade, from the disastrous “Coffee Crisis” that caused global prices to plummet to the rise of the Fair Trade movement and the “third-wave” of quality-obsessed coffee connoisseurs. As the scope of coffee culture continues to expand, Uncommon Grounds remains more than ever a brilliantly entertaining guide to the currents of one of the world’s favorite beverages.

    If you want to be introduced painlessly to the fascinating debates surrounding our British past, then Britain BC is the book for you - Barry Cunliffe, New ScientistFrancis Pryor is a modern field archaeologist with a reputation second to none. He has written a book as successful and exciting as its ambition is huge...lucid and engaging - Alan Garner, The TimesSplendid...a remarkable, imaginative and persuasive account of those other Britons before that [Roman] enslavement: its enthusiastic and confident approach deserves to be very influential - Christopher Chippendale, Times Literary Supplement

    Jane Austen’s England explores the customs and culture of the real England of her everyday existence depicted in her classic novels as well as those by Byron, Keats, and Shelley. Drawing upon a rich array of contemporary sources, including many previously unpublished manuscripts, diaries, and personal letters, Roy and Lesley Adkins vividly portray the daily lives of ordinary people, discussing topics as diverse as birth, marriage,  religion, sexual practices, hygiene, highwaymen, and superstitions.From chores like fetching water to healing with  medicinal leeches, from selling wives in the marketplace to buying smuggled gin, from the hardships faced by young boys and girls in the mines to the familiar sight of corpses swinging on gibbets, Jane Austen’s England offers an authoritative and gripping account that is sometimes humorous, often shocking, but always entertaining.

    Here are sharply observed accounts of dinner with Vita Sackville-West at Sissinghurst; Winston Churchill's bedroom at Chartwell; T. E. Lawrence's dilapidated Dorset cottage; and war damage to a great house in Derby. All are infused with his love of beauty and his sympathy for those giving up their ancestral homes forever.Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

    Defined by its relationship to England, Scotland's popular history is full of near-mythical figures and tragic events, her past littered with defeat, failure and thwarted ambition. The martyrdom of William Wallace, the tragedy of Mary Queen of Scots and the forlorn cause of Bonnie Prince Charlie all give the impression of 'poor' Scotland; a victim of misfortune, leading to the country's inevitable submission to the Auld Enemy. After the Union in 1707, Scotland's increasing reliance on England culminated in a crisis of confidence and identity that tortures the country to this day. But how accurate is this version of events? Using the very latest in historical research and by placing Scotland's story in the wider context of British, European and global history, some of the myths that pervade the past will be exploded to reveal a Scotland which forged its own destiny, often with success.

    But her homes are havens where peace can be found, away from watchful eyes; sanctuaries of private calm in a whirlwind life of public duty. In The Queen’s Houses, Alan Titchmarsh takes us on a tour of the royal residences, examining the personal family stories behind these magnificent buildings. Through personal reflections, interviews with royal staff and meticulous historical research, Alan looks beyond the formal grandeur of Buckingham Palace, the imposing structure of Windsor Castle and the private escape offered by Balmoral and others. Illustrated with intimate family photographs and evocative memorabilia, The Queen’s Houses offers a glimpse of life behind the state banquets and sovereign duties – a respectful study of the royal family at home.

    The policeman gaped in horror as the woman held out her hand before collapsing into the mud, muttering “let me die” and slipping into a coma. Five days later, she died, her identity still unknown.Within hours of her discovery on Kidbrooke Lane scores of the officers of Greenwich Division were involved in the investigation, and Scotland Yard had sent one of its top detectives, John Mulvany, to lead it. After five days of gathering evidence, the police discovered the girl’s identity: Jane Maria Clouson, a maid in the house of the renowned Pook family . . . and she was two months’ pregnant with Edmund Pook’s child when she died.Murphy carefully reviews the evidence in the light of 21st century forensic science in order to identify Jane’s killer as Edmund Walter Pook. Using a surprisingly abundant collection of primary sources, Murphy aims to recreate the drama of the case as it unfolded, with its many twists and turns, from the discovery of the body to the final crack of the gavel—and beyond.

     Brimming with tales of London's forgotten past, its strangest traditions and its most eccentric inhabitants, this book celebrates the unique, the unusual and the unknown. Perfect for tourists, day-trippers, commuters and the millions of people who call London home, this alternative guidebook will make you look at the city in a whole new light.