In 2000, after the Olympic Games closed with much fanfare in Sydney, legendary wrestler Mahavir Singh Phogat watched, dejected and heartbroken, as the prize reserved by his state government for winners of Olympic medals in wrestling was left unclaimed. Determined to never see this instance repeated, Phogat decided to do the unthinkable. Much to his neighbours’ curiosity he spent two days digging a pit in his courtyard and asked his young daughters and nieces to join him there at the break of dawn one day. Little did they know that this unusual command from him would change their lives forever.Yet, each of their wins in the ring, every ambition he had for them, came at great personal cost. In the small village of Balali in Haryana, a state infamous for its practice of female foeticide and low literacy rates, Phogat had to battle not just deep social stigma and an apathetic government, but also a disapproving family and personal tragedy, to train the girls in his sport. Due to his efforts, the girls have all gone on to win medals and acclaim at the national and international levels, including at the Olympics and the Commonwealth Games.Akhada tells the remarkable story of a man of tremendous fortitude, of a father who fought against all odds to give his daughters a future they could not have dreamed for themselves.

    He is also opposed to city living, to meddlesome neighbours, to wacky grandfathers and to caustic grandmothers. But when he’s blessed with all of the above, what’s man to do?

    We are led through Shashi Kapoor’s film career—his debut as a bright-eyed child-actor in Awara; his emergence, in the hectic 1970s, as India’s busiest performer—with a slew of hits including Deewaar and Trishul; and his rise to international prominence with Merchant–Ivory’s The Householder and a ‘trilogy’ of films on older men with fading pasts. Equally, we are provided with an astute analysis of Shashi Kapoor, the businessman—the proprietor of Film-Valas; the producer of Shyam Benegal films; and the distributor of Bobby.With luminous and thus-far undisclosed stories by the actor’s family (Neetu Singh, Rishi, Sanjna and Kunal Kapoor), co-stars (Shabana Azmi, Simi Garewal, Sharmila Tagore), colleagues (Shyam Benegal, Govind Nihalani, James Ivory, Hanif Kureishi, Aparna Sen), and friends; a compelling foreword by Karan Johar; and stunning photographs from Merchant–Ivory’s archives, Shashi Kapoor, the biography—by one of India’s best-known film journalists—is as captivating as Shashi Kapoor, the star.

    But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Desmond Tutu, Henry Kissinger, Amartya Sen, Doris Lessing and Iris Murdoch, her tutor at St Anne’s College, Oxford, who became a lifelong friend.In all these encounters and anecdotes, what shines through is Devaki Jain’s honesty in telling it like it was—with a message for women across generations, that one can experience the good, the bad and the ugly, and remain standing to tell the story.

    Quiet, firm and dependable he won the heart of every person he met. However, it was his hot-headed brother who was heir to the throne. But no one could stand in the way of what destiny had in store for the young prince. By the strangest twists of fate, Arul ascended the throne as Raja Raja Chola and proved to be one of the greatest rulers in the history of medieval India. During his 30-year-reign the Chola empire not only became a formidable maritime power but was also a hub of art and architecture.

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    The central characters of this play portray the modern, middle-class, Indian family: a daughter who lives inAustralia with her husband and children, a son who is a media professional, a younger daughter who is willing to marry a 'suitable' boy from the US whom she has never met, a doting mother, an ageing father rapidly losing his authority, and a loyal cook. Wedding Album operates at two levels: it explores the traditional Indian wedding in a globalized, technologically-advanced India even as it juxtaposes the very different life experiences and expectations of the family and the loyal cook. By doing this, Karnad reveals how particular notions ofwealth, well-being, sexual propriety, tradition, and modernity form the basis of middle-class society in contemporary India. This play has already been staged at numerous venues and was translated by Karnad himself from Kannada into English. An outstanding addition to OUP's corpus of plays by Girish Karnad, this volume will be of value not only to students and teachers of modern Indian drama, but also to general readers.

    The book explains that the river, its very existence, and its course have been discussed and speculated over for years. The magnificence of the Sarasvati has been detailed in scriptures like the Rig Veda. Historians and archaeologists could not understand how it mysteriously ceased to exist. Some of the even deem the river a myth.This book attempts the deduce facts from fable and makes a strong case for the existence of the river. It goes over the upheavals that the Indian subcontinent went through thousands of years ago, explaining the dry weather, erosion, and tectonic events that changed the terrain, altered river courses, and may have made the Sarasvati disappear. The book then chronicles explorations into the river started, which began around the early nineteenth century, when it was rediscovered by British officials doing topographic explorations.The book also explains the culture around that time, shedding light on the Indus valley civilisation and the rich and flourishing culture of Harappa. The book goes on the show the results of explorations into the river’s origins and course using modern technology like satellite imagery and isotope analysis. The author has also used his proof of the existence of the river to bolster his theory that Aryans were indigenous to India and not foreign invaders.The Lost River was published in 2010 by Penguin India and is available in paperback.Key Features: The book presents evidence for the existence and information about the course and demise of the Sarasvati from various fields of investigation. It contains an extensive appendix with further information and a vast number of footnotes.

    In the book Ayodhya retains its importance, but it does not occupy the centre of discussion. In dealing with its subject, it exercises complete fidelity to truth; unlike secularist and Marxist writers, it does not believe in re-writing and fabricating history.

    At Heaven's Cove, the beautiful backwater island owned by Neel's grandparents, Rashi begins to see Neel in a new light. She also discovers his best-kept secrets.It is the firefly season, and there is nothing that stops her from falling madly in love with Neel.But love is not easy.With Neel's jealous ex-girlfriend hovering around them stirring up troubles, life becomes strenuous.Can they face the curve balls that fate throws at them?Or will their love die a slow death?But in the end, is the choice theirs to make?Read this heartwarming contemporary love story of letting go and letting love in.

    Clues they untie lead them no-where while instances they encounter lead them to believe it as an accident and close the case. Restless Amar continues his investigation as he believes it is a murder. As enigma overshadows facts, suspicion turns over to everyone in the family. Can Amar foresee the hidden meaning in those clues? Is the murderer one among the shinde’s family members? Will amar’s hypothesis help him to solve the case or will it leave him spell-bound? Clues are meant to lead a criminal case to convergence. Criminals are bound to leave a clue. But case no. 56 does impose big reluctance to these beliefs. Join the journey of investigation with the duo as they unveil some unbelievable truths.

    But Dharavi is much more than cold a statistic. What makes it special are the extraordinary people who live there, many of whom have defied fate and an unhelpful State to prosper through a mix of backbreaking work, some luck and a great deal of ingenuity. It is these men and women whom journalist Kalpana Sharma brings to life through a series of spellbinding stories. While recounting their tales, she also traces the history of Dharavi from the days when it was one of the six great koliwadas or fishing villages to the present times when it, along with other slums, is home to almost half of Mumbai.

    On Jawaharlal Nehru's 50th death anniversary, Ramachandra Guha assesses his place in history, and his contribution to the building of modern India and its democratic institutions

    But MT Vasudevan Nair (popularly known as “MT”) turned him into a three-dimensional figure, more sensitive and thoughtful than he is usually given credit for. “He took familiar building blocks and created an entirely new, incredibly compelling construct from them,” says Prem Panicker, senior journalist, Rediff.com co-founder and a long-time admirer of MT’s work.

    You are a true karmachari. A collection of unforgettable short stories about ordinary people, Karmachari is a mirror held up to society. Set in suburban Mumbai of the 1970s, yet universal, it is peopled by characters we might meet in real life. They come alive under V.P. Kale's sharp but compassionate gaze, and prod us gently towards a world of greater kindness and understanding.