It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband's Mississippi Delta farm - a place she finds foreign and frightening. In the midst of the family's struggles, two young men return from the war to work the land. Jamie McAllan, Laura's brother-in-law, is everything her husband is not - charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country, he is still considered less than a man in the Jim Crow South. It is the unlikely friendship of these brothers-in-arms that drives this powerful novel to its inexorable conclusion. The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale. As Kingsolver says of Hillary Jordan, "Her characters walked straight out of 1940s Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still."

    Led by the charismatic Pastor Favert, the townsfolk of Le Lignon risk their own lives to hide a constant stream of the persecuted. But when a badly wounded American pilot crashes nearby, their safety is compromised.The region's Reich commander is desperate to load the waiting deportation trains with Jews. Le Lignon, he knows, might be concealing enough refugees to fulfill his entire quota and secure his position within the SS. As the commander plots to seize his quarry, Vichy police descend on the village and demand the hidden pilot. Stretched to their limits, the people of Le Lignon must fortify themselves against the converging Nazi onslaught--or die trying.

    Colonel George Armstrong Custer hires her eighteen-year-old son Allen Winslow as an aide for his 1876 campaign against the Sioux and Cheyenne. Traveling west against his will, Allen finds himself in the company of Addie Grace Lord, sixteen, sister of one of Custer’s regimental surgeons. The two fall in love, and it is with foreboding that Addie Grace watches Allen and her brother George ride out with Custer’s Seventh Cavalry. Weeks later in Montana, hundreds of miles to the west, the Seventh brings its quarry to bay beside the river called the Little Bighorn.Beautifully written and filled with unforgettable characters, Little Bighorn brings to life the American West and its heartbreaking history, brilliantly portraying the flawed and tormented Custer.

    When her abusive father traded her hand in marriage for a few head of livestock, she fled their farm and took on the identity of traveling salesman Franklin Thompson eventually settling in Flint, Michigan. There, as Thompson, she joined Company F of the Second Michigan Volunteer Infantry and distinguished herself as a true Civil War hero.In between the First Battle of Bull Run, the Battle of Yorktown, the Battle of Williamsburg, and the Battle of Fair Oaks/Seven Pines, Thompson nursed the sick and wounded, carried the mail across dangerous terrain, and became one of the Secret Service’s first spies. Using various disguises including that of a former slave and an Irish peddler woman, Thompson infiltrated enemy lines and stole vital information from the Rebels until a severe case of malaria took its toll. Knowing that the medical attention she needed would reveal her carefully kept secret, she unwillingly deserted the Union Army in 1863. But Sarah Emma Edmonds wasn’t finished. She had a soldier’s pension to fight for and an honorable discharge to claim. Almost a decade after the war was over, she came forward and asked the astonished men she served with for their help in clearing the name of Franklin Thompson.

    The war is everywhere, but Victor--a sixteen-year old boy sent by his father to care for his dying grandmother on a lonely island in Mobile Bay--can only dream of it. Then he wakes one amazing night to a thunderous roar from the Bay, and watches as a thug burns his boat. He also discovers a decomposing corpse, witnesses a near-seduction . . . and sees the ominous shadow of an enemy submarine surfacing at night.Suddenly Victor is playing unforeseen roles--now hostage, now pursuer--in the perilous war at home. . . .

    At the turn of the last century, when Ciro catches the local priest in a scandal, he is banished from his village and sent to hide in America as an apprentice to a shoemaker in Little Italy. Without explanation, he leaves a bereft Enza behind. Soon, Enza's family faces disaster and she, too, is forced to go to America with her father to secure their future.Unbeknownst to one another, they both build fledgling lives in America, Ciro masters shoemaking and Enza takes a factory job in Hoboken until fate intervenes and reunites them. But it is too late: Ciro has volunteered to serve in World War I and Enza, determined to forge a life without him, begins her impressive career as a seamstress at the Metropolitan Opera House that will sweep her into the glamorous salons of Manhattan and into the life of the international singing sensation, Enrico Caruso. From the stately mansions of Carnegie Hill, to the cobblestone streets of Little Italy, over the perilous cliffs of northern Italy, to the white-capped lakes of northern Minnesota, these star-crossed lovers meet and separate, until, finally, the power of their love changes both of their lives forever. Lush and evocative, told in tantalizing detail and enriched with lovable, unforgettable characters, The Shoemaker's Wife is a portrait of the times, the places and the people who defined the immigrant experience, claiming their portion of the American dream with ambition and resolve, cutting it to fit their needs like the finest Italian silk.This riveting historical epic of love and family, war and loss, risk and destiny is the novel Adriana Trigiani was born to write, one inspired by her own family history and the love of tradition that has propelled her body of bestselling novels to international acclaim. Like Lucia, Lucia, The Shoemaker's Wife defines an era with clarity and splendor, with operatic scope and a vivid cast of characters who will live on in the imaginations of readers for years to come.

    Knowing the Germans could invade their quiet home the resident children of Guernsey are evacuated. Among them are Amelia Ashton, and her older sister Evelyn.The promise to stay safe.Forced onto the boat by her older sister, seventeen-year-old Amelia Ashton arrives in Weymouth with hundreds of other children. Although she is placed with a kind and loving foster family in Derbyshire, her world is torn apart. With all her communication cut off from her family, and the boys at school joining to fight in the war, Amelia struggles with her own desire to help. On a whim, she lies about her age and boards a train headed to volunteer with the Woman’s Land Army. Finding solace in the work of farm life, she reconnects with William, a young man from Derbyshire, and who doesn’t waste any time asking for her hand in marriage. Can Amelia start a new life without looking over her shoulder at what she left behind in Guernsey or will the war change everything?The promise to survive.Fearing for her parents’ lives, nineteen-year-old, Evelyn Ashton stays behind, living through the German occupation plaguing her once beautiful home—the island of Guernsey. Living under German rule, the residents find a new meaning of desperation and despair, trying to survive on rations and evade the threats of being sent off to a death camp. After her parents die in a bombing, Evelyn is left alone to fend for herself against her enemy, and when German soldiers take over her house, she seeks refuge in the only family she believes she has left—Henry—the man once interested in her sister. Can they find comfort in each other or will the occupation claim not only their love but also their lives?Two sisters. Two promises. One bloody war that changes their lives forever.

    Millie tries to help, but Jeremy grows more distant and befriends a homeless, wounded ex-soldier, Monty, who has secrets...As Millie’s distrust of Monty grows, a rift is created between her and Jeremy and when he leaves to receive hospital treatment, she is left feeling abandoned. When her family is dealt a terrible loss, it is Millie who must be the strongest. However, just when she feels things couldn’t become worse, she suffers her own heartbreaking tragedy.Grieving and alone, Millie wonders if her marriage can ever be mended, but she can’t give up without a fight.Will a new home for her and Jeremy in a foreign country be the answer, or will the events of the past destroy everything she wished for?

    Her aging parents have already slipped into a great depression of their own. Her brothers named her 'Queenie' and it stuck. Queenie steps from the barn to welcome a man from a neighboring farm. A frustrated man drunk on corn liquor and rage.Three children, an alcoholic husband and a monkey later, she's living in the city and struggling to keep a clean house and beans on the stove when the "Eye-talian" pilot from New York City asks her opinion on fryer hens in the grocery. He's smooth. He takes her to places with white table cloths.World War II deploys the pilot to Europe and Queenie to the Big Apple. Survival on the streets of NYC for Queenie and her baby girl, Abba Gee, is a war story of another kind. Queenie makes decisions without options. Her's is a story of what can happen to any of us if we are not paying attention."Told from a Southern point of view, funny, sad, and partially true. Queenie is the grandmother I did not know. A lifetime of rumors and over heard gossip painted this character. Others speak of grandmothers who smelled of talcum powder and passed on receipes while Queenie's legacy echos stories of grit and how life can change in the Spit of a Minute.""Dickson's language is palpably evocative of the period--you could vividly imagine the scenes in sepia, peopled by those long-ago characters that now only exist as memory.""Dickson writes with a relaxed, leisurely cadence with confidence in her own literary powers. She effectively simulates the feel and mood of the South, as well as the hustle and bustle of the city--something about the writing, not the plot, that reminds me so much of Harper Lee's classic `To Kill a Mockingbird.'"Dickson's compelling narrative subtly shifts in tone and texture according to the changes in time, and this is one of the qualities in her writing that makes me hope she actually writes more, and soon."

    With a suitcase full of sausages and a master butcher's precious knife set, Fidelis sets out for America. In Argus, North Dakota, he builds a business, a home for his family—which includes Eva and four sons—and a singing club consisting of the best voices in town. When the Old World meets the New—in the person of Delphine Watzka—the great adventure of Fidelis's life begins. Delphine meets Eva and is enchanted. She meets Fidelis, and the ground trembles. These momentous encounters will determine the course of Delphine's life, and the trajectory of this brilliant novel.

    In the twilight of the Civil War, a Union soldier named Norman Pelham is found battle-wounded and near death by Leah, a slave running from a different hell. After Leah nurses him back to health, Norman brings her to his family homestead in Vermont as his wife, and there they begin a family that will be shaped by their passionate devotion to each other and its consequences.

    it is the story of Wolf, a young Pannonian warrior who joins the Roman army and ends up a Decurion fighting for his life against Boudicca and her Iceni rebels. It follows the early days of the auxiliary cavalry and introduces the reader to many of the characters from the later books. Filled with battles and intrigue it is a journey across the Roman Empire in the early days of the first century. This is the prequel to the Sword of Cartimandua series of novels.

    Or so the townsfolk of Mars Hill believe - just as they know that Laurel Shelton, the lonely young woman who lives within its shadows, is a witch. Alone except for her brother, Hank, newly returned from the trenches of France, she aches for her life to begin. Then it happens - a stranger appears, carrying nothing but a beautiful silver flute and a note explaining that his name is Walter, he is mute, and is bound for New York. Laurel finds him in the woods, nearly stung to death by yellow jackets, and nurses him back to health. As the days pass, Walter slips easily into life in the cove and into Laurel's heart, bringing her the only real happiness she has ever known. But Walter harbors a secret that could destroy everything - and danger is closer than they know. Though the war in Europe is near its end, patriotic fervor flourishes thanks to the likes of Chauncey Feith, an ambitious young army recruiter who stokes fear and outrage throughout the county. In a time of uncertainty, when fear and ignorance reign, Laurel and Walter will discover that love may not be enough to protect them. This lyrical, heart-rending tale, as mesmerizing as its award-winning predecessor Serena, shows once again this masterful novelist at the height of his powers.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    The battle to convert the natives is savage and unrelenting and into this holy war is thrust Conrad Wolff, a young native of the city of Lübeck whose family has suffered a terrible injustice. Forced to leave his homeland to seek sanctuary in Livonia, Conrad’s fate is soon entwined with that of the Sword Brothers, the order of warrior monks that fights to defend and expand Christendom in the Baltic. But as Conrad begins his training to become a member of the brethren, the enemies of the Bishop of Riga gather and soon Livonia is surrounded and battling for its very existence. Conrad and the order soon find themselves fighting for their lives as the enemies of the Sword Brothers close in on all sides. This, the first volume in the Crusader Chronicles, tells the story of Conrad Wolff and the Baltic Crusade during the first years of the thirteenth century.