She’ll get to soak up the beauty and culture, and maybe even learn something about her family’s French roots.But a series of gruesome murders are taking place across the city, putting everyone on edge. And as she tours museums and palaces, Colette keeps seeing a strange vision: a pale woman in a ball gown and powdered wig, who looks suspiciously like Marie Antoinette.Colette knows her popular, status-obsessed friends won’t believe her, so she seeks out the help of a charming French boy. Together, they uncover a shocking secret involving a dark, hidden history. When Colette realizes she herself may hold the key to the mystery, her own life is suddenly in danger . . .Acclaimed author Katie Alender brings heart-stopping suspense to this story of revenge, betrayal, intrigue — and one killer queen.

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    Since she's never visited the property, Danielle's not sure what awaits her in Oregon. She certainly doesn't expect to find one of the house's previous owners still in residence. After all, the man has been dead for almost ninety years--shouldn't he have moved on by now? Charming Walt Marlow convinces Danielle the only way he can move on is if she solves the mystery of his death. Danielle soon discovers her real problems may come from the living--those who have their sights on Marlow House's other secrets.

    And ghosts.All the logic and reason in the world can’t protect her from the truth—she can see and communicate with spirits. But Akira is sure that her ability is just a genetic quirk and the ghosts she encounters simply leftover electromagnetic energy. Dangerous electromagnetic energy.Zane Latimer believes in telepathy, precognition, auras, and that playing Halo with your employees is an excellent management technique. He also thinks that maybe, just maybe, Akira Malone can help his family get in touch with their lost loved ones.But will Akira ever be able to face her fears and accept her gift? Or will Zane’s relatives be trapped between life and death forever?

    But it comes at a cost. He has to kill the shining girls: bright young women, burning with potential. Curtis stalks them through their lives across different eras until, in 1989, one of his victims, Kirby Mazrachi, survives and starts hunting him back.Working with a former homicide reporter who is falling for her, Kirby races against time and reason to unravel an impossible mystery.

    . . but immortality comes at a price. . . . On the midnight shift at a hospital in rural St. Andrew, Maine, Dr. Luke Findley is expecting a quiet evening--until a mysterious woman, Lanore McIlvrae, arrives in his ER, escorted by police. Lanore is a murder suspect, and Luke is inexplicably drawn to her. As Lanny tells him her story, an impassioned account of love and betrayal that transcends time and mortality, she changes his life forever. At the turn of the nineteenth century, Lanny was consumed as a child by her love for the son of St. Andrew’s founder, and she will do anything to be with him forever, but the price she pays is steep--an immortal bond that chains her to a terrible fate.

    She’s been able to see ghosts since her mother tried to murder her when she was five years old. No way does she want anyone to know she can talk to spooks. Being a foster kid is hard enough without being labeled a freak too. Normally, she just ignores the ghosts and they go away. That is until she see’s the ghost of her foster sister… Sally. Everyone thinks Sally’s just another runaway, but Mattie knows the truth—she’s dead. Murdered. Mattie feels like she has to help Sally, but she can’t do it alone. Against her better judgment, she teams up with a young policeman, Officer Dan, and together they set out to discover the real truth behind Sally’s disappearance. Only to find out she’s dealing with a much bigger problem, a serial killer, and she may be the next victim… Will Mattie be able to find out the truth before the killer finds her?

    When her mother — a witch — botches a curse on Marchant, she unwittingly binds Juliet to the artist through time, damning her to re-live her affair and die tragically young lifetime after lifetime as the star-crossed lovers reincarnate through history.Luke Varner, the worldly demon tasked with maintaining this badly crafted curse, has been helplessly in love with his charge, in all her reincarnations, since 19th century France. He’s in love with Nora, a silver screen starlet in 1930s Hollywood. He’s in love with Sandra, a struggling musician in 1970s Los Angeles. And he’s in love with Helen, a magazine exec in present-day DC who has the power to “suggest” others do her bidding.In this life, Helen starts to recall the curse and her tragic previous lives. But this time, she might have the power to break the cycle…A Witch in Time is perfect for fans of A Secret History of Witches, Outlander, and The Time Traveler’s Wife.

    To escape a home she doesn't belong in anymore, she assumes the name of a former classmate and accepts a teaching job at the Cherokee Female Seminary.Nothing prepares her for what she finds there. Her pupils are the daughters of the Cherokee elite—educated and more wealthy than she, and the school is cloaked in mystery. A student drowned in the river last year, and the girls whisper that she was killed by a jealous lover. Willie's room is the very room the dead girl slept in. The students say her spirit haunts it.Willie doesn't believe in ghosts, but when strange things start happening at the school, she isn't sure anymore. She's also not sure what to make of a boy from the nearby boys' school who has taken an interest in her—his past is cloaked in secrets. Soon, even she has to admit that the revenant may be trying to tell her something. . . .

    Not just a job for Ruby, it's a crusade and one she wants to bring to the High Street. Psychic Surveys is born. Based in Lewes, East Sussex, Ruby and her team of freelance psychics have been kept busy of late. Specialising in domestic cases, their solid reputation is spreading - it's not just the dead that can rest in peace but the living too. All is threatened when Ruby receives a call from the irate new owner of Highdown Hall. Film star Cynthia Hart is still in residence, despite having died in 1958. Winter deepens and so does the mystery surrounding Cynthia. She insists the devil is blocking her path to the light long after Psychic Surveys have 'disproved' it. Investigating her apparently unblemished background, Ruby is pulled further and further into Cynthia's world and the darkness that now inhabits it. For the first time in her career, Ruby's deepest beliefs are challenged. Does evil truly exist? And if so, is it the most relentless force of all?

    Trouble was, he didn’t ask Rose what she thought of the idea.It’s been more than sixty years since that night, and she’s still sixteen, and she’s still running.They have names for her all over the country: the Girl in the Diner. The Phantom Prom Date. The Girl in the Green Silk Gown. Mostly she just goes by “Rose,” a hitchhiking ghost girl with her thumb out and her eyes fixed on the horizon, trying to outrace a man who never sleeps, never stops, and never gives up on the idea of claiming what’s his. She’s the angel of the overpass, she’s the darling of the truck stops, and she’s going to figure out a way to win her freedom. After all, it’s not like it can kill her.You can’t kill what’s already dead.

    The virginal Brandy, in turn, awakes in Shay's body to discover herself pregnant. What follows is a fascinating look at how two women—and their families—cope with this strange situation.

    Grace prides herself on her independence. She is a practical, sensible, self-reliant person, impatient with spirituality or mysticism and what she thinks of as wallowing in emotion. Having survived the Boxing Day tsunami, Grace knows how lucky she is to be alive. She looks forward, not back.But in York Grace discovers that the past cannot always be ignored. Her godmother, Lucy, has been dabbling in the occult, and it seems that she has raised an unquiet spirit, Hawise, who lived, loved and died in York over 400 years earlier. Hawise died believing that she has failed her daughter, and the more Grace is drawn into her life in the Elizabethan city, the more parallels she finds with her own life. For Grace, too, has failed a child.Is Grace possessed? Or is she suffering from Post Traumatic Stress Disorder? Either way, she learns that she cannot move on until she has come to terms with the past.

    That night, Eva's mother dies, leaving her to be raised by her aunt and heartsick father in their small Scottish town. As a child, Eva is often visited by two companions--a woman and a girl--invisible to everyone else save her. As she grows, their intentions become increasingly unclear: Do they wish to protect or harm her? A magical novel about loneliness, love, and the profound connection between mother and daughter, Eva Moves the Furniture fuses the simplicity of a fairy tale with the complexity of adult passions.

    From acclaimed director Guillermo del Toro.