C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads—a historical feast for anyone interested in how the United States came into being. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.

    The result is a deeply original tour de force that springs from Twain’s classic novel but takes on a fully realized life of its own.Finn sets a tragic figure loose in a landscape at once familiar and mythic. It begins and ends with a lifeless body–flayed and stripped of all identifying marks–drifting down the Mississippi. The circumstances of the murder, and the secret of the victim’s identity, shape Finn’s story as they will shape his life and his death.Along the way Clinch introduces a cast of unforgettable characters: Finn’ s terrifying father, known only as the Judge; his sickly, sycophantic brother, Will; blind Bliss, a secretive moonshiner; the strong and quick-witted Mary, a stolen slave who becomes Finn’s mistress; and of course young Huck himself. In daring to re-create Huck for a new generation, Clinch gives us a living boy in all his human complexity–not an icon, not a myth, but a real child facing vast possibilities in a world alternately dangerous and bright.Finn is a novel about race; about paternity in its many guises; about the shame of a nation recapitulated by the shame of one absolutely unforgettable family. Above all, Finn reaches back into the darkest waters of America’s past to fashion something compelling, fearless, and new.

    Here, they are collected along with 19 other stories in a beautifully redesigned collection that represents the best short work of an American master.As Warner Berthoff writes in his introduction to this volume, "It is hard to think of a major novelist or storyteller who is not also a first-rate entertainer . . . a master, according to choice, of high comedy, of one or another robust species of expressive humour, or of some special variety of the preposterous, the grotesque, the absurd. And Melville, certainly, is no exception. A kind of vigorous supervisory humour is his natural idiom as a writer, and one particular attraction of his shorter work is the fresh further display it offers of this prime element in his literary character."The town-ho's story --Bartleby, the scrivener : a story of Wall-Street --Cock-a-doodle-doo! or, The crowing of the noble cock Beneventano --The encantadas or Enchanted Isles --The two temples --Poor man's pudding and rich man's crumbs --The happy failure : a story of the river Hudson --The lightning-rod man --The fiddler --The paradise of bachelors and the tartarus of maids --The bell-tower --Benito Cereno --Jimmy Rose --I and my chimney --The 'Gees --The apple-tree table, or Original spiritual manifestations --The piazza --The Marquis de Grandvin --Three "Jack Gentian sketches" --John Marr --Daniel Orme --Billy Budd, sailor.

    But while Henry is an adventurer, Margaret is not. Their new home is rougher and more rustic than they expected—and a single night of tragedy shatters the family when the native Maori stage an uprising, kidnapping Margaret and her children. For months, Henry scours the surrounding wilderness, until all hope is lost and his wife and children are presumed dead. Grief-stricken, he books passage to California. There he marries Nancy Foreland, a young widow with a new baby, and it seems they’ve both found happiness in the midst of their mourning—until Henry’s first wife and children show up, alive and having finally escaped captivity. Narrated primarily by the two wives, and based on a real-life legal case, The Wives of Henry Oades is the riveting story of what happens when Henry, Margaret, and Nancy face persecution for bigamy. Exploring the intricacies of marriage, the construction of family, the changing world of the late 1800s, and the strength of two remarkable women, Johanna Moran turns this unusual family’s story into an unforgettable page-turning drama.

    Award-winning author Mary Cable recreates - in all its human and natural drama - the three-day debacle that began on the night of Sunday, March 11, 1888. We meet the heroes and villains alike as they struggle through the mounting snow and icy winds to keep the wheels of civilization from grinding to a halt. The Blizzard of 88 is a moving and dramatic history in the tradition of David McCullough's classic The Johnstown Flood.

    He heads down to Mulberry, Texas, to keep a promise to his fallen Union army brother-in-arms, Joe Farrell, to make sure that his family is safe. But what Sam finds is the Farrell family in shambles: a gang of former Confederate soldiers are harassing them because of Joe's Union service. In desperation, Joe's widow, Julia, has married the gang's sadistic leader -- a man Sam had haunting his dreams since the war. To rescue Julia, Sam will need to rely on his wits as much as his guns, and he'll need the help of the whole Farrell clan, including Joe's disarming younger sister, Mary. This is a new release of an edition originally published by C.J. Petit.