One is apt to expect that an impudent address will naturally attend an impudent mind – but her countenance is absolutely sweet. I am sorry it is so, for what is this but deceit?" (from Lady Susan, by Jane Austen) Sixteen-year-old Susan Smithson – pretty but poor, clever but capricious – has just been expelled from a school for young ladies in London. At the mansion of the formidable Lady Catherine de Bourgh, she attracts a raffish young nobleman. But at the first hint of scandal, her guardian dispatches her to her uncle Collins’ rectory in Kent, where her sensible cousin Alicia lives and “where nothing ever happens.” Here Susan inspires the local squire to put on a play, with consequences no one could possibly have foreseen. What with the unexpected arrival of Frank Churchill, Alicia’s falling in love and a shocking elopement, rural Kent will surely never seem quite so safe again.AUTHOR'S NOTE: This book is a prequel to Jane Austen's Lady Susan, in which a beautiful and manipulative young widow of 35 descends on her sister-in-law to escape the wrath of her lover’s wife, and almost succeeds in marrying the young heir of the household. The idea first occurred when I began to wonder what Lady Susan might have been like when she was only sixteen. I have set it five years after Pride and Prejudice and have – possibly rashly! – dared to ‘borrow’ several characters from P&P, including Lady Catherine and Mr Collins, plus Frank Churchill from Emma, which I hope is forgivable! I was frankly pretty overwhelmed to have received a rating of 10/10 stars for this book in Publisher's Weekly's BookLife Award competition. It has also been VERY kindly "recommended" by the US Review of Books, Indies Today and by all three editorial reviewers for Readers Favorite (all five stars). Susan will be released on June 30th. Grateful thanks to all of you here who have read it as an ARC, in advance of publication. AM

    Parrot, the son of an itinerant English printer, wanted to be an artist but has ended up in middle age as a servant. When Olivier sets sail for the New World - ostensibly to study its prisons, but in reality to avoid yet another revolution - Parrot is sent with him, as spy, protector, foe and foil. Through their adventures with women and money, incarceration and democracy, writing and painting, they make an unlikely pair. But where better for unlikely things to flourish than in the glorious, brand-new experiment, America? A dazzlingly inventive reimagining of Alexis de Tocqueville's famous journey, Parrot and Olivier in America brilliantly evokes the Old World colliding with the New. Above all, it is a wildly funny, tender portrait of two men who come to form an almost impossible friendship, and a completely improbable work of art.

    It is the only reasonable explanation the court can see for her willful behavior, so she is sent away to Sanibel Asylum to be restored to a good, compliant woman. Iris knows, though, that her husband is the true criminal; she is no lunatic, only guilty of disagreeing with him on notions of justice, cruelty, and property. On this remote Florida island, cut off by swamps and seas and military blockades, Iris meets a wonderful collection of residents--some seemingly sane, some wrongly convinced they are crazy, some charmingly odd, some dangerously unstable. Which of these is Ambrose Weller, the war-haunted Confederate soldier whose memories terrorize him into wild fits that can only be calmed by the color blue, but whose gentleness and dark eyes beckon to Iris. The institution calls itself modern, but Iris is skeptical of its methods, particularly the dreaded "water treatment." She must escape, but she has found new hope and love with Ambrose. Can she take him with her? If they make it out, will the war have left anything for them to make a life from, back home? Blue Asylum is a vibrant, beautifully-imagined, absorbing story of the lines we all cross between sanity and madness. It is also the tale of a spirited woman, a wounded soldier, their impossible love, and the undeniable call of freedom. http://www.hmhbooks.com/blueasylum/

    She is a farmer's faithful wife, but she has left her husband to don the uniform of a Union soldier in the Civil War. NEVERHOME tells the harrowing story of Ash Thompson during the battle for the South. Through bloodshed and hysteria and heartbreak, she becomes a hero, a folk legend, a madwoman and a traitor to the American cause.Laird Hunt's dazzling new novel throws a light on the adventurous women who chose to fight instead of stay behind. It is also a mystery story: why did Ash leave and her husband stay? Why can she not return? What will she have to go through to make it back home?In gorgeous prose, Hunt's rebellious young heroine fights her way through history, and back home to her husband, and finally into our hearts.

    The post office, Winifred Gallagher argues, has been not just a witness to but a foundational influence on much of the history of the United States of America, particularly for women and African-Americans, who participated in the nation's formation via the post office in pivotal ways. How the Post Office Created America tells this story, tracing the role of a unique institution and its leaders, such as Benjamin Franklin, the Crown's first postmaster general--a position that for a great deal of America's history belonged to the cabinet, and as such was politically important and influential. Taking in all the major events in American history, from the Declaration of Independence to the Civil War to the advent of the Internet, Gallagher tells a vitally important story.  This fascinating and original work of history brings to life a uniquely American institution, one without which our democracy as we know it would not have been possible. Gallagher casts her eyes forward, arguing compellingly that now more than ever before, as we arrive at a fork in the road with the advent of the Internet, we need to ensure that the future of the postal service is not squandered.

    The fire created its own weather, including hurricane-strength winds, bubbles of plasma-like glowing gas, and 200-foot-tall flames. As temperatures reached 1,600 degrees Fahrenheit, the firestorm knocked down buildings and carried flaming debris high into the sky. Two trains-one with every single car on fire-became the only means of escape. In all, more than four hundred people would die, leading to a revolution in forestry management and the birth of federal agencies that monitor and fight wildfires. A spellbinding account of danger, devastation, and courage, Under a Flaming Sky reveals the dramatic, minute-by-minute story of the tragedy and brings into focus the ordinary citizens whose lives it irrevocably marked.

    New York City forms its first police force. The great potato famine hits Ireland. These two seemingly disparate events will change New York City. Forever. Timothy Wilde tends bar near the Exchange, fantasizing about the day he has enough money to win the girl of his dreams. But when his dreams literally incinerate in a fire devastating downtown Manhattan, he finds himself disfigured, unemployed, and homeless. His older brother obtains Timothy a job in the newly minted NYPD, but he is highly skeptical of this new "police force." And he is less than thrilled that his new beat is the notoriously down-and-out Sixth Ward - at the border of Five Points, the world's most notorious slum. One night while making his rounds, Wilde literally runs into a little slip of a girl - a girl not more than ten years old - dashing through the dark in her nightshirt... covered head to toe in blood. Timothy knows he should take the girl to the House of Refuge, yet he can't bring himself to abandon her. Instead, he takes her home, where she spins wild stories, claiming that dozens of bodies are buried in the forest north of 23rd Street. Timothy isn't sure whether to believe her or not, but, as the truth unfolds, the reluctant copper star finds himself engaged in a battle for justice that nearly costs him his brother, his romantic obsession, and his own life.

    In fact, he has a hard enough time keeping the peace between the drunks in the local saloon. But with tough Sheriff Mont Naylor to back him up he figures he can handle whatever comes his way.Jim-Bob's first real assignment is no piece of cake. He must escort a ruthless outlaw into the hands of justice. All seems well with the lawless killer firmly in Jim-Bob's custody. But nothing prepares him for an angry mob, determined to take the law into their own hands and provide their own brand justice: a hangman's noose.Shadow of a Star is a gripping tale by Elmer Kelton, voted one of the best Western Writers of all time by Westerns Writers of America, Inc.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    But behind the scenes in his New York studio is the freethinking Clara Driscoll, head of his women’s division. Publicly unrecognized by Tiffany, Clara conceives of and designs nearly all of the iconic leaded-glass lamps for which he is long remembered.Clara struggles with her desire for artistic recognition and the seemingly insurmountable challenges that she faces as a professional woman, which ultimately force her to protest against the company she has worked so hard to cultivate. She also yearns for love and companionship, and is devoted in different ways to five men, including Tiffany, who enforces to a strict policy: he does not hire married women, and any who do marry while under his employ must resign immediately. Eventually, like many women, Clara must decide what makes her happiest—the professional world of her hands or the personal world of her heart.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    Eager for adventure, the young women pick up their skirts, move to boarding houses, take up steel cutters, and assume new identities as the “Tiffany Girls.”Tiffany Girl is the heartwarming story of the impetuous Flossie Jayne, a beautiful budding artist who is handpicked by Louis to help complete the Tiffany chapel. Though excited to be an independent New Woman at a time when most of the fair sex stayed home, she quickly finds the world is less welcoming than she anticipated. From a Casanova male to an unconventional married couple and a condescending singing master, she takes on a colorful cast of characters to transform the boarding house into a home while racing to complete the Tiffany chapel and make a name for herself in the art world.As challenges mount, her ambitions become threatened from an unexpected quarter: her own heart. What or who will claim victory? Her dreams or the captivating boarder next door?

    Gas lamps still flicker in the city streets, but the miracle of electric light is in its infancy. The person who controls the means to turn night into day will make history--and a vast fortune. A young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win. Paul's client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country? The case affords Paul entry to the heady world of high society--the glittering parties in Gramercy Park mansions, and the more insidious dealings done behind closed doors. The task facing him is beyond daunting. Edison is a wily, dangerous opponent with vast resources at his disposal--private spies, newspapers in his pocket, and the backing of J. P. Morgan himself. Yet this unknown lawyer shares with his famous adversary a compulsion to win at all costs. How will he do it?In obsessive pursuit of victory, Paul crosses paths with Nikola Tesla, an eccentric, brilliant inventor who may hold the key to defeating Edison, and with Agnes Huntington, a beautiful opera singer who proves to be a flawless performer on stage and off. As Paul takes greater and greater risks, he'll find that everyone in his path is playing their own game, and no one is quite who they seem.

    Emma Edmonds cut off her hair and assumed the identity of a man to enlist as a Union private, witnessing the bloodiest battles of the Civil War. The beautiful widow, Rose O’Neale Greenhow, engaged in affairs with powerful Northern politicians to gather intelligence for the Confederacy, and used her young daughter to send information to Southern generals. Elizabeth Van Lew, a wealthy Richmond abolitionist, hid behind her proper Southern manners as she orchestrated a far-reaching espionage ring, right under the noses of suspicious rebel detectives.Using a wealth of primary source material and interviews with the spies’ descendants, Abbott seamlessly weaves the adventures of these four heroines throughout the tumultuous years of the war. With a cast of real-life characters including Walt Whitman, Nathaniel Hawthorne, General Stonewall Jackson, detective Allan Pinkerton, Abraham and Mary Todd Lincoln, and Emperor Napoleon III, Liar, Temptress, Soldier, Spy draws you into the war as these daring women lived it.Liar, Temptress, Soldier, Spy contains 39 black & white photos and 3 maps.

    Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?