There was a baby in it."So ten-year-old Maria, orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: on a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham's Repose, live an entire community of people—"The People," as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver's Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria's well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria's greedy guardians, who look at The People and see only a bundle of money.

    One day he tumbles over, lands in a sort of cave, and meets' somebody with shaggy hair wearing a rabbit-skin and speaking in grunts. He names him Stig. They together raid the rubbish dump at the bottom of the pit, improve Stig's cave dwelling, and enjoy a series of adventures.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Whether Fudge is throwing a temper tantrum in a shoe store, smearing mashed potatoes on the walls at Hamburger Heaven, or trying to fly, he's never far from trouble. He's an almost three-year-old terror who gets away with everything, and Peter's had it up to here! When Fudge walks off with Dribble, Peter's pet turtle, it's the last straw. Peter has put up with Fudge for too long. Way too long! How can he get his parents to pay attention to him for a change?

    and fangs!

    It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.

    The Peterkin Papers collects all of Lucretia Hale’s beloved tales of a thoroughly silly family.The Peterkin Papers record the antics of the most memorably and hopelessly bumbling of respectable American families. Confronted by the endless challenges of daily life, the Peterkins rise to every occasion with misguided aplomb: they sit out in the sun for hours and fail to go for a ride because they’ve forgotten to unhitch the horse, they play the piano from the porch through the parlor window because the movers left the keyboard turned that way, they decide to raise the ceiling to accommodate a too-tall Christmas tree. Only the timely intervention of their great and good friend, the Lady from Philadelphia, can be counted on to get the Peterkins out of their latest scrape.A classic of American children’s literature and a masterpiece of deadpan drollery, The Peterkin Papers restore our astonishment at the ordinary, finding a rich vein of humor and happy surprise in the mere fact of our surviving the trivialities and tribulations of family life.

    Jane Tabby can't explain why her four precious kittens were born with wings, but she's grateful that they are able to use their flying skills to soar away from the dangerous city slums where they were born. However, once the kittens escape the big city, they learn that country life can be just as difficult!

    All the other bulls would run and jump and butt their heads together. But Ferdinand would rather sit and smell the flowers. And he does just that, until the day a bumblebee and some men from the Madrid bullfights give gentle Ferdinand a chance to be the most ferocious star of the corrida—and the most unexpected comic hero. This cherished hardcover is perfect for those who love Ferdinand, and those who have yet to meet him.

    She chooses the Metropolitan Museum of Art in New York City. Knowing her younger brother Jamie has money and thus can help her with a serious cash-flow problem, she invites him along.Once settled into the museum, Claudia and Jamie find themselves caught up in the mystery of an angel statue that the museum purchased at auction for a bargain price of $225. The statue is possibly an early work of the Renaissance master, Michelangelo, and therefore worth millions. Is it? Or isn’t it? Claudia is determined to find out. Her quest leads her to Mrs. Basil E. Frankweiler, the remarkable old woman who sold the statue, and to some equally remarkable discoveries about herself.

    In this book you will read stories about them and tubas, airplanes, balloons, skateboards, birthdays, boats, chores, dishes, naps, ants, toys, and cousin Stinky.

    From the moment young Jim Hawkins first encounters the sinister Blind Pew at the Admiral Benbow Inn until the climactic battle for treasure on a tropic isle, the novel creates scenes and characters that have fired the imaginations of generations of readers. Written by a superb prose stylist, a master of both action and atmosphere, the story centers upon the conflict between good and evil - but in this case a particularly engaging form of evil. It is the villainy of that most ambiguous rogue Long John Silver that sets the tempo of this tale of treachery, greed, and daring. Designed to forever kindle a dream of high romance and distant horizons, Treasure Island is, in the words of G. K. Chesterton, 'the realization of an ideal, that which is promised in its provocative and beckoning map; a vision not only of white skeletons but also green palm trees and sapphire seas.' G. S. Fraser terms it 'an utterly original book' and goes on to write: 'There will always be a place for stories like Treasure Island that can keep boys and old men happy.'

    But she soon discovers that they both love anything to do with ancient Egypt. When they stumble upon a deserted storage yard behind the A-Z Antiques and Curio Shop, Melanie and April decide it's the perfect spot for the Egypt Game.Before long there are six Egyptians instead of two. After school and on weekends they all meet to wear costumes, hold ceremonies, and work on their secret code.Everyone thinks it's just a game, until strange things begin happening to the players. Has the Egypt Game gone too far?

    It's 1788, and six year old Martha lives in a little stone house in Glencraid, Scotland. Martha's father is Laird Glencaraid, and the life of the Laird's daughter is not always easy for a lively girl like Martha. She would rather be running barefoot through the fields of heather and listening to magical tales of fairies and other Wee Folk than learning to sew like a proper young lady. But between her dreaded sewing lessons, Martha still finds time to play on the rolling Scottish hills.

    Eliot for his godchildren and friends in the thirties. They have delighted generations of children since, and inspired Andrew Lloyd Webber's brilliant musical Cats.