But deep down, there is an undisclosed unhappiness. Why is Akin unhappy? Who, among his friends and associates, can he trust in his search for true happiness?

    But unlike the original, Farber breaks the cycle of violence, reflecting South Africa’s own transformation in the 1990s.

    Abiola IreleWinner of the Grand Prix Litteraire de l'Afrique Noire"I think this is perhaps the best African novel on colonialism and it draws very richly on various modes of oral literature." --Ralph Austen, University of Chicago"It is a wonderful introduction to colonial rule as experienced by Africans, and in particular, to the rule of African middlemen." --Martin A. Klein, University of Toronto"The Fortunes of Wangrin is not only a wonderful novel by one of Africa's most renowned intellectuals, it is also literally filled with information about French colonization and its impact on traditional African societies, African resistance and collaboration to colonization, the impact of French education in Africa, and a host of other subjects of interest." --Francois Manchuelle, New York UniversityWangrin is a rogue and an operator, hustling both the colonial French and his own people. He is funny, outrageous, corrupt, traditional, and memorable. Ba's book bridges the chasm between oral and written literature. The stories about Wangrin are drawn from oral sources, but in the hands of this gifted writer these materials become transformed through the power of artistic imagination and license.The Fortunes of Wangrin is a classic in Franchophone African literature.Amadou Hampate Ba was a distinguished Malian poet and scholar of African oral tradition and precolonial history.Aina Pavolini Taylor is an independent translator with wide experience of Africa, now living and working in Italy.F. Abiola Irele is a professor in the Department of Black Studies at Ohio State University.

    The village knew she was an unhappy wife, but she is still expected to weep and speak the praises of her husband. Her story reveals the value of friendship between women, based on liking rather than traditional beliefs.

    It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.

    The spiritual leader of Fuama, Gayflor, opts to lead the army on this campaign.

    BENDE    Erik held me until my shoulders stopped shaking--whether it was a minute or an hour, I couldn't tell. The only things I knew for sure were:         (1) I was trapped a thousand years in the past, with little hope of ever going home. And,         (2) I was wrapped in the arms of the most absurdly gorgeous Viking to have ever walked the face of the Earth.     Maybe my old life was overrated. When seventeen-year-old Saga Skånstad discovers an antique dagger, she's instantly sucked into a world where Vikings rule the seas and dragons roam the skies, and the only thing more dangerous than the chief who takes her captive is the rival who steals her away. The heir of Norway's most feared tribe is fierce, cold, and absolutely unyielding. With intruders encroaching upon his borders, Erik Halvarsson has little patience for the girl whose ignorance threatens his very existence. He enlists Saga in the magical Valkyris Academy, where she learns the skills she'll need to protect herself from foreign raiders and domestic terrors. But nothing can protect her from falling for the one guy in all the world she's absolutely forbidden to choose . . . or from risking everything to unlock the secrets that haunt him. When darkness threatens Saga's new home, she must decide whether to return to the life she's always known, or fight for a love she never could have imagined. Her decision will determine a legacy--not only for Saga, but for the world she never knew she was fated to lead.

    Mortals are pawns.Fate lays a curse to bring the god of Death to the world.A boy makes a list of people he's got to kill. What could go wrong?Jem just killed his father.He should have done it five years ago, but kids don't always make good decisions.Next on Jem's list is a military tyrant. Maybe the whole Legion.With so many people to kill, Jem hopes to satisfy his hunger for vengeance... and obtain redemption too.Trin is cursed by Fate to bring the god of Death to the world.She's found the key to breaking Fate's curse.It's not the answer she wants.You'll love this Epic Fantasy because it's 1200 pages of captivating characters and humor.You should get it now!

    But he must accomplish three apparently impossible tasks before Sky God will give him what he wants. Is he clever enough to do as Sky God asks? “The tale moves along with the swift concision of a good joke, right down to its satisfying punch line.”--Publishers Weekly “Wildly exuberant, full of slapstick and mischief, this version of an enduring Nigerian trickster tale, featuring a clever rabbit, is a storyteller’s delight.”--Booklist

    Here reside some of South Africa’s wealthiest individuals: all male, all Afrikaans – and all stinking rich. Johann Rupert, Jannie Mouton, Markus Jooste and Christo Weise, to name a few.Julius Malema refers to them scathingly as ‘The Stellenbosch Mafia’, the very worst example of white monopoly capital. But who really are these mega-wealthy individuals, and what influence do they exert not only on Stellenbosch but more broadly on South African society?Author Pieter du Toit begins by exploring the roots of Stellenbosch, one of the wealthiest towns in South Africa and arguably the cradle of Afrikanerdom. This is the birthplace of apartheid leaders, intellectuals, newspaper empires and more.He then closely examines this ‘club’ of billionaires. Who are they and, crucially, how are they connected? What network of boardroom membership, alliances and family connections exist? Who are the ‘old guard’ and who are the ‘inkommers’, and what about the youngsters desperate to make their mark? He looks at the collapse of Steinhoff: what went wrong, and whether there are other companies at risk of a similar fate. He examines the control these men have over cultural life, including pulling the strings in South Africa rugby.

    His life is set off course when he sees a woman who is about to jump off a bridge. Horrified by her recklessness, he hurls two of his prized chickens off the bridge. The woman, Ndali, is stopped in her tracks.Chinonso and Ndali fall in love but she is from an educated and wealthy family. When her family objects to the union on the grounds that he is not her social equal, he sells most of his possessions to attend college in Cyprus. But when he arrives in Cyprus, he discovers that he has been utterly duped by the young Nigerian who has made the arrangements for him. Penniless, homeless, we watch as he gets further and further away from his dream and from home.

    But when his embittered spinster daughter Magda feels shamed, this lurch across the racial divide marks the end of a tenuous feudal peace. As she dreams madly of bloody revenge, Magda's consciousness starts to drift and the line between fact and the workings of her excited imagination becomes blurred. What follows is the fable of a woman's passionate, obsessed and violent response to an Africa that will not heed her.

    To gain access to privileged French society, he must reject his many identities – Jew, Arab, and African. But, on the eve of World War II, he is forced to come to terms with his loyalties and his past.

    This House Has Fallen is a bracing and disturbing report on the state of Africa's most populous, potentially richest, and most dangerously dysfunctional nation. Each year, with depressing consistency, Nigeria is declared the most corrupt state in the entire world. Though Nigeria is a nation into which billions of dollars of oil money flow, its per capita income has fallen dramatically in the past two decades. Military coup follows military coup. A bellwether for Africa, it is a country of rising ethnic tensions and falling standards of living, very possibly on the verge of utter collapse -- a collapse that could dramatically overshadow even the massacres in Rwanda. A brilliant piece of reportage and travel writing, This House Has Fallenlooks into the Nigerian abyss and comes away with insight, profound conclusions, and even some hope. Updated with a new preface by the author.

    The house lies in a town seemingly lost in time, full of colorful, larger-than-life characters; at the narrative’s heart are Grandpa, the family patriarch whose occasional cruelty is balanced by his willingness to open his doors to those in need, and the house itself, which becomes a character in its own right and takes on the scale of legend. From the decades-long rivalry between owners of two competing convenience stores to the man who convinces his neighbors to give up their earthly possessions to prepare for the end of the world, Osondu’s story captures a place beyond the reach of the outside world, full of superstitions and myths that sustain its people. Osondu’s prose has the lightness and magic of fable, but his themes—poverty, disease, the arrival of civilization in an isolated community—are timeless and profound. At once full of joyful energy and quiet heartbreak, This House Is Not for Sale is an utterly original novel from a master storyteller.