Brimming with fiery passion, sassy psychics, witches, fae, and adorable dragon babies guaranteed to tug at your heartstrings, Dragon Mates will set your heart ablaze for hours on end.Holden’s MateHumans prove to be odd creatures, but one blue-eyed psychic compels me in ways I’ve never experienced.I can barely keep my inner dragon in check when she’s near.But will my unfathomable secret keep us apart?Xander’s MateI need a mate to help me raise my charge: a baby dragon princess.And I know Summer is most definitely that woman.If we’re destined to be together, can we learn to overcome our differences?Beau’s MateI know it’s best for little Elliot, but I’m not sure I’m ready to find a mate.Especially a human one.Until I meet a sexy redhead who’s just as stubborn as I am.With this sassy witch and my hard-headed dragon, it all comes down to a battle of will.Julian’s MateAfter spending so much time with her back on Charok, I know my mate is nowhere on Earth.But when I come face to face with her again, it’s like a dream come true.Until we find out a powerful demon has slipped into the living realm on Earth along with her.Dragon’s Royal GuardA portal ripped open, thrusting me into a strange new world. And then I met her.Royal Dragon’s ProtectorI’ve been pulled from my home planet, forced to acclimate to this foreign world.But now I’m being pulled to Nora.Royal Dragon DaddyI never expected to be a single dad. Nor did I think I’d ever find a mate willing to raise another woman’s baby.Until I met Aurora.Royal Dragon’s WitchThe powerful, unyielding attraction I feel toward a certain mysterious beauty has my dragon reeling to claim what’s his.But she’s my mortal enemy.★ ★ ★ ★ ★ “A super-sized paranormal romance collection! Steamy and romantic, with adventure and great characters..” ★ ★ ★ ★ ★ “You will fall for these shifters and want one for yourself.” WARNING! Steamy shifter love scenes inside! Readers 18+ only. Dragon Mates packs Meg Ripley’s bestselling Daddy Dragon Guardians and Shifters Between Worlds series into one riveting anthology..

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

    Enjoy modern poetry, scanned pieces of typed words on scraps, and full color original artwork.Open your mind and let your heart go on an adventure.

    Each chapter serves a different purpose. The chapters are For The Healing, For The Erasing, For the Loving, For the Oppressed, and For the Broken. This book teaches you to love yourself and others. It's better experienced than described, so sit down with some coffee and allow yourself to feel-- and heal.

    . . But among the many writers who have come of age in our fin de siècle, none have succeeded more completely as poet, critic, and translator than Robert Pinsky." --James Longenbach, The NationThe poems in Robert Pinsky's At the Foundling Hospital consider personality and culture as improvised from loss: a creative effort so pervasive it is invisible. An extreme example is the abandoned newborn. At the Foundling Hospital of eighteenth-century London, in a benign and oddly bureaucratic process, each new infant was identified by a duly recorded token. A minimal, charged particle of meaning, the token might be a coin or brooch or thimble--or sometimes a poem, such as the one quoted in full in Pinsky's poem "The Foundling Tokens." A foundling may inherit less of a past than an orphan, but with a wider set of meanings. The foundling soul needs to be adopted, and it needs to be adaptive.In one poem, French and German appear as originally Creole tongues, invented by the rough needs of conquered peoples and their Roman masters. In another, creators from scorned or excluded groups--among them Irving Berlin, Quintus Horatius Flaccus, and W.E.B. Du Bois--speak, as does the Greek tragic chorus, in the first-person singular.In these poems, a sometimes desperate, perpetual reimagining of identity, on the scale of one life or of human history, is deeply related to music: The quest is lyrical, whether the subject is as specific as "the emanation of a dead star still alive" or as personal as the "pinhole iris of your mortal eye."

    It is even more remarkable if the book is set where we live, a place we thought we'd been. These poems make up a dramatic and lyrical portrait of the migration of poor Buncombe County farmers to a mill village outside Chester, S.C. However, the book is much more than documentary. Rash, whose grandparents and parents worked in the Eureka Mill interweaves his family's personal history with the broader texture of mill life, giving us at once intimacy and perspective, heart and understanding.

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension—state lines, lakes' edges, the space "between the m and the e in the word amen." From what she calls "this place inbetween" come profane prayers in which "the sound of hope and the sound of suffering" are revealed to be "the same music played on the same instrument."Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. "We receive beauty," Seuss writes, "as a nail receives / the hammer blow." This is the poetry that comes only after the white dress has been blown open—the poetry of necessity, where a wild imagination is the only hope.

    In a country where “money has won everywhere,” but the essential promise of democracy still beckons, these poems uncover our troubled psyches and show us what it might mean to be “Free Again.”

    

    Because it was extremely difficult to verbalize the events to her own children years later, her adult family knew very little of the details until 30 years after her passing in 1967. That is when her granddaughter discovered her writings and promised to tell the story of what she endured.

    A Pound of Steam presents seven poems exploring identity and alienation, a philosophical bent that can be found in her song lyrics, but here goes further to unearth truths about the human condition.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    Michael Palmer has been hailed by John Ashbery as "exemplarily radical" and by The Village Voice as "the most influential avant-gardist working, and perhaps the greatest poet of his generation." His new book, Company of Mothsa collection in four parts, "Stone," "Scale," "Company of Moths," and "Dream"is beautiful, and fierce: "bright archive, sad merriment," "question pursuing question." Palmer, in this new volume for our darkest times, asks, "How will you now read in the dark?"

    Gibson. The pages explore hurt, healing, love, forgiveness, self-discovery and the journey towards becoming a woman. Written in four chapters each piece encourages healing and the journeying of self.