And becoming “heartless” is only the beginning. What lies ahead is a nightmare far bigger, far more monstrous than anything she could have ever imagined.With reality turned on its head, Dee has only a group of other deal-making teens to keep her grounded, including the charming but secretive James Lancer. And as something grows between them amid an otherworldy ordeal, Dee begins to wonder: Can she give someone her heart when it’s no longer hers to give?

    Pearl deals with death, life, and family in this haunting, humorous, and poignant debut.The world can tip at any moment… a fact that fifteen-year-old Pearl is all too aware of when her mum dies after giving birth to her baby sister, Rose.Rose, who looks exactly like a baby rat, all pink, wrinkled, and writhing. This little Rat has destroyed everything, even ruined the wonderful relationship that Pearl had with her stepfather, the Rat’s biological father.Mum, though… Mum’s dead but she can’t seem to leave. She keeps visiting Pearl. Smoking, cursing, guiding.Told across the year following her mother’s death, Pearl’s story is full of bittersweet humour and heartbreaking honesty about how you deal with grief that cuts you to the bone, as she tries not only to come to terms with losing her mother, but also the fact that her sister — The Rat — is a constant reminder of why her mum is no longer around.

    But that doesn’t matter. Cassie’s in trouble, so Wylie decides to do what she has done so many times before: save her best friend from herself.This time it’s different, though. Instead of telling Wylie where she is, Cassie sends cryptic clues. And instead of having Wylie come by herself, Jasper shows up saying Cassie sent him to help. Trusting the guy who sent Cassie off the rails doesn’t feel right, but Wylie has no choice: she has to ignore her gut instinct and go with him.But figuring out where Cassie is goes from difficult to dangerous, fast. As Wylie and Jasper head farther and farther north into the dense woods of Maine, Wylie struggles to control her growing sense that something is really wrong. What isn’t Cassie telling them? And could finding her be only the beginning?

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    After a troubled youth marred by trauma, he's finally set off on his own to college for a fresh start. So far things are going well, but soon demon season will start and he'll have three nights to lure a demon to him so that they can bond. The demon will feed off him for the rest of his life and in exchange, he'll gain the demon's protection. But every demon is different, and he wonders if he'll even be able to bond with one. As his first night comes, he finds himself in an unusual situation and before he can think, he's bound to a demon he knows almost nothing about. When his demon reveals himself to be the prince of demons and an incubus, Taylor is forced to confront his own past and his repressed sexuality in order to give his demon what he needs to survive. Trying to fit in on campus while bonded to the prince of demons is difficult, and being with an incubus even harder, and Taylor has to find the courage to move on from his past and embrace his future.

    Improvisation is as much about technique as it is what's inside your head. Improv Therapy takes a look at the improviser's mind and what blocks improvisers on stage, and gives them practical advice to overcome their issues so they can become the improviser they always dreamed of being. Written by Jimmy Carrane, host of the Improv Nerd podcast and co-author of Improvising Better: A Guide for the Working Improviser. He teaches his award-winning Art Of Slow Comedy improv classes in Chicago.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    Here she meets a roommate with a secret (and a plastic baby), a doctor who focuses way too much on her weight, and a cute, shy boy who just might like her.But wait! Being trapped in a loony bin isn’t supposed to be about making friends, losing weight, and having a crush, is it? In her fiction debut, Julie Halpern finds humor in the unlikeliest of places, and presents a character whose voice—and heart—will resonate with all of us who have ever felt just a little bit crazy.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Nicole Lyons' voice undulates from pain to ecstasy, at breakneck speed. Erotic, soulful and authentic, Nicole has written a raw memoir encapsulated in poems. Stepping off the cliff, delving into HUSH, readers will find themselves breathless and wanting more.

    At first, the new doctor cures anything

    The Governor General’s Award-winning musical documents the glorious World War I exploits of Canadian flying ace Billy Bishop.

    That’s what happens to Cameron, a popular pretty boy who's never had to face a day looking anything but perfect.All Cameron wants to do is go back to normal, but no one, not even the best doctors, can diagnose his condition. When he finds love with a mysterious young woman, however, he realizes his only hope for survival might be with the one person who started his condition in the first place...

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.