Now available in mass market paperback for the first time, this novel by the #1 New York Times bestselling author takes readers on an unforgettable journey into a harrowing world where forbidden passions have catastrophic consequences.

    Ten-year-old Virginia Wrathmell arrives at Salt Winds, a secluded house on the edge of a marsh, to meet her adoptive parents—practical, dependable Clem and glamorous, mercurial Lorna. The marsh, with its deceptive tides, is a beautiful but threatening place. Virginia’s new parents’ marriage is full of secrets and tensions she doesn’t quite understand, and their wealthy neighbor, Max Deering, drops by too often, taking an unwholesome interest in the family’s affairs. Only Clem offers a true sense of home. War feels far away among the birds and shifting sands—until the day a German fighter plane crashes into the marsh, and Clem ventures out to rescue the airman. What happens next sets into motion a crime so devastating it will haunt Virginia for the rest of her life. Seventy-five years later, she finds herself drawn back to the marsh, and to a teenage girl who appears there, nearly frozen and burdened by her own secrets. In her, Virginia might have a chance at retribution and a way to right a grave mistake she made as a child.  Elizabeth Brooks’s gripping debut mirrors its marshy landscape—full of twists and turns and moored in a tangle of family secrets. A gothic, psychological mystery and atmospheric coming-of-age story, The Orphan of Salt Winds is the portrait of a woman haunted by the place she calls home.

    Katya Ivanova is a young pilot in a far-flung military academy in the Ural Mountains. From childhood, she’s dreamed of taking to the skies to escape her bleak mountain life. With the Nazis on the march across Europe, she is called on to use her wings to serve her country in its darkest hour. Not even the entreaties of her new husband—a sensitive artist who fears for her safety—can dissuade her from doing her part as a proud daughter of Russia.After years of arduous training, Katya is assigned to the 588th Night Bomber Regiment—one of the only Soviet air units composed entirely of women. The Germans quickly learn to fear nocturnal raids by the daring fliers they call “Night Witches.” But the brutal campaign will exact a bitter toll on Katya and her sisters-in-arms. When the smoke of war clears, nothing will ever be the same—and one of Russia’s most decorated military heroines will face the most agonizing choice of all.

    However, not even the pastoral surroundings of their new home can protect them from the terrors of war. When the Nazis invade and Greta is kidnapped, Henrik must shed his youthful innocence and search for his lost sister, a quest that will further reveal a harrowing landscape of violence and struggle―but also unexpected connections.Uniquely told from the perspective of youth plunged into adult chaos, Pastel Orphans is a coming-of-age story that explores profound lessons in self-belief, kindness, and human endurance. Revised edition: This edition of Pastel Orphans includes editorial revisions.

    As she gets to know Vincent again, she hears a tragic story of Nazi occupied Paris, a doomed love affair and a mother willing to sacrifice everything for her beloved daughter.Can Valerie and Vincent help each other to mend the wounds of the past? Valerie isn’t after a fairy-tale ending, she only wants the truth. But what is the one devastating secret that Vincent is determined to keep from his granddaughter?

    Taylor’s gripping and passionate story takes us back to 1937. Sent to Paris on family business, he reluctantly leaves his girlfriend Emily, a spoiled debutante from Newport, Rhode Island. But once in Europe, he immediately falls in love—first with an Henri Lebasque painting, and then with the enchanting Sarah Berger of Berlin. After Taylor returns home, the Berger family becomes trapped in the Nazi web, and any attempts for the new lovers to be reunited are thwarted.Interwoven with this narrative is the story of Rachel Gold, a beautiful and bright Chicago girl caught up in the times of the late 1960s. Pregnant and abandoned by her boyfriend Court Woodmere, Taylor’s son, she moves to New York to live with her aunt, a Holocaust survivor. Years later, as the controversy surrounding the provenance of the painting becomes public, Rachel’s grown son is disturbed by his inexplicable familiarity with the work of art. And it is only Taylor Woodmere who can unravel the complicated puzzle of their lives.With a heart-grabbing ending, Pictures of the Past is historical fiction at its best, giving a personalized window to the powerful events and intriguing venues of the eras. From a world torn by the horrors of war, a love story emerges that endures through years of separation.

    Despite the stars (literally and figuratively) in Charlene’s eyes, her mother has different ideas about her daughter’s future…leading to the inevitable clash of wills as the first Thanksgiving of World War II unfolds.Meanwhile, Charlene’s two older brothers, Jonathan and Joseph, have traveled home to Pittsburgh all the way from Arizona for a brief holiday furlough from their Army Air Forces training... and for what all family members realize will be the boys’ last Thanksgiving at home for a long while. For Jonathan, this Thanksgiving furlough presents a monumental predicament: what he should do when he encounters Francine Donner, his would-be fiancé. Jonathan had just started proposing to her the previous Christmas Eve when Francine blurted out a shameful secret that halted the proposal…but what will happen eleven months later when Jonathan and Francine come together again?Irene Coleman is determined to make this Thanksgiving as joyous as possible for everyone who will gather around her table and share the festivities, despite the wartime circumstances and how difficult a year 1942 has been at war and also the home front…and even as the days leading up to the holiday itself unfold very differently than she had envisioned.Come join Jonathan, Joseph, Charlene, Irene and Gerald, and the other members of the Coleman family during the days leading up to the first Thanksgiving of World War II in this sequel to The First Christmas of the War.

    And while the elderly Russian woman cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—her distant past is preserved: vivid images that rise unbidden of her youth in war-torn Leningrad.In the fall of 1941, the German army approached the outskirts of Leningrad, signaling the beginning of what would become a long and torturous siege. During the ensuing months, the city's inhabitants would brave starvation and the bitter cold, all while fending off the constant German onslaught. Marina, then a tour guide at the Hermitage Museum, along with other staff members, was instructed to take down the museum's priceless masterpieces for safekeeping, yet leave the frames hanging empty on the walls—a symbol of the artworks' eventual return. To hold on to sanity when the Luftwaffe's bombs began to fall, she burned to memory, brushstroke by brushstroke, these exquisite artworks: the nude figures of women, the angels, the serene Madonnas that had so shortly before gazed down upon her. She used them to furnish a "memory palace," a personal Hermitage in her mind to which she retreated to escape terror, hunger, and encroaching death. A refuge that would stay buried deep within her, until she needed it once more. . . .

    But lately, all too much is being asked of him. The bombing of Pearl Harbor plunges America into World War II and deeply fractures Jonathan’s own family. His eldest son, a civilian contractor, is trapped on a Japanese-occupied island in the Pacific. Jonathan’s feckless younger son ignores his father’s pleas to stay home and joins the army. And his bright, devoted daughter, who Jonathan hoped would go to college, elopes with a brutally abusive man instead.Jonathan has always met adversity with quiet faith, but as his emotional and financial losses accumulate, so do his doubts. In the midst of his pain, Sarah, a widow herself, emerges as a kind, compelling friend. Powerfully drawn to Sarah, Jonathan struggles to remain true to his late wife. James D. Shipman’s tender, wise novel examines the paradox of human suffering: how irrevocable loss, if we are willing to let it, begets spiritual gain.

    Their fathers, though once enemy combatants, are friends having met one another in No Man's Land during the spontaneous Christmas Truce of World War One. When Hans and Aimée meet for the first time in 1940 during the Nazi occupation of France, they could not have envisioned the course of events that would ensue as Europe spirals into the abyss of global conflict. With World War Two raging and the deportation of Jews escalating, Hans learns Aimée and her entire family are intended for arrest and deportation. In response, he executes a daring and courageous plan to rescue them from the fatal grip of the Gestapo, a plan enacted against all odds and borne of selfless love.

    Christians serving Hitler? Never before undertaken in a novel, 'The Seduction of Eva Volk' explores the reality of this no-so-simple paradox from the German point of view.Through the eyes of young Eva Volk, the alluring charm of the Hitler movement is personified in a lover. Desperately seeking wholeness in her broken world, she is quickly swept away by the passions of love and war...until she finds herself facing the consequences of blindness. Her's is a story that serves as a warning to us all.

    --Delia Owens, author of Where the Crawdads SingSpanning World War II and the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.A woman. A war. The child who changed everything.December 1940. As German bombs fall on Southampton, England during World War II, the city's residents flee to the surrounding villages. In Upton village, amid the chaos, newly married Ellen Parr finds a girl asleep, unclaimed at the back of an empty bus. Little Pamela, it seems, is entirely alone.Ellen has always believed she does not want children, but when she takes Pamela into her home, the child cracks open the past Ellen thought she had escaped and the future she and her husband Selwyn had dreamed for themselves. As the war rages on, love grows where it was least expected, surprising them all. But with the end of the fighting comes the realization that Pamela was never theirs to keep. Spanning the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.

    Her canvas is monumental -- the Nazis' 1941 winter siege on Leningrad that killed six hundred thousand -- but her focus is heartrendingly intimate. One family, the Levins, fights to stay alive in their small apartment, held together by the unlikely courage and resourcefulness of twenty-two-year-old Anna. Though she dreams of an artist's life, she must instead forage for food in the ever more desperate city and watch her little brother grow cruelly thin. Their father, a blacklisted writer who once advocated a robust life of the mind, withers in spirit and body. At such brutal times everything is tested. And yet Dunmore's inspiring story shows that even then, the triumph of the human heart is that love need not fall away.

    Young Esther Evans has lived her whole life within the confines of her remote mountain village. The daughter of a fiercely nationalistic sheep farmer, Esther yearns for a taste of the wider world that reaches her only through broadcasts on the BBC. Then, in the wake of D-day, the world comes to her in the form of a German POW camp set up on the outskirts of Esther's village. The arrival of the Germans in the camp is a source of intense curiosity in the local pub, where Esther pulls pints for both her neighbors and the unwelcome British guards. One summer evening she follows a group of schoolboys to the camp boundary. As the boys heckle the prisoners across the barbed wire fence, one soldier seems to stand apart. He is Karsten Simmering, a German corporal, only eighteen, a young man of tormented conscience struggling to maintain his honor and humanity. To Esther's astonishment, Karsten calls out to her. These two young people from worlds apart will be drawn into a perilous romance that calls into personal question the meaning of love, family, loyalty, and national identity. The consequences of their relationship resonate through the lives of a vividly imagined cast of characters: the drunken BBC comedian who befriends Esther, Esther's stubborn father, and the resentful young British "evacuee" who lives on the farm-even the German-Jewish interrogator investigating the most notorious German prisoner in Wales, Rudolf Hess. Peter Ho Davies has been hailed for his "all-encompassing empathy that is without borders" (Elle). That trancendent compassion shines through The Welsh Girl, a novel that is both thought-provoking and emotionally enthralling.

    Based on the wartime diaries of the author’s father, the novel tells the story of Tholdi, a 16-year-old Jewish boy living in Czernowitz—now known as Chernivtsi in Ukraine—during WWII. Tholdi is a musical prodigy who wants to become a conductor, but the year is 1941, and he and his family are forced into the Czernowitz ghetto. After two weeks in appalling conditions, they manage to bribe their way out as ‘skilled Jews’ and Tholdi gets a job at a weaving mill. However, before long he learns that the two brothers in charge are Nazi collaborators who are receiving a hefty commission for herding Jews onto trains bound for the concentration camps of Transnistria. Thanks to a chance encounter with a Romanian ‘gypsy’, Tholdi devises a way to save himself and his family—but it comes at a cost, especially to his integrity. This book is a fascinating retelling of true events, painting a vivid picture of Czernowitz and what is often called the forgotten Holocaust in Transnistria. Rick Held’s experience as a television screenwriter and editor shows in the fast pacing of the narrative, which will also appeal to anyone who enjoys well-developed historical writing.