Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

    The marked contrasts between powerful royalty, landless peasants, Viking warriors and noble knights are expertly brought to life in this gripping tale of the French prince named Rumon. Shipwrecked off the Cornish coast on his quest to find King Arthur's legendary Avalon, Rumon meets a lonely girl named Merewyn and their lives soon become intertwined. Rumon brings Merewyn to England, but once there he is so dazzled by Queen Alrida's beauty that it makes him a virtual prisoner to her will. In this riveting romance, Anya Seton once again proves her mastery of historical detail and ability to craft a compelling tale that includes real and colorful personalities such as St. Dunstan and Eric the Red.

    Will you flip forward fetchingly to find love with the bantering baronet Sir Benedict Granville? Or turn the page to true love with the hardworking, horse-loving highlander Captain Angus McTaggart? Or perhaps race through the chapters chasing a good (and arousing) man gone mad, bad, and scandalous to know, Lord Garraway Craven? Or read on recklessly and take to the Continent as the “traveling companion” of the spirited and adventuresome Lady Evangeline? Or yet some other intriguing fate? Make choices, turn pages, and discover all the daring delights of the multiple (and intertwining!) storylines. And in every path you pick, beguiling illustrations bring all the lust and love to life.

    Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for...

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    But while attending a lecture given by Samuel Taylor Coleridge in 1810, he becomes marooned in Regency London, where dark and dangerous forces know about the gates in time.Caught up in the intrigue between rival bands of beggars, pursued by Egyptian sorcerers, and befriended by Coleridge, Doyle somehow survives and learns more about the mysterious Ashbless than he could ever have imagined possible...

    The lives of men and women are as challenging as the climate and lands in which they dwell. For generations, the Erlings of Vinmark have taken their dragon-prowed ships across the seas, raiding the lands of the Cyngael and Anglcyn peoples, leaving fire and death behind. But times change, even in the north, and in a tale woven with consummate artistry, people of all three cultures find the threads of their lives unexpectedly brought together...Bern Thorkellson, punished for his father's sins, commits an act of vengeance and desperation that brings him face-to-face, across the sea, with a past he's been trying to leave behind.In the Anglcyn lands of King Aeldred, the shrewd king, battling inner demons all the while, shores up his defenses with alliances and diplomacy-and with swords and arrows-while his exceptional, unpredictable sons and daughters pursue their own desires when battle comes and darkness falls in the woods.And in the valleys and shrouded hills of the Cyngael, whose voices carry music even as they feud and raid amongst each other, violence and love become deeply interwoven when the dragon ships come and Alun ab Owyn, chasing an enemy in the night, glimpses strange lights gleaming above forest pools.Making brilliant use of saga, song and chronicle, Kay brings to life an unforgettable world balanced on the knife-edge of change in The Last Light of the Sun.

    This incredible portrait of Erik--the Phantom--recreates his entire life, from his survival as a child in a carnival freak show to his creative genius behind the Paris Opera House--and its labyrinthine world below--to his discovery of love.

    As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses,

    His father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. At the age of sixteen, Diego is sent to Spain, a country chafing under the corruption of Napoleonic rule. He soon joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. Between the New World and the Old, the persona of Zorro is formed, a great hero is born, and the legend begins. After many adventures -- duels at dawn, fierce battles with pirates at sea, and impossible rescues -- Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

    . . and menace.Aided only by a beautiful young Florentine with a conspirator’s mind and dark secrets, Franco is soon caught up in a life-and-death struggle from which there is no escape. Relentlessly pursued by deadly assassins and demons of his own, in the end he must confront—and defeat—an evil greater than anything conjured in his worst nightmares.Packed with breathtaking invention and breakneck adventure, The Medusa Amulet is a harrowing ride from the streets of Chicago to the châteaux of France, from the ramparts of the French Revolution to the palazzos of Rome, a story where historical fact meets with fascinating conjecture . . . and the impossible becomes terrifyingly real. Like a masterpiece from the hand of Cellini himself, The Medusa Amulet is a unique and powerful work, as inviting as it is forbidding, as ingenious as it is bold.

    Maddened by the discovery of his wife's orgies, King Shahrayar believes all women are unfaithful and vows to marry a virgin every night and kill her in the morning. To survive, his newest wife Shahrazad spins a web of tales night after night, leaving the King in suspense when morning comes, thus prolonging her life for another day.Written in Arabic from tales gathered in India, Persia and across the great Arab empire, these mesmerising stories tell of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate.Now adapted by Hanan al-Shaykh the One Thousand and One Nights are revealed in an intoxicating new voice.

     Stumbling in the dark of an unfinished tomb beneath the sands of Saqqara, American tourist Tim Hope unknowingly passes through a time portal that leads to ancient Egypt — a time before the Sphinx, before the great pyramids of Giza, and long before the loss of his beloved Addy. When he discovers that two other Americans preceded him through the time portal, Tim immerses himself in the ancient world to search for them. As he becomes more comfortable with the simpler, more immediate land, he finds himself irresistibly attracted to the delicate Meryt, a wbt-priestess for the god Re. Learning that a seven-year famine has led to a plot to overthrow King Djoser, Tim discovers that his fate, the lives of the two Americans and the future of Egypt rest in the hands of the legendary Imhotep, master architect of the Step Pyramid, renowned physician and intimate adviser to King Djoser. Downloaded by more than 100,000 readers, “Imhotep" is the first book in an acclaimed four-book series about the ancient Egyptian architect Imhotep. The second book in the series is "The Buried Pyramid." The third book is "The Forest of Myrrh." The fourth book is "The Field of Reeds."

    ” A timeless tale of love,  devotion . . . and the undead.Jane Slayre, our plucky demon-slaying heroine, a courageous orphan who spurns the detestable vampyre kin who raised her, sets out on the advice of her ghostly uncle to hone her skills as the fearless slayer she’s meant to be. When she takes a job as a governess at a country estate, she falls head-over-heels for her new master, Mr. Rochester, only to discover he’s hiding a violent werewolf in the attic—in the form of his first wife. Can a menagerie of bloodthirsty, flesh-eating, savage creatures-of-the-night keep a swashbuckling nineteenth-century lady from the gentleman she intends to marry? Vampyres, zombies, and werewolves transform Charlotte Brontë’s unforgettable masterpiece into an eerie paranormal adventure that will delight and terrify.

    Scottish novelist and poet Sir Walter Scott (1771 - 1832), a literary hero of his native land, turned to writing only when his law practice and printing business foundered. Among his most beloved works are Rob Roy (1818), and Ivanhoe (1820). American writer William Vaughn Moody (1869 - 1910) served as co-editor of the Harvard Monthly and assistant professor of English at the University of Chicago. He authored several verse plays, books of poetry, and histories and criticisms of English literature.