Will her photos ever meet his high standards? When she discovers that he's judging a photo contest, Lucy decides to enter anonymously. She wants to find out if her eye for photography is really special -- or only good enough.As she seeks out subjects for her photos, Lucy gets to know Nate, the boy next door. But slowly the camera reveals what Nate doesn't want to see: his grandmother's memory is slipping away, and with it much of what he cherishes about his summers on the lake. This summer, Nate will learn about the power of art to show truth. And Lucy will learn how beauty can change lives . . . including her own.

    With a little help from her notoriously cantankerous grandfather, an avid naturalist, she figures out that the green grasshoppers are easier to see against the yellow grass, so they are eaten before they can get any larger.As Callie explores the natural world around her, she develops a close relationship with her grandfather, navigates the dangers of living with six brothers, and comes up against just what it means to be a girl at the turn of the century.Debut author Jacqueline Kelly deftly brings Callie and her family to life, capturing a year of growing up with unique sensitivity and a wry wit.

    Cora is still grappling with the death of her beloved sister in a school shooting, and Quinn is carrying the guilt of what her brother did.On the day of Cora’s twelfth birthday, Quinn leaves a box on her doorstep with a note. She has decided that the only way to fix things is to go back in time to the moment before her brother changed all their lives forever—and stop him.In spite of herself, Cora wants to believe. And so the two former friends begin working together to open a wormhole in the fabric of the universe. But as they attempt to unravel the mysteries of time travel to save their siblings, they learn that the magic of their friendship may actually be the key to saving themselves.

    After being separated from her sister and sold to a cruel goat farmer, Astri makes a daring escape. She quickly retrieves her little sister, and, armed with a troll treasure, a book of spells and curses, and a possibly magic hairbrush, they set off for America. With a mysterious companion in tow and the malevolent “goatman” in pursuit, the girls head over the Norwegian mountains, through field and forest, and in and out of folktales and dreams as they steadily make their way east of the sun and west of the moon.

    Already a For Sale sign mars the front lawn of her beloved house. Soon her mother will upend their little family, adding an unwelcome stepfather and pesky six-year-old twin stepsisters. To add insult to injury, what is Macy s final sixth grade assignment? A genealogy project. Well, she'll put it off―just like those wedding centerpieces she's supposed to be making. Just when Macy's mother ought to be sympathetic, she sends her next door to help eighty-six-year-old Iris Gillan, who is also getting ready to move―in her case, into an assisted living facility. Iris can't move a single box on her own and, worse, she doesn't know sign language. How is Macy supposed to understand her? But Iris has stories to tell, and she isn't going to let Macy's deafness stop her. Soon, through notes and books and cookies, a friendship grows. And this friendship, odd and unexpected, may be just what Macy needs to face the changes in her life. Shari Green, author of Root Beer Candy and Other Miracles, writes free verse with the lightest touch, spinning Macy out of her old story and into a new one full of warmth and promise for the future.

    Owens grabbed a brick and hurled it at the trash picker. Arthur had his reasons, and the brick hit the Junk Man in the arm, not the head. But none of that matters to the judge—he is ready to send Arthur to juvie for the foreseeable future. Amazingly, it’s the Junk Man himself who offers an alternative: 120 hours of community service . . . working for him. Arthur is given a rickety shopping cart and a list of the Seven Most Important Things: glass bottles, foil, cardboard, pieces of wood, lightbulbs, coffee cans, and mirrors. He can’t believe it—is he really supposed to rummage through people’s trash? But it isn’t long before Arthur realizes there’s more to the Junk Man than meets the eye, and the “trash” he’s collecting is being transformed into something more precious than anyone could imagine. . . . Inspired by the work of American folk artist James Hampton.

    The work was hard, thankless and brutally dangerous. Eleven-year-old Nan Sparrow is quite possibly the best climber who ever lived--and a girl. With her wits and will, she's managed to beat the deadly odds time and time again. But when Nan gets stuck in a deadly chimney fire, she fears her time has come. Instead, she wakes to find herself in an abandoned attic. And she is not alone. Huddled in the corner is a mysterious creature--a golem--made from ash and coal. This is the creature that saved her from the fire. Sweep is the story of a girl and her monster. Together, these two outcasts carve out a life together--saving one another in the process.

    Will she discover the link between her family’s literary legacy and Shakespeare’s tomb before it’s too late? Antique paintings, secret passages, locked mausoleums, a four-hundred-year-old treasure, and a cast of quirky (and some ignoble) characters all add up to a fun original adventure. Readers will revel in a whirlwind journey through literary time and space in real-world locales from Mont St. Michel to Stratford-Upon-Avon to Central Park!

    It should be perfect--but times are tough. Hitler is attacking Europe and it looks like the United States may be going to war. Food is rationed and money is tight. And Millie's sickly little sister gets all the attention and couldn't be more of a pain if she tried. It's all Millie can do to stay calm and feel in control.Still--there's sand beneath her feet. A new neighbor from the city, who has a lot to teach Millie. And surfer boy Rocky to admire--even if she doesn't have the guts to talk to him.It's a time of sunshine, siblings, and stress. Will Millie be able to find her way in her family, and keep her balance as the world around her loses its own?The Newbery Award-winning author of Catherine, Called Birdy and The Midwife's Apprentice tells a heartfelt and humorous story of WWII on the homefront.

    While Emma desperately tries to find her niche, she discovers that perhaps it's better to be her own freak than someone else's Freke.-- "Journal"

    Finally, Grandpa Ephraim offers proof. The Circus is real. And the Lightbender owes Ephraim a miracle. With his friend Jenny Mendoza in tow, Micah sets out to find the Circus and the man he believes will save his grandfather.The only problem is, the Lightbender doesn't want to keep his promise. And now it's up to Micah to get the miracle he came for.

    During kindergarten recess, one accidentally hitches a ride out of town on a boxcar. One winds up trapped in the breadbox outside the deli. One offers to escort a Salvation Army man to his destination - and accidentally bumps him from his horse-drawn wagon.

    Actor Mona 13 recites poetry and Shakespeare at the drop of a hat. Engineer Rush 12, mischievous, builds Meccano bridges. Miranda "Randy" 10 dances and paints pictures. Oliver, 6, calm and thoughtful, is a train engineer. Father writes. Housekeeper Cuffy mothers.

      Terpsichore can’t wait to follow in Laura Ingalls Wilder’s footsteps . . . now she just has to convince her mom. It’s 1934, and times are tough for their family. To make a fresh start, Terpsichore’s father signs up for President Roosevelt’s Palmer Colony project, uprooting them from Wisconsin to become pioneers in Alaska. Their new home is a bit of a shock—it’s a town still under construction in the middle of the wilderness, where the residents live in tents and share a community outhouse. But Terpsichore’s not about to let first impressions get in the way of this grand adventure. Tackling its many unique challenges with her can-do attitude, she starts making things happen to make Alaska seem more like home. Soon, she and her family are able to start settling in and enjoying their new surroundings—everyone except her mother, that is. So, in order to stay, Terpsichore hatches a plan to convince her that it’s a wonderful—and civilized—place to live . . . a plan that’s going to take all the love, energy, and Farmer Boy expertise Terpsichore can muster.

    Tyler isn’ t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it.