She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”

    Anne Rice brings to life the exquisite and otherworldly society of the eighteenth-century castrati, the delicate and alluring male sopranos whose graceful bodies and glorious voices brought them the adulation of the royal courts and grand opera houses of Europe, men who lived as idols, concealing their pain as they were adored as angels, yet shunned as half-men.As we are drawn into their dark and luminous story, as the crowds of Venetians, Neopolitans, and Romans, noblemen and peasants, musicians, prelates, princes, saints, and intriguers swirl around them, Anne Rice brings us into the sweep of eighteenth-century Italian life, into the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius.

    The Great War is over, Prohibition is in full swing, the Depression still years away, and Newport, Rhode Island's glittering "summer cottages" are inhabited by the gloriously rich families who built them.Attorney Adrian De la Noye is no stranger to Newport, having sheltered there during his misspent youth. Though he'd prefer to forget the place, he returns to revise the will of a well-heeled client. Bennett Chapman's offspring have the usual concerns about their father's much-younger fiancee. But when they learn of the old widower's firm belief that his first late wife, who "communicates" via seance, has chosen the beautiful Catherine Walsh for him, they're shocked. And for Adrian, encountering Catherine in the last place he saw her decades ago proves to be a far greater surprise.Still, De la Noye is here to handle a will, and he fully intends to do so--just as soon as he unearths every last secret, otherworldly or not, about the Chapmans, Catherine Walsh . . . and his own very fraught history.A skillful alchemy of social satire, dark humor, and finely drawn characters, Newport vividly brings to life the glitzy era of the 1920s.

    Crowds pack the courtroom, eagerly following every twist, while the newspapers print lurid theories about the killings and the mysterious woman being held in the Old Bailey.The testimonies against Frannie are damning. She is a seductress, a witch, a master manipulator, a whore.But Frannie claims she cannot recall what happened that fateful evening, even if remembering could save her life. She doesn’t know how she came to be covered in the victims’ blood. But she does have a tale to tell: a story of her childhood on a Jamaican plantation, her apprenticeship under a debauched scientist who stretched all bounds of ethics, and the events that brought her into the Benhams’ London home—and into a passionate and forbidden relationship.Though her testimony may seal her conviction, the truth will unmask the perpetrators of crimes far beyond murder and indict the whole of English society itself.The Confessions of Frannie Langton is a breathtaking debut: a murder mystery that travels across the Atlantic and through the darkest channels of history. A brilliant, searing depiction of race, class, and oppression that penetrates the skin and sears the soul, it is the story of a woman of her own making in a world that would see her unmade.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    Will she break her own heart to protect the man she longs to marry? Sofia Ambrose would rather be a spinster than lose another life to her family’s devastating curse. So when she inherits her grandmother’s massive Texas oil company and gloomy ancestral mansion, she adds her former veterinary career to her long list of sacrifices. But when disaster strikes the business, the last thing she needs is a handsome firefighter giving her lip.Gavin Spencer knows his job is too risky for him to settle down and start a family. And he certainly won’t endanger the lives of his crew by caving in to the demands of a spoiled heiress. But when he meets the alluring beauty face-to-face, he wonders whether he got her all wrong…As the two work side-by-side, they can’t ignore the sparks between them. And while Sofia struggles to keep her fears about love at bay, she unearths a century-old diary that could be the key to reversing her misfortune.Can Sofia and Gavin end the sinister jinx and open the well of a bright new future?Mostly Dangerous is the first book in the atmospheric Women of Ambrose Estate gothic romance series. If you like enchanting chemistry, intriguing legacies, and moody mysteries, then you’ll adore Kimberley Montpetit’s sweet and smoldering love story. Buy Mostly Dangerous to fight for passion today! THE WOMEN OF AMBROSE ESTATE:Mostly DangerousMostly PerfectMostly PerilousMostly Risky

    Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren't as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her. But Alva doesn't believe in ghosts. So when the eccentric and brilliant professor, Samuel Moore, appears and informs her that he can get to the bottom of the mystery that surrounds Liefdehuis, she turns him down flat. She doesn't need any more complications in her life―especially not a handsome, convention-flouting, scandal-raising one like Sam. Unfortunately, though Alva is loath to admit it, Sam, a pioneer in electric lighting and a member of the nationally-adored Moore family of scientists, is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva's new home while Sam attempts to unlock Alva's history―and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeous debut by Diana Biller, with a darkly Victorian Gothic flair and an intrepid and resilient American heroine guaranteed to delight readers.

    To a marriage that ends after a year, leaving Sarah shattered. A trip to Europe with her parents does little to raise her spirits, until she meets William, Duke of Whitfield. In time, despite her qualms, William insists on giving up his distant right to the British throne to make Sarah his dutchess and his wife. On their honeymoon, the newlyweds buy an old French chateau, but not long after, the war begins. William joins the allied forces, leaving Sarah, their first child, an infant, and their second child on the way, in France. After the Nazi forces take over the chateau, Sarah continues to survive the terror and deprivation of the Occupation, unwavering in her belief that her missing-in-action husband is still alive. After the war, as a gesture of goodwill, the Whitfields start buying jewels offered for sale by impoverished war survivors. With Sarah's style and keen eye, the collection becomes the prestigious Whitfield's jewelry store in Paris. Eventually, their jewelry business expands to London and Rome, as their family grows. Phillip, their firstborn, is stubborn and proud; Julian, their second son, is charming and generous and warm; Isabelle is rebellious and willful; and Xavier, unusual and untamed, is the final unexpected gift of their love. They each find their own way, but will be drawn to the great house of gems their parents built. In Jewels, Danielle Steel takes the reader through five eventful decades that include war, passion, international intrigue, and the strength of family through it all.

    The unmannered Scot is a menace to genteel ladies everywhere, what with his booming laugh and swishing kilt and endless supply of ‘ochs’ and ‘ayes.’ Jane wishes Lord Hadley would behave as an earl should and adhere to English rules of polite conduct. Andrew Langston, the new Earl of Hadley, knows that the English aristocracy think poorly of his lowly Scottish upbringing. This is hardly new. History is littered with the English assuming the worst about Scotland. By living up to their lowest expectations, he is simply fulfilling his civic duty as a Scotsman. Jane sees Andrew as an unmannered eejit. Andrew considers Jane to be a haughty English lady. But, as the saying goes, . . . opposites attract. And what if beneath his boisterous behavior and her chilly reserve, Andrew and Jane are not nearly as different as they suppose? Can Scotland and England reach a harmonious union at last?

    She dreams of leaving the dusty African town of Blancville behind her and really changing the world, but she knows it will take a lot of hard work. Her hard work pays off when she is admitted to the Royal Academy – the first girl to ever be admitted to the prestigious all boys’ school.But everything changes when Myrna discovers she is pregnant. Suddenly her well-ordered life begins to unravel. When an offer of marriage from a wealthy older man is presented to her family, Myrna knows what she must do – the bride price is too great for her family to refuse. Setting her own hopes and dreams aside, Myrna accepts marriage to a man she has met only once, who will take her far from the only home she has ever known.This sweeping novel of hope and redemption follows the life of three generations of Chitundus as they discover the powerful bond of family, faith, and love is not easily broken.

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

    Adultery, death, and the spectacle of female recrimination and suffering are the elements that combine to make The Doctor's Wife a classic women's 'sensation' novel. Yet it is also Braddon's most self-consciously literary work and her rewriting of Madame Bovary. Like Emma Bovary, Braddon's heroine, Isabel Gilbert, is trapped in a marriage to a man incapable of understanding her imaginative life. But Braddon's novel differs vastly from Flaubert's in the nature and consequences of Isabel's 'affair'.

    A brooding stranger seduces her from the remote island onto his yacht. Trapped in a web of intrigue, cruelty, and deceit, she flees to Italy, France, Germany, from Paris garret to mental asylum, from convent to chateau - stalked by obsessed Phillip Tempest.Two years before Little Women, serialized in a magazine under the alias A.M. Barnard in 1866, this was buried among the author's papers over a century.

    Nicholas Langdon is no stranger to reserved civility or bloody barbarity. After suffering a battlefield injury, the wealthy, well-connected British officer returns home to heal—and to fulfill a dying soldier’s last wish by delivering his coded diary.At the home of the Wilherns, one of England’s most powerful families, Langdon attends a lavish ball where he meets their beautiful and intelligent ward, Julia Grey. Determined to maintain propriety, he keeps his distance—until the diary is stolen and all clues lead to Julia’s guardian. As Langdon traces an evil plot that could be the nation’s undoing, he grows ever more intrigued by the lovely young woman. And when Julia realizes that England—and the man she is falling in love with—need her help, she finds herself caught in the fray. Will the two succumb to their attraction while fighting to save their country?