We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    Canadian Literature greeted its first appearance in these terms: "It is the French-Canadian writer Roch Carrier who comes closest to the significance, power and artistry of Faulkner at his best . . . . He might well be able to do for French Canada what Faulkner did for the American South."

    She is a wife, a mother, and the owner of Happy People Read and Drink Coffee, a cozy literary cafe in Paris. But when she suddenly loses her beloved husband and daughter in a tragic car accident, the world as she knows it instantly vanishes. Trapped and haunted by her memories, Diane retreats from friends and family, unable and unwilling to move forward. But one year later, Diane shocks her loved ones and makes the surprising decision to move to a small town on the Irish coast, finally determined to heal and rebuild her life alone—until she meets Edward, the attractive yet taciturn Irish photographer who lives next door. At first abrasive and unwelcoming, Edward initially resents Diane’s intrusion into his life of solitude . . . until he can no longer keep her at arm’s length, and they fall into a surprising and tumultuous romance. But will it last when Diane leaves Ireland, and Edward, for the home she once ran away from in Paris? At once heartbreaking and uplifting, Diane’s story is deeply felt, reminding us that love remembered is love enduring.

    Transformed into the walking dead on her wedding day, Hadriana becomes part of popular legend, one imbued with magic, eroticism, and even humor."--Tor.com "You do not need to believe in zombies or Vodou to be carried away by this story--a metaphor for all forms of dispossession. . . . Rene Depestre has gone beyond nostalgia to write a sumptuous love story."-- Le Monde With a foreword by Edwidge Danticat. Translated from the French by Kaiama L. Glover. Hadriana in All My Dreams, winner of the prestigious Prix Renaudot, takes place primarily during Carnival in 1938 in the Haitian village of Jacmel. A beautiful young French woman, Hadriana, is about to marry a Haitian boy from a prominent family. But on the morning of the wedding, Hadriana drinks a mysterious potion and collapses at the altar. Transformed into a zombie, her wedding becomes her funeral. She is buried by the town, revived by an evil sorcerer, and then disappears into popular legend. Set against a backdrop of magic and eroticism, and recounted with delirious humor, the novel raises universal questions about race and sexuality. The reader comes away enchanted by the marvelous reality of Haiti's Vodou culture and convinced of Depestre's lusty claim that all beings--even the undead ones--have a right to happiness and true love. From the introduction by Edwidge Danticat: Despestre offers us the kind of tale we rarely get in the hundreds of zombie stories featuring Haitians, stories set both inside and outside of Haiti. In Hadriana in All My Dreams we get both langaj--the secret language of Haitian Vodou--as well as the type of descriptive, elegiac, erotic, and satirical language, and the artistic license needed to create this most nuanced and powerful novel.

    sank in such appalling violence." --Radio France InternationalIn April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Now, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation. The novel recounts the story of a Rwandan history teacher, Cornelius Uvimana, who was living and working in Djibouti at the time of the massacre. He returns to Rwanda to try to comprehend the death of his family and to write a play about the events that took place there. As the novel unfolds, Cornelius begins to understand that it is only our humanity that will save us, and that as a writer, he must bear witness to the atrocities of the genocide.From the novel:"If only by the way people are walking, you can see that tension is mounting by the minute. I can feel it almost physically. Everyone is running or at least hurrying about. I meet more and more passersby who seem to be walking around in circles. There seems to be another light in their eyes. I think of the fathers who have to face the anguished eyes of their children and who can't tell them anything. For them, the country has become an immense trap in the space of just a few hours. Death is on the prowl. They can't even dream of defending themselves. Everything has been meticulously prepared for a long time: the administration, the army, and the [militia] are going to combine forces to kill, if possible, every last one of them."

    You've shrunk six centimetres, you only weigh 45 kilos yet you're still beautiful, graceful and desirable' – so begins André Gorz's 'open love letter' to the woman he has lived with for 58 years and who lies dying next to him.As one of France's leading post-war philosophers, André Gorz wrote many influential books, but nothing he wrote will be read as widely or remembered as long as this simple, passionate, beautiful letter to his dying wife.In a bittersweet postscript a year after Letter to D was published, a note pinned to the door for the cleaning lady marked the final chapter in an extraordinary love story. André Gorz and his terminally ill wife, Dorine, were found lying peacefully side by side, having taken their lives together. They simply could not live without one another.An international bestseller, Letter to D is the ultimate love story – and all the more poignant because it's true.

    In the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has immigrated to Britain with his wife and children to secure a brighter future. Blighted with unexpected illness and racism, Norman and his family are resilient, but are all too aware that their family will need more than just hope to survive in their new country. At the turn of the millennium, Jesse seeks a fresh start in London, escaping a broken immediate family, a repressive religious community and his depressed hometown in the industrial Black Country. But once he arrives he finds himself at a loss for a new center of gravity, and turns to sex work, music and art to create his own notions of love, masculinity and spirituality. A wholly original novel as tender as it is visceral, Rainbow Milk is a bold reckoning with race, class, sexuality, freedom and religion across generations, time and cultures.

    This reader is softcover, 6" 9," and 144 pages in length.

    Through a series of chapters in the form of "portraits," Max, a paraplegic, lays bare the psyches of those who would surround him, pamper him, love him either because or in spite of his handicap.

    They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable."--Alice Walker"Discovering Nella Larsen is like finding lost money with no name on it. One can enjoy it with delight and share it without guilt."  --Maya Angelou"A hugely influential and insighful writer." --The New York Times"Larsen's heroines are complex, restless, figures, whose hungers and frustrations will haunt every sensitive reader. Quicksand and Passing are slender novels with huge themes." -- Sarah Waters"A tantalizing mix of moral fable and sensuous colorful narrative, exploring female sexuality and racial solidarity."-Women's Studies International ForumNella Larsen's novels Quicksand (1928) and Passing (1929) document the historical realities of Harlem in the 1920s and shed a bright light on the social world of the black bourgeoisie. The novels' greatest appeal and achievement, however, is not sociological, but psychological. As noted in the editor's comprehensive introduction, Larsen takes the theme of psychic dualism, so popular in Harlem Renaissance fiction, to a higher and more complex level, displaying a sophisticated understanding and penetrating analysis of black female psychology.

    Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

    Though her childhood is one of brutality and fear, Tété finds solace in the traditional rhythms of African drums and in the voodoo loas she discovers through her fellow slaves. When twenty-year-old Toulouse Valmorain arrives on the island in 1770, it’s with powdered wigs in his baggage and dreams of financial success in his mind. But running his father’s plantation, Saint-Lazare, is neither glamorous nor easy. It will be eight years before he brings home a bride -- but marriage, too, proves more difficult than he imagined. And Valmorain remains dependent on the services of his teenaged slave. Spanning four decades, Island Beneath the Sea is the moving story of the intertwined lives of Tété and Valmorain, and of one woman’s determination to find love amid loss, to offer humanity though her own has been battered, and to forge her own identity in the cruellest of circumstances.Translated from the Spanish by Margaret Sayers Peden.

    In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.The God of Small Things takes on the Big Themes—Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.