He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    Pater was shocked at the reaction his book inspired: 'I wish they would not call me a hedonist, it gives such a wrong impression to those who do not know Greek.'.The book had begun as a series of idiosyncratic, impressionistic critical essays on those artists that embodied for him the spirit of the Renaissance; by collecting them and adding his infamous Conclusion, Pater gained a reputation as a daring modern philosopher. But The Renaissance survives as one of the most innovative pieces of cultural criticism to emerge from the nineteenth century.

    This newly edited anthology reflects the diverse experiences of those who lived through the war, bringing together the words of poets, soldiers, and civilians affected by the conflict. Here are famous verses by Rupert Brooke, Siegfried Sassoon, and Wilfred Owen; poetry by women writing from the home front; and the anonymous lyrics of soldiers’ songs. Arranged thematically, the selections take the reader through the war’s stages, from conscription to its aftermath, and offer a blend of voices that is both unique and profoundly moving.

    This graphic novel, set in the late 21st century, focuses on all the classic elements of detective and adventure stories: lost love, mysterious clients, a package everyone wants, and a tired, barely willing protagonist. The narrative details--such as the eponymous liquid, which is part munition, part drug, and much stranger than any character imagines--are calculated to foil the reader's assumptions, and the expressionistic artwork blends simple colors with bold lines to draw the eyes onward. It seems safe to say that cyberpunk's not dead. --Rob Lightner

    Prequel to When Patty Went to College book.Jean Webster (pseudonym for Alice Jane Chandler Webster) was born July 24, 1876 and died June 11, 1916. She was an American writer and author of many books including Daddy-Long-Legs and Dear Enemy.

    His prurient interest, oddly motivated, leaves few people unaffected - and the consequences cannot be ignored. Timothy, an "aimless, sadistic" 15-year-old boy, wanders about the seaside town of Dynmouth "trying to connect himself with other people."

    He was the first man to see a Martian...but he wasn't the last!It was estimated that a billion of them had arrived, one to every three human beings on Earth—obnoxious green creatures who could be seen and heard, but not harmed and who probed private sex lives as shamelessly as they probed government secrets.No one knew why they had come. No one knew how to make them go away—except, perhaps, Luke Devereaux. Unfortunately Devereaux was going slightly bananas, so it wouldn't be easy.But for a science-fiction writer nothing was impossible...

    Berger, is in the grips of an obsession. The Gursky family with its colourful bootlegging history, its bizarre connections with the North and the Inuit, and its wildly eccentric relations, both fascinates and infuriates him. His quest to unravel their story leads to the enigmatic Ephraim Gursky: document forger in Victorian England, sole survivor of the ill-fated Franklin expedition and charasmatic religious leader of the Arctic. Of Ephraim's three grandsons, Bernard has fought, wheeled and cheated his way to the head of a liquor empire. His brother Morrie has reluctantly followed along. But how does Ephraim's protege, Solomon, fit in? Elusive, mysterious and powerful, Solomon Gursky hovers in the background, always out of Moses' grasp, but present-like an omen.

    With Pictures Showing What Happens on Each Page of Thomas Pynchon's Novel Gravity's Rainbow, artist Zak Smith at once eases and expands readers’ experience of the book. A leading exponent of punk-based, DIY art, Smith here presents his most ambitious project to date — an art book exactly as long as the work it’s interpreting: 760 drawings, paintings, photos, and less definable images in 760 pages. Extraordinary tableaux of the detritus of war — a burned-out Königstiger tank, a melted machine gun — coexist alongside such phantasmagoric Pynchon inventions as the “stumbling bird” and “Girgori the octopus.” Smith has stated his aim to be “as literal as possible” in interpreting Gravity’s Rainbow, but his images are as imaginative and powerfully unique as the prose they honor.

    A tiger whose idea of adventure is to lie on his back by the fire and have his stomach rubbed. In six short years this unlikely duo has captured the hearts, the minds, and, most of all, the funny bones of America. They are the most phenomenal success story in syndication - and publishing - history. In only six years, they appear in more than 2,100 newspapers worldwide, and Calvin and Hobbes wins as many readership polls as Calvin has excesses. All seven of Bill Watterson's collections have sold a million copies within a year of publication.This treasury collection contains a never-before-published full-color section, as well as the cartoons appearing in The Revenge of the Baby-Sat and Scientific Progress Goes "Boink." All Sunday cartoons are presented full-page and full-color.

    H. Mallock's A Human Document, and began cutting and pasting the extant text to create something new. The artist writes, 'I plundered, mined and undermined its text to make it yield the ghosts of other possible stories, scenes, poems, erotic incidents and surrealist catastrophes which seemed to lurk within its wall of words. As I worked on it, I replaced the text I'd stripped away with visual images of all kinds. I began to tell and depict, among other memories, dreams and reflections, the sad story of Bill Toge, one of love's casualties.' After its first publication in book form in 1980, A Humument rapidly became a cult classic. This new fourth edition follows its predecessors by incorporating revisions and re-workings -- over half the pages in the 1980 edition are replaced by new versions -- and celebrates an artistic enterprise that is nearly forty years old and still actively a work in progress.

    While their travels are fraught with complications and intrigue, Mercier and Camier at least “did not remove from home, they had that good fortune.”

    The inaugural volume includes stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web.Contributors include Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and Lynda Barry—and unique discoveries such as Justin Hall, Esther Pearl Watson, and Lilli Carré.

    Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian“A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

    A master of denial, Julie Winters created a magical dream world where she unknowingly escapes to when reality is too much. But when the two planes of existences momentarily connected, her supernatural spirit protector merged with a homeless man and the Maxx was created. Now existing in both worlds but suffering from amnesia whenever he crosses over, the Maxx tries to battle his apparent fits of insanity as he protects Julie in both realities from the murderous sorcerer Mr. Gone and the Isz, his magical minions.