Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family.

    Her life has been characterized by honor and fierce passion, and above all by an abiding search for perfect love that has spanned much of the twentieth century. Ever in the background of this remarkable woman's story is the stunning Sardinian landscape, the deep blues of the Mediterranean, the rugged mountains of the Sardinian back-country dotted with charming villages lost in time.With warmth, great humor, and deep insight Milena Agus writes about the customs and the beauty of her native Sardinia, about love, family, immigration, war, and peace. From the Land of the Moon is the moving English debut of one of Italy s most important new literary talents.

    It is the 1860s; Japan is closed to foreigners and this has to be a clandestine operation. During his undercover negotiations with the local baron, Joncour's attention is arrested by the man's concubine, a girl who does not have Oriental eyes. Although the young Frenchman and the girl are unable to exchange so much as a word, love blossoms between them, conveyed by a number of recondite messages in the course of four visits the Frenchman pays to Japan. How their secret affair develops and how it unfolds is told in a narration as beautiful, smooth and seamless as a piece of the finest silk.

    A face-off between a man and a boy. The same blood runs through their veins. One, Daniele Mallarico, is a successful illustrator at the peak of his career. The other, Mario, is his four-year-old grandson who has barely learned to talk but has a few tricks up his loose-fitting sleeves all the same. The older combatant has lived for years in almost complete solitude. The younger one has been dumped with a grandfather he barely knows for 72 hours. Starnone’s sharp novella unfolds within the four walls (and a balcony!) of the apartment where the grandfather grew up, now the home of his daughter and her family, where the rage of an aging man meets optimism incarnate in the shape of a four-year-old child. Lurking, ever present in the conflict, is the memory of Naples, a wily, violent, and passionate city where the old man spent his youth and whose influence is not easily shaken.

    An investigation ensues and as each of the victim's neighbors is questioned, the reader is offered an all-access pass into the most colorful neighborhood in contemporary Rome. Each character takes his or her turn center-stage, giving evidence, recounting his or her story the dramas of racial identity, the anxieties and misunderstandings born of a life spent on society's margins, the daily humiliations provoked by mainstream culture's fears and indifference, preconceptions and insensitivity. What emerges is a moving story that is common to us all, whether we live in Italy or Los Angeles. This novel is animated by a style that is as colorful as the neighborhood it describes and is characterized by seemingly effortless equipoise that borrows from the cinematic tradition of the Commedia all Italiana as exemplified by directors such as Federico Fellini. At the heart of this bittersweet comedy told with affection and sensitivity is a social reality that we often tend to ignore and an anthropological analysis, refreshing in its generosity, that cannot fail to fascinate.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    Alice and Mattia, both "primes," are misfits who seem destined to be alone. Haunted by childhood tragedies that mark their lives, they cannot reach out to anyone else. When Alice and Mattia meet as teenagers, they recognize in each other a kindred, damaged spirit. But the mathematically gifted Mattia accepts a research position that takes him thousands of miles away, and the two are forced to separate. Then a chance occurrence reunites them and forces a lifetime of concealed emotion to the surface. Like Mark Haddon's The Curious Incident of the Dog in the Night-Time, this is a stunning meditation on loneliness, love, and the weight of childhood experience that is set to become a universal classic.

    Read an exclusive excerpt at BookBrowse today.The hottest summer of the twentieth century. A tiny community of five houses in the middle of wheat fields. While the adults shelter indoors, six children venture out on their bikes across the scorched, deserted countryside.In the midst of that sea of golden wheat, nine year-old Michele Amitrano discovers a secret so momentous, so terrible, that he daren’t tell anyone about it. To come to terms with it he will have to draw strength from his own imagination and sense of humanity. The reader witnesses a dual story: the one that is seen through Michele's eyes, and the tragedy involving the adults of this isolated hamlet. The result is an immensely powerful, lyrical and skillfully narrated novel, its atmosphere reminiscent of Tom Sawyer, Stephen King's Stand By Me and Italo Calvino's Italian Fairy Tales. This is Ammaniti's third book, but his first to be published in the USA.

    His father, a brilliant mathematician, hasn’t played a large part in his life since divorcing Antonio’s mother but when Antonio is diagnosed with epilepsy, they travel to Marseille to visit a doctor who may hold the hope for an effective treatment. It is there, in a foreign city, under strained circumstances, that they will get to know each other and connect for the first time.A beautiful, gritty, and charming port city where French old-world charm meets modern bohemia, father and son stroll the streets sharing strained small talk. But as the hours pass and day gives way to night, the two find themselves caught in a series of caffeine-imbued adventures involving unexpected people (and unforeseen trysts) that connect father and son for the first time. As the two discuss poetry, family, sex, math, death, and dreams, their experience becomes a mesmerizing 48-hour microcosm of a lifetime relationship. Both learn much about illusions and regret, about talent and redemption, and, most of all, about love. Elegant, warm, and tender, set against the vivid backdrop of 1980s Marseille and its beautiful calanques—a series of cliffs and bays on the city’s outskirts—Three O’Clock in the Morning is a bewitching coming-of-age story imbued with nostalgia and a revelatory exploration of time and fate, youth and adulthood.

    Amid the carnage and confusion, one Baudolino saves a historian and high court official from certain death at the hands of the crusading warriors and proceeds to tell his own fantastical story.Born a simple peasant in northern Italy, Baudolino has two major gifts-a talent for learning languages and a skill in telling lies. When still a boy he meets a foreign commander in the woods, charming him with his quick wit and lively mind. The commander-who proves to be Emperor Frederick Barbarossa-adopts Baudolino and sends him to the university in Paris, where he makes a number of fearless, adventurous friends.Spurred on by myths and their own reveries, this merry band sets out in search of Prester John, a legendary priest-king said to rule over a vast kingdom in the East-a phantasmagorical land of strange creatures with eyes on their shoulders and mouths on their stomachs, of eunuchs, unicorns, and lovely maidens. With dazzling digressions, outrageous tricks, extraordinary feeling, and vicarious reflections on our postmodern age, this is Eco the storyteller at his brilliant best.

    He spent many years there as director of the Italian Cultural Institute in Lisbon. He even wrote Requiem in Portuguese; it had to be translated into Italian for publication in his native Italy.Requiem's narrator has an appointment to meet someone on a quay by the Tagus at twelve. But, it turns out, not twelve noon, twelve midnight, so he has a long time to while away. As the day unfolds, he has many encounters—a young junky, a taxi driver who is not familiar with the streets, several waiters, a gypsy, a cemetery keeper, the mysterious Isabel, an accordionist, in all almost two dozen people both real and illusionary. Finally he meets The Guest, the ghost of the long dead great poet Fernando Pessoa. Part travelog, part autobiography, part fiction, and even a bit of a cookbook, Requiem becomes an homage to a country and its people, and a farewell to the past as the narrator lays claim to a literary forebear who, like himself, is an evasive and many-sided personality.

    All the qualities for which Alberto Moravia is justly famous ~~ his cool clarity of expression, his exacting attention to psychological complexity and social pretension, his still-striking openness about sex—are evident in this story of a failing marriage. Contempt (which was to inspire Jean-Luc Godard’s no-less-celebrated film) is an unflinching examination of desperation and self-deception in the emotional vacuum of modern consumer society.

    Contains 3 novellas originally published between 1952-1959: The Cloven Viscount, The Baron In the Trees, The Non-Existent Knight.

    With the off-handed knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the apparently perfect new girl, Fréderique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy. Now translated into six languages, I beati anni del castigo in its Italian original won the 1990 Premio Bagutta and the 1990 Premio Speciale Rapallo. In Tim Parks’ consummate translation (with its "spare, haunting quality of a prose poem"), Sweet Days of Discipline was selected as one of the London Times Literary Supplement’s Notable Books of 1992: "In a period when novels are generally overblown and scarcely portable, it is good to be able to recommend [one that is] miraculously short and beautifully written."

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?